Harry Baird(1931-2005)
- Actor
- Stunts
- Additional Crew
Cast in a number of racially-motivated British films during the 1950s
and 1960s, actor Harry Baird was born in Georgetown, Guyana (then
called British Guiana) on May 12, 1931 and received his education both
in Canada and England.
Famed director Carol Reed gave Harry his film break in 1954 at age 23 when he cast the actor in the smallish role of a black boxer named Jamaica in L'enfant et la licorne (1955), a tale that dealt with the tense ethnic struggles of London's East End. A year later Harry made a minor stage bow in the musical "Kismet" at the Stoll theatre in London. Although he continued sporadically before live audiences, including a role in Jean Genet's "The Blacks" in 1961, his stronger focus would be in the cinema and on TV where he often took to stunt work just to keep himself in front of the lens.
His first lead on TV was as Rhodes Reason's bearer, Atimbu, in the low-budget White Hunter (1957) adventure series. Moviegoers first took notice of Harry, however, with his stirring portrayal of a young black brutalized by the police in the film Opération Scotland Yard (1959), a role that helped him continue into the next decade. Extremely good-looking and physically fit, he rarely managed to attain leads, primarily due to the lack of parts at the time for men of his race. He did find regular supporting roles on TV, however, including the series Destination danger (1964) and the science-fiction program Alerte dans l'espace (1970).
As jobs grew scarce into the 60s Harry traveled to other parts of Europe, especially Italy and France, to find work. Some were even leads or co-leads. He played well-muscled action heroes in a handful of Italian spectacles and "spaghetti" westerns and scored a personal triumph in France with first-time director Melvin Van Peebles' landmark low-budget film La permission (1967), in which he starred as a black American GI who falls in love with a white French girl (played by the late Nicole Berger) while on leave in Paris. Sadly, Ms. Berger was killed in a car accident shortly after filming the movie.
Other films around this time included Bryan Forbes' classic Les chuchoteurs (1967) starring Edith Evans, The Touchables (1968), in which the athletic actor played a gay wrestler named "Lillywhite," the Edgar Allan Poe adaptation Le cercueil vivant (1969) with Vincent Price, and friend Michael Caine's picture L'or se barre (1969). In the 1970s Harry was diagnosed with glaucoma.
He was forced to retire as the impairment worsened and he eventually went completely blind. He remained upbeat and positive in later years as he adapted to his handicap and took classes on film history among other interests. He was married and divorced and survived by a stepdaughter when he died of cancer at age 73 in London on February 13, 2005.
Famed director Carol Reed gave Harry his film break in 1954 at age 23 when he cast the actor in the smallish role of a black boxer named Jamaica in L'enfant et la licorne (1955), a tale that dealt with the tense ethnic struggles of London's East End. A year later Harry made a minor stage bow in the musical "Kismet" at the Stoll theatre in London. Although he continued sporadically before live audiences, including a role in Jean Genet's "The Blacks" in 1961, his stronger focus would be in the cinema and on TV where he often took to stunt work just to keep himself in front of the lens.
His first lead on TV was as Rhodes Reason's bearer, Atimbu, in the low-budget White Hunter (1957) adventure series. Moviegoers first took notice of Harry, however, with his stirring portrayal of a young black brutalized by the police in the film Opération Scotland Yard (1959), a role that helped him continue into the next decade. Extremely good-looking and physically fit, he rarely managed to attain leads, primarily due to the lack of parts at the time for men of his race. He did find regular supporting roles on TV, however, including the series Destination danger (1964) and the science-fiction program Alerte dans l'espace (1970).
As jobs grew scarce into the 60s Harry traveled to other parts of Europe, especially Italy and France, to find work. Some were even leads or co-leads. He played well-muscled action heroes in a handful of Italian spectacles and "spaghetti" westerns and scored a personal triumph in France with first-time director Melvin Van Peebles' landmark low-budget film La permission (1967), in which he starred as a black American GI who falls in love with a white French girl (played by the late Nicole Berger) while on leave in Paris. Sadly, Ms. Berger was killed in a car accident shortly after filming the movie.
Other films around this time included Bryan Forbes' classic Les chuchoteurs (1967) starring Edith Evans, The Touchables (1968), in which the athletic actor played a gay wrestler named "Lillywhite," the Edgar Allan Poe adaptation Le cercueil vivant (1969) with Vincent Price, and friend Michael Caine's picture L'or se barre (1969). In the 1970s Harry was diagnosed with glaucoma.
He was forced to retire as the impairment worsened and he eventually went completely blind. He remained upbeat and positive in later years as he adapted to his handicap and took classes on film history among other interests. He was married and divorced and survived by a stepdaughter when he died of cancer at age 73 in London on February 13, 2005.
