A group of more than 350 international actors, directors and producers have signed a letter published on the first day of Cannes condemning the killing of Fatma Hassona, the Palestinian photojournalist and protagonist of the festival-bound documentary “Put Your Soul on Your Hand and Walk,” in an Israeli airstrike.
The letter, signed by names such as Mark Ruffalo, Guy Pearce, Ralph Fiennes, Melissa Barrera, Yorgos Lanthimos, Javier Bardem, Hannah Einbinder, Pedro Almodóvar, David Cronenberg, Alfonso Cuarón, Mike Leigh, Alex Gibney, Viggo Mortensen, Cynthia Nixon, Tessa Ross and many more, also called out the Academy of Motion Pictures Arts and Sciences’ for its “lack of support” for “No Other Land” co-director Hamdan Ballal.
Just three weeks after winning the Oscar for the documentary, Ballal was assaulted by settlers and kidnapped by the Israeli army. After being criticized for its silence over the incident, AMPAS eventually publicly apologized. “We are ashamed of such passivity,...
The letter, signed by names such as Mark Ruffalo, Guy Pearce, Ralph Fiennes, Melissa Barrera, Yorgos Lanthimos, Javier Bardem, Hannah Einbinder, Pedro Almodóvar, David Cronenberg, Alfonso Cuarón, Mike Leigh, Alex Gibney, Viggo Mortensen, Cynthia Nixon, Tessa Ross and many more, also called out the Academy of Motion Pictures Arts and Sciences’ for its “lack of support” for “No Other Land” co-director Hamdan Ballal.
Just three weeks after winning the Oscar for the documentary, Ballal was assaulted by settlers and kidnapped by the Israeli army. After being criticized for its silence over the incident, AMPAS eventually publicly apologized. “We are ashamed of such passivity,...
- 5/13/2025
- by Alex Ritman
- Variety Film + TV
Maura Delpero’s Italian WW2 drama Vermiglio won best film at the 70th David Di Donatello awards, Italy’s version of the Oscars, held at Rome’s historic Cinecittà film studio on Wednesday night. Delpero also took best directing honors en route to a 7-trophy sweep.
The film, which had its world premiere in competition at the Venice Film Festival last year, beat out the two award frontrunners, Paolo Sorrentino’s Parthenope, a sumptuous, occasionally surreal tribute to his hometown of Naples, and Andrea Segre’s The Great Ambition, a political biopic about Italian Communist Party leader Enrico Berlinguer, which lead the pack going into the David awards with 15 nominations each. Parthenope went away empty-handed, but The Great Ambition took two awards: Best actor for Elio Germano, who play Berlinguer, and best editing for Jacopo Quadri.
Tecla Insolia won best actress for her starring role in Nicolangelo Gelormini’s Sicilian...
The film, which had its world premiere in competition at the Venice Film Festival last year, beat out the two award frontrunners, Paolo Sorrentino’s Parthenope, a sumptuous, occasionally surreal tribute to his hometown of Naples, and Andrea Segre’s The Great Ambition, a political biopic about Italian Communist Party leader Enrico Berlinguer, which lead the pack going into the David awards with 15 nominations each. Parthenope went away empty-handed, but The Great Ambition took two awards: Best actor for Elio Germano, who play Berlinguer, and best editing for Jacopo Quadri.
Tecla Insolia won best actress for her starring role in Nicolangelo Gelormini’s Sicilian...
- 5/8/2025
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Paolo Sorrentino’s Parthenope, the director’s sumptuous, occasionally surreal tribute to his hometown of Naples, and Andrea Segre’s The Great Ambition, a political biopic about Italian Communist Party leader Enrico Berlinguer, are the frontrunners for this year’s David Di Donatello awards, Italy’s version of the Oscars.
Parthenope and The Great Ambition picked up 15 nominations each, including for best film and best director. In the best film category, they will face up against Maura Delpero’s Italian WW2 drama Vermiglio and Valeria Golino and Nicolangelo Gelormini’s L’arte della gioia (The Art of Joy), which received 14 nominations each, and the Francesca Comencini-directed drama The Time It Takes, which received four nominations. Other multiple nominees include Margherita Vicario’s debut feature Gloria!, about women musicians at a Church-run establishment in early-1800s Italy, which scored nine nominations, and Francesco Costabile’s crime thriller Familia, with eight.
In the best international film category,...
Parthenope and The Great Ambition picked up 15 nominations each, including for best film and best director. In the best film category, they will face up against Maura Delpero’s Italian WW2 drama Vermiglio and Valeria Golino and Nicolangelo Gelormini’s L’arte della gioia (The Art of Joy), which received 14 nominations each, and the Francesca Comencini-directed drama The Time It Takes, which received four nominations. Other multiple nominees include Margherita Vicario’s debut feature Gloria!, about women musicians at a Church-run establishment in early-1800s Italy, which scored nine nominations, and Francesco Costabile’s crime thriller Familia, with eight.
In the best international film category,...
- 4/7/2025
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Paolo Sorrentino’s Parthenope and Andrea Segre’s The Great Ambition have taken the lead at the nomination stage for Italy’s upcoming 70th David di Donatello awards.
The titles have secured 15 nominations each including for best film and director.
Maura Delpero’s Vermiglio and Valeria Golino and Nicolangelo Gelormini’s The Art Of Joy received 14 nominations each, followed by Gloria! and Familia with nine and eight nominations respectively.
Sorrentino’s Parthenope, following a woman from her birth in 1950 to the current day against the backdrop of Naples, world premiered in Cannes.
Biopic The Great Ambition stars Elio Germano as 1970s and 1980s left-wing political leader Enrico Berlinguer, who nearly led the Communist party into power.
Vermiglio world premiered in Venice where it won the Silver Lion Grand Jury Prize and went on to be Italy’s 2025 Oscars submission. Set in a remote mountain village in 1944, the drama revolves around...
The titles have secured 15 nominations each including for best film and director.
Maura Delpero’s Vermiglio and Valeria Golino and Nicolangelo Gelormini’s The Art Of Joy received 14 nominations each, followed by Gloria! and Familia with nine and eight nominations respectively.
Sorrentino’s Parthenope, following a woman from her birth in 1950 to the current day against the backdrop of Naples, world premiered in Cannes.
Biopic The Great Ambition stars Elio Germano as 1970s and 1980s left-wing political leader Enrico Berlinguer, who nearly led the Communist party into power.
Vermiglio world premiered in Venice where it won the Silver Lion Grand Jury Prize and went on to be Italy’s 2025 Oscars submission. Set in a remote mountain village in 1944, the drama revolves around...
- 4/7/2025
- by Melanie Goodfellow
- Deadline Film + TV
Pierfrancesco Favino, who plays Maria Callas’ protective butler in Pablo Larraín’s “Maria,” doesn’t back down from a fight, on-screen or in life.
At last year’s Venice Film Festival, the Rome native erupted with the kind of volcanic indignation that Callas was known for, furious that American actors like “House of Gucci” and “Ferrari” star Adam Driver kept getting cast as iconic Italians. Those parts should have gone to Italian actors, Favino argued at a press conference — though he was quick to add he had nothing against Driver.
With “Maria,” Favino gets the kind of quietly scene-stealing role that could show Hollywood what it’s been missing. In the meditative, slightly surreal drama, he plays Ferruccio, a loyal helpmate who caters to Callas by moving her grand piano around the apartment to whatever window she thinks has the best light that day, despite suffering from a bad back.
At last year’s Venice Film Festival, the Rome native erupted with the kind of volcanic indignation that Callas was known for, furious that American actors like “House of Gucci” and “Ferrari” star Adam Driver kept getting cast as iconic Italians. Those parts should have gone to Italian actors, Favino argued at a press conference — though he was quick to add he had nothing against Driver.
With “Maria,” Favino gets the kind of quietly scene-stealing role that could show Hollywood what it’s been missing. In the meditative, slightly surreal drama, he plays Ferruccio, a loyal helpmate who caters to Callas by moving her grand piano around the apartment to whatever window she thinks has the best light that day, despite suffering from a bad back.
- 11/27/2024
- by Nick Vivarelli
- Variety Film + TV
Set in Italy during the closing years of World War I, Gianni Amelio’s Battlefield (Campo di Battaglia) follows two army doctors with starkly different approaches to treating wounded soldiers. Directed by veteran filmmaker Amelio and released in 2024, the film is a sobering glimpse into the challenges faced by medical staff stationed near the front lines.
Childhood friends Giulio and Stefano now work at a crowded military hospital, where an endless stream of injured infantrymen passes through. Many suffer horrific maimings from combat, while others bear wounds that may have been self-inflicted to avoid being sent back to the treacherous trenches.
As dedicated doctors trying to fulfill their duties, Giulio and Stefano soon find themselves negotiating difficult ethical decisions. Their diverging views will be tested even further when a devastating pandemic reaches the overburdened population.
Through its compassionate yet unflinching portrayal, Battlefield provokes thoughtful consideration of wartime moral duty. Giulio...
Childhood friends Giulio and Stefano now work at a crowded military hospital, where an endless stream of injured infantrymen passes through. Many suffer horrific maimings from combat, while others bear wounds that may have been self-inflicted to avoid being sent back to the treacherous trenches.
As dedicated doctors trying to fulfill their duties, Giulio and Stefano soon find themselves negotiating difficult ethical decisions. Their diverging views will be tested even further when a devastating pandemic reaches the overburdened population.
Through its compassionate yet unflinching portrayal, Battlefield provokes thoughtful consideration of wartime moral duty. Giulio...
- 10/26/2024
- by Shahrbanoo Golmohamadi
- Gazettely
Italy has selected Maura Delpero’s Venice Silver Lion winner Vermiglio as its entry for the best international feature Oscar.
Vermiglio won the Grand Jury Prize in Competition at Venice earlier this month. Set in 1944 in the Italian alpine village after which the film is named, it sees the arrival of a deserter soldier disrupt the life of the village teacher and his family, as the eldest daughter falls in love with him.
Producers on the film are Francesca Andreoli, Santiago Fondevila, Leonardo Guerra Seragnoli and Delpero, for Italy’s Cinedora with Rai Cinema, in co-production with France’s Charades...
Vermiglio won the Grand Jury Prize in Competition at Venice earlier this month. Set in 1944 in the Italian alpine village after which the film is named, it sees the arrival of a deserter soldier disrupt the life of the village teacher and his family, as the eldest daughter falls in love with him.
Producers on the film are Francesca Andreoli, Santiago Fondevila, Leonardo Guerra Seragnoli and Delpero, for Italy’s Cinedora with Rai Cinema, in co-production with France’s Charades...
- 9/24/2024
- ScreenDaily
Italy has selected Maura Delpero’s Venice Silver Lion winner Vermiglio as its entry for the best international feature Oscar.
Vermiglio won the Grand Jury Prize in Competition at Venice earlier this month. Set in 1944 in the Italian alpine village after which the film is named, it sees the arrival of a deserter soldier disrupt the life of the village teacher and his family, as the eldest daughter falls in love with him.
Producers on the film are Francesca Andreoli, Santiago Fondevila, Leonardo Guerra Seragnoli and Delpero, for Italy’s Cinedora with Rai Cinema, in co-production with France’s Charades...
Vermiglio won the Grand Jury Prize in Competition at Venice earlier this month. Set in 1944 in the Italian alpine village after which the film is named, it sees the arrival of a deserter soldier disrupt the life of the village teacher and his family, as the eldest daughter falls in love with him.
Producers on the film are Francesca Andreoli, Santiago Fondevila, Leonardo Guerra Seragnoli and Delpero, for Italy’s Cinedora with Rai Cinema, in co-production with France’s Charades...
- 9/24/2024
- ScreenDaily
The 2024 Venice Film Festival kicked off August 28 with the long-awaited Tim Burton-Michael Keaton sequel Beetlejuice Beetlejuice opening the 81th edition, which runs through September 7 on the Lido. Deadline is on the ground to watch all the key films.
The lineup for the world’s oldest fest also includes world premieres of Todd Phillips’ Joaquin Phoenix-Lady Gaga pic Joker: Folie à Deux, Pedro Almodóvar’s The Room Next Door, Luca Guadagnino’s Queer, Pablo Larrain’s Maria Callas biopic Maria starring Angelina Jolie and new works from the likes of Alfonso Cuarón, Walter Salles, Harmony Korine, Thomas Vinterberg, Brady Corbet, Takeshi Kitano, Claude Lelouch, Errol Morris and others.
Below is a compilation of our reviews from the fest, which last year awarded its Golden Lion for best film to Yorgos Lanthimos’ Poor Things, starring Emma Stone, who went on the win the Best Actress Oscar. Isabelle Huppert heads the competition jury this year.
The lineup for the world’s oldest fest also includes world premieres of Todd Phillips’ Joaquin Phoenix-Lady Gaga pic Joker: Folie à Deux, Pedro Almodóvar’s The Room Next Door, Luca Guadagnino’s Queer, Pablo Larrain’s Maria Callas biopic Maria starring Angelina Jolie and new works from the likes of Alfonso Cuarón, Walter Salles, Harmony Korine, Thomas Vinterberg, Brady Corbet, Takeshi Kitano, Claude Lelouch, Errol Morris and others.
Below is a compilation of our reviews from the fest, which last year awarded its Golden Lion for best film to Yorgos Lanthimos’ Poor Things, starring Emma Stone, who went on the win the Best Actress Oscar. Isabelle Huppert heads the competition jury this year.
- 9/8/2024
- by Pete Hammond, Damon Wise, Stephanie Bunbury, Dominic Patten and Matthew Carey
- Deadline Film + TV
As the Toronto International Film Festival gets underway, The Hollywood Reporter’s critics weigh in on this year’s crop of titles, from biopics to documentaries, sweeping epics to intimate character studies, tear-jerking dramas to laugh-out-loud comedies.
Several of this year’s slate have already debuted at other festivals throughout the year. For those curious about the very best the TIFF calendar has to offer, a few — but not nearly all — of the highlights include the Steven Soderbergh ghost story Presence, which David Rooney hailed as “masterfully done” out of Sundance; the Icelandic grief drama When the Light Breaks, which Lovia Gyarkye described as “impossible to shake” at Cannes; and the literary adaptation Don’t Let’s Go to the Dogs Tonight, which Caryn James praised at Telluride for the “astonishing” child performance at its center.
In addition, the lineup includes a number of highly anticipated world premieres — we’re curious about David Gordon Green’s Nutcracker,...
Several of this year’s slate have already debuted at other festivals throughout the year. For those curious about the very best the TIFF calendar has to offer, a few — but not nearly all — of the highlights include the Steven Soderbergh ghost story Presence, which David Rooney hailed as “masterfully done” out of Sundance; the Icelandic grief drama When the Light Breaks, which Lovia Gyarkye described as “impossible to shake” at Cannes; and the literary adaptation Don’t Let’s Go to the Dogs Tonight, which Caryn James praised at Telluride for the “astonishing” child performance at its center.
In addition, the lineup includes a number of highly anticipated world premieres — we’re curious about David Gordon Green’s Nutcracker,...
- 9/5/2024
- by David Rooney, Lovia Gyarkye, Daniel Fienberg, Angie Han, Jon Frosch, Leslie Felperin, Jordan Mintzer, Caryn James and Stephen Farber
- The Hollywood Reporter - Movie News
The war is far away, but ever so close, in Battleground (Campo di Battaglia), director Gianni Amelio’s sober study of doctors treating wounded soldiers in Italy as World War I comes to a close. Reducing the conflict to a chamber piece where a trio of former medical students clash over the moral repercussions of their duties, the film raises some interesting and altogether timely questions, but never builds into a powerful drama.
Set almost entirely in a military hospital miles from the front, Battleground fitfully conveys the utter horrors of the Great War, revealing the deep physical and psychological injuries of soldiers arriving on stretchers for treatment. Many of them are in fact so shell-shocked (what we now call Ptsd) that they’re willing to further harm themselves in order to avoid getting sent back to the front, where they are sure to die.
The patients are triaged and...
Set almost entirely in a military hospital miles from the front, Battleground fitfully conveys the utter horrors of the Great War, revealing the deep physical and psychological injuries of soldiers arriving on stretchers for treatment. Many of them are in fact so shell-shocked (what we now call Ptsd) that they’re willing to further harm themselves in order to avoid getting sent back to the front, where they are sure to die.
The patients are triaged and...
- 9/1/2024
- by Jordan Mintzer
- The Hollywood Reporter - Movie News
The battleground in veteran Italian director Gianni Amelio’s atmospheric feature is nominally Europe in the last furlong of the 1914-18 conflict, but the real subject is the war that the Italian government declared on its own people. There are aspects of this all-too-true story, based loosely on Carlo Patriarca’s 2020 novel The Challenge, that will resonate throughout the world, and one might think that post-Vietnam America would be especially receptive to a story about the callous deployment of young, blue-collar men into savage conflicts from which they will almost certainly never return. Amelio’s film, however, while perfect for the local market, isn’t exactly likely to cross over.
The director sets the scene with grim images of bodies piled higher and higher in bleak muddy trenches. The year is 1918, and the armistice is just around the corner, but no one on the front line can possibly know that yet.
The director sets the scene with grim images of bodies piled higher and higher in bleak muddy trenches. The year is 1918, and the armistice is just around the corner, but no one on the front line can possibly know that yet.
- 8/31/2024
- by Damon Wise
- Deadline Film + TV
Down with the Sickness: Amelio Probes Wartime Ethical Dilemmas
The tagline for Battlefield, the latest from Italian auteur Gianni Amelio, could very well read “You gotta be cruel to be kind,” seeing as it turns on complex ethical dilemmas between two diametrically opposed physicians working side by side in a military hospital in the twilight of WWI. Loosely based on the 2018 novel The Challenge by Carlo Patriarca, it’s a narrative which features Amelio’s significant interests in humans whose experiences are incredibly hobbled either by social expectations or reality, where vestiges of authentic humanity are relegated to the outskirts of society.…...
The tagline for Battlefield, the latest from Italian auteur Gianni Amelio, could very well read “You gotta be cruel to be kind,” seeing as it turns on complex ethical dilemmas between two diametrically opposed physicians working side by side in a military hospital in the twilight of WWI. Loosely based on the 2018 novel The Challenge by Carlo Patriarca, it’s a narrative which features Amelio’s significant interests in humans whose experiences are incredibly hobbled either by social expectations or reality, where vestiges of authentic humanity are relegated to the outskirts of society.…...
- 8/31/2024
- by Nicholas Bell
- IONCINEMA.com
The stars are hitting the red carpet at the 2024 Venice Film Festival!
Emily Ratajkowski and Aaron Taylor-Johnson both posed for photos as they arrived at the premiere of Battlefield (Campo Di Battaglia) on Saturday (August 31) in Venice, Italy.
Other stars in attendance included Eva Green, Stella Maxwell, Luicen Laviscount, Miguel Angel Silvestre, and Jasmine Tookes.
The Italian drama, directed by Gianni Amelio is set in 1918, “when a pair of Italian doctors take very different approaches to treating the wounded that pass through their wards,” according to The Guardian.
If you missed it, Emily has been sparking new romance rumors with this up and coming singer!
Fyi: Emily is wearing Gucci. Eva is wearing an Armani Privé dress. Lucien is wearing a Burberry tux.
Click through the gallery inside for 30+ pictures of the stars at the premiere…...
Emily Ratajkowski and Aaron Taylor-Johnson both posed for photos as they arrived at the premiere of Battlefield (Campo Di Battaglia) on Saturday (August 31) in Venice, Italy.
Other stars in attendance included Eva Green, Stella Maxwell, Luicen Laviscount, Miguel Angel Silvestre, and Jasmine Tookes.
The Italian drama, directed by Gianni Amelio is set in 1918, “when a pair of Italian doctors take very different approaches to treating the wounded that pass through their wards,” according to The Guardian.
If you missed it, Emily has been sparking new romance rumors with this up and coming singer!
Fyi: Emily is wearing Gucci. Eva is wearing an Armani Privé dress. Lucien is wearing a Burberry tux.
Click through the gallery inside for 30+ pictures of the stars at the premiere…...
- 8/31/2024
- by Just Jared
- Just Jared
1918 in Italy was, a title reminds us, “the year of victory.” Yet the first images in Gianni Amelio’s WWI-set “Battleground” are anything but triumphal: a pile of bloodied soldiers’ bodies glinting wetly in the moonlight; a scavenger pilfering the wallets of the dead; a blanket thrown over a survivor whose gibbering shellshock makes him too abject to look at. The irony is heavy, the way everything in this stultifyingly serious drama is heavy: the skies, the mood, the movements of Luan Amelio Ujkaj’s stately-to-the-point-of-staid camera. The year may have ended in victory but for the Italian soldiers fighting on the frontlines, and for a civilian population numbed by loss and wartime poverty, most of 1918 was spent somewhere closer to despair.
This national demoralization — a feeling rather too well evoked by “Battleground”‘s sluggish pacing and disjointed storytelling — is palpable to Stefano (Gabriele Montesi) and his old friend and...
This national demoralization — a feeling rather too well evoked by “Battleground”‘s sluggish pacing and disjointed storytelling — is palpable to Stefano (Gabriele Montesi) and his old friend and...
- 8/31/2024
- by Jessica Kiang
- Variety Film + TV
Venice film festival
Gianni Amelio’s saga is set in 1918, when a pair of Italian doctors take very different approaches to treating the wounded that pass through their wards
Here is the upstanding infantryman of this year’s Venice film festival competition: dogged and decent, doomed to be gunned down by the judges. The festival likes to find room for the occasional domestic production in the main programme, a film that’s happy to ride its home-turf advantage but is otherwise there to make up the numbers. Gianni Amelio’s tense wartime saga is better than most but that counts for little when the battle heats up.
It is 1918, “the Year of Victory”, although in smalltown Italy it feels more akin to defeat. Alessandro Borghi and Gabriel Montesi play Giulio and Stefano, two childhood friends who work as doctors in a military hospital that has become a battleground of its own,...
Gianni Amelio’s saga is set in 1918, when a pair of Italian doctors take very different approaches to treating the wounded that pass through their wards
Here is the upstanding infantryman of this year’s Venice film festival competition: dogged and decent, doomed to be gunned down by the judges. The festival likes to find room for the occasional domestic production in the main programme, a film that’s happy to ride its home-turf advantage but is otherwise there to make up the numbers. Gianni Amelio’s tense wartime saga is better than most but that counts for little when the battle heats up.
It is 1918, “the Year of Victory”, although in smalltown Italy it feels more akin to defeat. Alessandro Borghi and Gabriel Montesi play Giulio and Stefano, two childhood friends who work as doctors in a military hospital that has become a battleground of its own,...
- 8/31/2024
- by Xan Brooks
- The Guardian - Film News
What a difference a year makes.
After being the first major film festival to navigate the choppy waters of programming huge world premieres at a time when most actors were on strike last year, the Venice Film Festival is back for its 81st edition with a lineup of showy projects. This time, stars like George Clooney, Angelina Jolie, Brad Pitt, Nicole Kidman, and Lady Gaga can actually come out to the Lido to support them.
Focusing on the 21 competition titles (down two from last year), the most expected entrants were Luca Guadanigno’s “Queer,” Pablo Larrain’s “Maria,” and Pedro Almodóvar’s “The Room Next Door” (his first English-language feature). Led by Daniel Craig, Jolie, and Tilda Swinton, respectively, each film arrives with awards hopes baked in already — especially considering the filmmakers’ track records with directing Oscar-nominated performances. While “The Room Next Door” furthers Almodóvar’s long-running relationship with distributor Sony Pictures Classics,...
After being the first major film festival to navigate the choppy waters of programming huge world premieres at a time when most actors were on strike last year, the Venice Film Festival is back for its 81st edition with a lineup of showy projects. This time, stars like George Clooney, Angelina Jolie, Brad Pitt, Nicole Kidman, and Lady Gaga can actually come out to the Lido to support them.
Focusing on the 21 competition titles (down two from last year), the most expected entrants were Luca Guadanigno’s “Queer,” Pablo Larrain’s “Maria,” and Pedro Almodóvar’s “The Room Next Door” (his first English-language feature). Led by Daniel Craig, Jolie, and Tilda Swinton, respectively, each film arrives with awards hopes baked in already — especially considering the filmmakers’ track records with directing Oscar-nominated performances. While “The Room Next Door” furthers Almodóvar’s long-running relationship with distributor Sony Pictures Classics,...
- 7/23/2024
- by Marcus Jones
- Indiewire
We’re just about five weeks away from the opening of the 81st Venice International Film Festival, the oldest such celebration of international cinema and the official kickoff to awards season in earnest. A gondola loaded with news about this year’s titles washed up on our shores this morning, and this year’s competition slate is packed.
It’s no surprise that Todd Phillips will bring his “Joker” sequel, “Joker: Folie à Deux,” back to the late-summer Italian event. The first dark comic book film won the top prize there in 2019, slapping a huge international halo on it released to the public, eventually netting Joaquin Phoenix the Best Actor Oscar, as well as a Best Original Score trophy for Hildur Guðnadóttir and nine other nominations, including Best Picture. The sequel, which was not a foregone conclusion when the first movie was made, but a Mack truck of Warner Bros....
It’s no surprise that Todd Phillips will bring his “Joker” sequel, “Joker: Folie à Deux,” back to the late-summer Italian event. The first dark comic book film won the top prize there in 2019, slapping a huge international halo on it released to the public, eventually netting Joaquin Phoenix the Best Actor Oscar, as well as a Best Original Score trophy for Hildur Guðnadóttir and nine other nominations, including Best Picture. The sequel, which was not a foregone conclusion when the first movie was made, but a Mack truck of Warner Bros....
- 7/23/2024
- by Jordan Hoffman
- Gold Derby
Just a day after New York Film Festival and Toronto International Film Festival made major announcements, Venice Film Festival is here with their full lineup ahead of the festival taking place August 28 through September 7.
Highlights include Pedro Almodóvar’s The Room Next Door, Luca Guadagnino’s Queer, Brady Corbet’s The Brutalist, Kiyoshi Kurosawa’s Cloud, Alex Ross Perry’s Pavements, Harmony Korine’s Baby Invasion, Pablo Larraín’s Maria, Takeshi Kitano’s Broken Rage, Errol Morris’ Separated, Lav Diaz’s Phantosmia, Thomas Vinterberg’s Families Like Ours, Dea Kulumbegashvili’s April, and more.
Check out the lineup below with a hat tip to Cineuropa.
Competition
The Room Next Door – Pedro Almodóvar
Campo di battaglia – Gianni Amelio
Leurs enfants après eux – Ludovic & Zoran Boukherma
The Brutalist – Brady Corbet
Jouer avec le feu – Delphine & Muriel Coulin
Vermiglio – Maura Delpero
Iddu (Sicilian Letters) – Fabio Grassadonia & Antonio Piazza
Queer – Luca Guadagnino
Love – Dag Johan Haugerud...
Highlights include Pedro Almodóvar’s The Room Next Door, Luca Guadagnino’s Queer, Brady Corbet’s The Brutalist, Kiyoshi Kurosawa’s Cloud, Alex Ross Perry’s Pavements, Harmony Korine’s Baby Invasion, Pablo Larraín’s Maria, Takeshi Kitano’s Broken Rage, Errol Morris’ Separated, Lav Diaz’s Phantosmia, Thomas Vinterberg’s Families Like Ours, Dea Kulumbegashvili’s April, and more.
Check out the lineup below with a hat tip to Cineuropa.
Competition
The Room Next Door – Pedro Almodóvar
Campo di battaglia – Gianni Amelio
Leurs enfants après eux – Ludovic & Zoran Boukherma
The Brutalist – Brady Corbet
Jouer avec le feu – Delphine & Muriel Coulin
Vermiglio – Maura Delpero
Iddu (Sicilian Letters) – Fabio Grassadonia & Antonio Piazza
Queer – Luca Guadagnino
Love – Dag Johan Haugerud...
- 7/23/2024
- by Jordan Raup
- The Film Stage
The lineup for the 81st Venice International Film Festival is here. Artistic director Alberto Barbera and Biennale president Pietrangelo Buttafuoco revealed the complete list of titles across sections early on Tuesday, July 23. Watch the live stream here or on YouTube.
Competition highlights included, as expected, Todd Phillips’ “Joker: Folie à Deux,” Pablo Larraín’s “Maria” with Angelina Jolie, Luca Guadagnino’s “Queer” with Daniel Craig, and Pedro Almodóvar’s first English-language feature, “The Room Next Door.” Other gems in the lineup include “April,” from Georgian “Beginning” director Dea Kulumbegashvili; Brady Corbet’s “Fountainhead”-inspired epic “The Brutalist,” which runs a whopping 215 minutes and will present in 70mm; Aussie auteur Justin Kurzel’s thriller “The Order”; “Chevalier” director Athina Rachel Tsangari’s “Harvest” with Caleb Landry Jones; and Halina Reijn’s psychosexual thriller for A24, “Babygirl,” starring Nicole Kidman and Harris Dickinson.
Out of competition across series and features, there’s new work from Harmony Korine,...
Competition highlights included, as expected, Todd Phillips’ “Joker: Folie à Deux,” Pablo Larraín’s “Maria” with Angelina Jolie, Luca Guadagnino’s “Queer” with Daniel Craig, and Pedro Almodóvar’s first English-language feature, “The Room Next Door.” Other gems in the lineup include “April,” from Georgian “Beginning” director Dea Kulumbegashvili; Brady Corbet’s “Fountainhead”-inspired epic “The Brutalist,” which runs a whopping 215 minutes and will present in 70mm; Aussie auteur Justin Kurzel’s thriller “The Order”; “Chevalier” director Athina Rachel Tsangari’s “Harvest” with Caleb Landry Jones; and Halina Reijn’s psychosexual thriller for A24, “Babygirl,” starring Nicole Kidman and Harris Dickinson.
Out of competition across series and features, there’s new work from Harmony Korine,...
- 7/23/2024
- by Ryan Lattanzio
- Indiewire
Venice Film Festival has revealed the programme for its 81st edition, featuring a 21-strong Competition that includes new films from Todd Phillips, Pedro Almodovar, Luca Guadagino, Pablo Larrain, Brady Corbet and Justin Kurzel.
Scroll down for full line-up
The selection was unveiled by festival president Pietrangelo Buttafuoco and artistic director Alberto Barbera. It marked Buttafuoco’s first time at the annual press conference, after replacing Roberto Cicutto in October 2023.
Further filmmakers in Competition include Wang Bing, Luis Ortega, Dea Kulumbegashvili, Dag Johan Haugerud, Athina Rachel Tsangari and Walter Salles.
The line-up also includes Jon Watt’s Wolfs, starring Brad Pitt and George Clooney,...
Scroll down for full line-up
The selection was unveiled by festival president Pietrangelo Buttafuoco and artistic director Alberto Barbera. It marked Buttafuoco’s first time at the annual press conference, after replacing Roberto Cicutto in October 2023.
Further filmmakers in Competition include Wang Bing, Luis Ortega, Dea Kulumbegashvili, Dag Johan Haugerud, Athina Rachel Tsangari and Walter Salles.
The line-up also includes Jon Watt’s Wolfs, starring Brad Pitt and George Clooney,...
- 7/23/2024
- ScreenDaily
The Cannes Film Festival has named the eight members of its main Competition jury who will join previously announced president Greta Gerwig in deciding the Palme d’Or and other key prizes at 77th edition running from May 14 to 25.
They are Turkish screenwriter and photographer Ebru Ceylan, U.S. actress Lily Gladstone, French actress Eva Green, Lebanese director and screenwriter Nadine Labaki, Spanish director and screenwriter J.A. Bayona, Italian actor Pierfrancisco Favino, Japanese director Hirokazu Kore-eda and French actor and producer Omar Sy.
The wife and long-time collaborator of Nuri Bilge Ceylan, screenwriter and photographer Ceylan co-wrote 2014 Palme d’Or winner Winter Sleep and also took co-writing credits on Cannes selected films Three Monkeys (Best Director Prize 2008), Once upon a time in Anatolia (Grand Prix 2011), The Wild Pear Tree (2018) and About Dry Grasses (2023).
Ceylan also appeared as an actress and took art director credits on her husband’s early films...
They are Turkish screenwriter and photographer Ebru Ceylan, U.S. actress Lily Gladstone, French actress Eva Green, Lebanese director and screenwriter Nadine Labaki, Spanish director and screenwriter J.A. Bayona, Italian actor Pierfrancisco Favino, Japanese director Hirokazu Kore-eda and French actor and producer Omar Sy.
The wife and long-time collaborator of Nuri Bilge Ceylan, screenwriter and photographer Ceylan co-wrote 2014 Palme d’Or winner Winter Sleep and also took co-writing credits on Cannes selected films Three Monkeys (Best Director Prize 2008), Once upon a time in Anatolia (Grand Prix 2011), The Wild Pear Tree (2018) and About Dry Grasses (2023).
Ceylan also appeared as an actress and took art director credits on her husband’s early films...
- 4/29/2024
- by Melanie Goodfellow
- Deadline Film + TV
Rai Cinema head Paolo del Brocco has sought to play down fears that its new film sales operation will take away business from Italian sales agents.
Speaking to Screen, del Brocco stressed that the organisation’s dedicated international sales division, Rai Cinema International Distribution, will offer a “very clear and simple” line-up of Italian films.
Rai Cinema International Distribution, which makes its market debut at the EFM today, launches with a slate of ten Italian films. All of them are backed by Rai Cinema, the film production division of state broadcaster Rai. They include Margherita Vicario’s Berlinale competition film Gloria!,...
Speaking to Screen, del Brocco stressed that the organisation’s dedicated international sales division, Rai Cinema International Distribution, will offer a “very clear and simple” line-up of Italian films.
Rai Cinema International Distribution, which makes its market debut at the EFM today, launches with a slate of ten Italian films. All of them are backed by Rai Cinema, the film production division of state broadcaster Rai. They include Margherita Vicario’s Berlinale competition film Gloria!,...
- 2/15/2024
- ScreenDaily
Rai Cinema Launches Standalone Film Sales Unit at EFM With Lineup Toplined by Berlin Title ‘Gloria!’
Italian state broadcaster Rai’s Rai Cinema film arm is launching a new standalone film sales unit at the European Film Market.
The nascent sales company — which is called Rai Cinema International Distribution — aims to fill a gap within Rai’s content sales force given that Rai’s existing Rai Com sales unit is “mostly dedicated to TV product,” said Rai Cinema CEO Paolo Del Brocco.
It will also provide a new international distribution outlet to Italian cinema often sold by French outfits such as Newen Connect, which is the international distributor for Berlinale competition title “Another End” by Italy’s Piero Messina and starring Gael Garcia Bernal.
Rai Cinema, which invests up to €80 million ($85 million) a year in production, is the main driver of Italian indie cinema, with a hand in roughly 60 feature films a year. But Del Brocco underlined that they have no intention of imposing themselves as...
The nascent sales company — which is called Rai Cinema International Distribution — aims to fill a gap within Rai’s content sales force given that Rai’s existing Rai Com sales unit is “mostly dedicated to TV product,” said Rai Cinema CEO Paolo Del Brocco.
It will also provide a new international distribution outlet to Italian cinema often sold by French outfits such as Newen Connect, which is the international distributor for Berlinale competition title “Another End” by Italy’s Piero Messina and starring Gael Garcia Bernal.
Rai Cinema, which invests up to €80 million ($85 million) a year in production, is the main driver of Italian indie cinema, with a hand in roughly 60 feature films a year. But Del Brocco underlined that they have no intention of imposing themselves as...
- 2/14/2024
- by Nick Vivarelli
- Variety Film + TV
In Italy, Pierfrancesco Favino needs no introduction. At this year’s David di Donatello awards ceremony — Italy’s equivalent of the Oscars — a Favino film was nominated in every major category. A shortlist of the directors he’s worked with — Gabriele Salvatores, Giuseppe Tornatore, Marco Bellocchio, Gianni Amelio, Gabriele Muccino, Ferzan Ozpetek, Mario Martone — reads like a who’s who of Italian cinema.
Internationally, Favino has carved out a second career as a supporting player in Hollywood productions. In Spike Lee’s Miracle at St. Anna, Ron Howard’s Rush and Angels and Demons, or Mark Forster’s World War Z. But his most recent U.S. visit — to this year’s Tribeca Film Festival in New York — was for an Italian film: Andrea Di Stefano’s Last Night of Amore, which screened in competition.
In the gritty police drama, Favino plays the titular Franco Amore, a good cop called...
Internationally, Favino has carved out a second career as a supporting player in Hollywood productions. In Spike Lee’s Miracle at St. Anna, Ron Howard’s Rush and Angels and Demons, or Mark Forster’s World War Z. But his most recent U.S. visit — to this year’s Tribeca Film Festival in New York — was for an Italian film: Andrea Di Stefano’s Last Night of Amore, which screened in competition.
In the gritty police drama, Favino plays the titular Franco Amore, a good cop called...
- 7/2/2023
- by Pino Gagliardi
- The Hollywood Reporter - Movie News
Belgian directors Felix Van Groeningen and Charlotte Vandermeersch’s Italian-language drama The Eight Mountains and veteran Marco Bellocchio’s Exterior Night topped the 68th edition of Italy’s David di Donatello Awards on Wednesday evening.
The Eight Mountains won best film as well as best non-original screenplay, photography and sound.
Based on the novel of the same name by Paolo Cognetti, it stars Luca Marinelli and Alessandro Borghi as two men from different backgrounds who form a life-long bond during summers spent together as children in a remote mountain village.
The film world premiered in Competition at Cannes last year where it co-won the Jury Prize. Read the Deadline review here.
It is the second time in the history of the awards that a film by non-Italian directors has clinched the best film prize.
The last time was in 1971 when the Dino de Laurentiis-produced epic Waterloo by Russian director Sergei Bonderchuk,...
The Eight Mountains won best film as well as best non-original screenplay, photography and sound.
Based on the novel of the same name by Paolo Cognetti, it stars Luca Marinelli and Alessandro Borghi as two men from different backgrounds who form a life-long bond during summers spent together as children in a remote mountain village.
The film world premiered in Competition at Cannes last year where it co-won the Jury Prize. Read the Deadline review here.
It is the second time in the history of the awards that a film by non-Italian directors has clinched the best film prize.
The last time was in 1971 when the Dino de Laurentiis-produced epic Waterloo by Russian director Sergei Bonderchuk,...
- 5/11/2023
- by Melanie Goodfellow
- Deadline Film + TV
Italy’s theatrical box office is finally showing some encouraging signs after long lagging behind other European countries in terms of post-pandemic returns.
“Don’t Worry Darling,” segueing from its Venice launch, opened better in Italy than in France and Germany last weekend when the Harry Styles and Florence Pugh-starrer scored €965,000 from Italian screens in the frame ending September 25, landing in the number two spot.
The “Avatar” re-release weighed in at number one in Italian theaters with €1.65 million (1.61 million), a better opening than Germany.
The same frame saw three Italian films – all Venice launches – among the top ten. Most notable of these is Gianni Amelio’s “Lord of the Ants,” a biopic of Italian poet and playwright Aldo Braibanti, who was jailed in 1968 due to a Fascist-era anti-gay law. “Ants” has now scored a decent more than €1.4 million (1.36 million) since bowing on Sept. 8 and briefly reaching the numero uno slot.
“Don’t Worry Darling,” segueing from its Venice launch, opened better in Italy than in France and Germany last weekend when the Harry Styles and Florence Pugh-starrer scored €965,000 from Italian screens in the frame ending September 25, landing in the number two spot.
The “Avatar” re-release weighed in at number one in Italian theaters with €1.65 million (1.61 million), a better opening than Germany.
The same frame saw three Italian films – all Venice launches – among the top ten. Most notable of these is Gianni Amelio’s “Lord of the Ants,” a biopic of Italian poet and playwright Aldo Braibanti, who was jailed in 1968 due to a Fascist-era anti-gay law. “Ants” has now scored a decent more than €1.4 million (1.36 million) since bowing on Sept. 8 and briefly reaching the numero uno slot.
- 9/30/2022
- by Nick Vivarelli
- Variety Film + TV
Film is directed by Mario Martone and stars Pierfrancesco Favino.
Italy has selected Mario Martone’s Nostalgia as its entry for the best international feature film category at the 2023 Academy Awards.
Based on the novel by Ermanno Rea, Nostalgia is set in Martone’s hometown of Naples and stars Pierfrancesco Favino as a man who returns to his origins after four decades of being away.
The film premiered in competition at this year’s Cannes film festival. It is produced by Picomedia, Mad Enertainment and Medusa Film, with True Colours handling international sales.
The other 11 titles under consideration by the...
Italy has selected Mario Martone’s Nostalgia as its entry for the best international feature film category at the 2023 Academy Awards.
Based on the novel by Ermanno Rea, Nostalgia is set in Martone’s hometown of Naples and stars Pierfrancesco Favino as a man who returns to his origins after four decades of being away.
The film premiered in competition at this year’s Cannes film festival. It is produced by Picomedia, Mad Enertainment and Medusa Film, with True Colours handling international sales.
The other 11 titles under consideration by the...
- 9/26/2022
- by Orlando Parfitt
- ScreenDaily
Click here to read the full article.
Italy’s version of National Cinema Day — a five-day event called Cinema in festa offering discount tickets for certain films at participating theaters across the country —has proved a major success, with more than 1.1 million people crowding in, bringing in around 3.9 million (€4 million) in box office revenue. Compared to the previous week, that represents a 2.1 million (€2.2 million) box office jump.
Inspired by National Cinema Day in the US and the UK, and similar cinema promotion events in France and Spain, Italy’s Cinema in festa was organized by the national audiovisual group Anica together with exhibitors association Anec with the support of the Italian Ministry of Culture and with the collaboration of the Italian Cinema Academy. For the five-day period, from September 18-22, tickets at participating cinemas were fixed at 3.40 (€3.50).
The discount applied to a mix of new releases and re-run titles, with...
Italy’s version of National Cinema Day — a five-day event called Cinema in festa offering discount tickets for certain films at participating theaters across the country —has proved a major success, with more than 1.1 million people crowding in, bringing in around 3.9 million (€4 million) in box office revenue. Compared to the previous week, that represents a 2.1 million (€2.2 million) box office jump.
Inspired by National Cinema Day in the US and the UK, and similar cinema promotion events in France and Spain, Italy’s Cinema in festa was organized by the national audiovisual group Anica together with exhibitors association Anec with the support of the Italian Ministry of Culture and with the collaboration of the Italian Cinema Academy. For the five-day period, from September 18-22, tickets at participating cinemas were fixed at 3.40 (€3.50).
The discount applied to a mix of new releases and re-run titles, with...
- 9/24/2022
- by Gianmaria Tammaro
- The Hollywood Reporter - Movie News
Gianni Amelio’s “Lord of the Ants,” a biopic of Italian poet and playwright Aldo Braibanti, who was jailed in 1968 due to a Fascist-era anti-gay law, has reached the top spot at Italy’s box office following its launch from the Venice Film Festival.
“Ants” on Monday reached the numero uno position at the local box office roster with a €483,474 intake from more than 300 screens following its September 8 release. While far from stellar in normal times, this result is being hailed as an encouraging sign for the country’s still sagging post-pandemic theatrical sector.
Amelio’s film is now ahead of Japanese anime pic “Evangelion: 3.0 You Can (Not) Redo,” which was released as an event on Monday for a three day run, and “Minions: The Rise of Gru,” which is at the end of its run, following it’s Aug. 18 Italian outing.
“After being excellently received at the Venice Film Festival,...
“Ants” on Monday reached the numero uno position at the local box office roster with a €483,474 intake from more than 300 screens following its September 8 release. While far from stellar in normal times, this result is being hailed as an encouraging sign for the country’s still sagging post-pandemic theatrical sector.
Amelio’s film is now ahead of Japanese anime pic “Evangelion: 3.0 You Can (Not) Redo,” which was released as an event on Monday for a three day run, and “Minions: The Rise of Gru,” which is at the end of its run, following it’s Aug. 18 Italian outing.
“After being excellently received at the Venice Film Festival,...
- 9/13/2022
- by Nick Vivarelli
- Variety Film + TV
The Film Circuit begins with Telluride, a small but perfect film festival in the mountains of Colorado as simultaneously Venice unfurls the films that will soon be released in the wonderful arthouse cinemas of Europe, followed closely by Toronto whose films foretell the coming year’s Oscars nominees. It is a very exciting time to be on the festival circuit.
And simultaneously with these great screenings are sidebars, panel discussions, workshops, master classes and all around great networking for filmmakers around the world.
Venezia 79 Competition
Il Signore Delle Formiche
Director Gianni Amelio
Main Cast Luigi Lo Cascio, Elio Germano, Leonardo Maltese, Sara Serraiocco / Italy / 134’
The Whale
Director Darren Aronofsky
Main Cast Brendan Fraser, Sadie Sink, Hong Chau, Samantha Morton, Ty Simpkins / USA / 117’
White Noise
Director Noah Baumbach
Main Cast Adam Driver, Greta Gerwig, Don Cheadle, Raffey Cassidy, Sam Nivola, May Nivola, Jodie Turner-Smith, André L. Benjamin and Lars Eidinger / USA / 136’
L’IMMENSITÀ
Director Emanuele Crialese
Main Cast Penélope Cruz, Luana Giuliani, Vincenzo Amato, Patrizio Francioni / Italy, France / 97’
Saint Omer
Director Alice Diop
Main Cast Kayije Kagame, Guslagie Malanda, Valérie Dréville, Aurélia Petit / France / 123’
Blonde
Director Andrew Dominik
Main Cast Ana de Armas, Adrien Brody, Bobby Cannavale, Xavier Samuel, Julianne Nicholson, Lily Fisher / USA / 166’
TÁR
Director Todd Field
Main Cast Cate Blanchett, Noémie Merlant, Nina Hoss, Sophie Kauer, Julian Glover, Allan Corduner, Mark Strong / USA / 158’
Love Life
Director Kôji Fukada
Main Cast Fumino Kimura, Kento Nagayama, Atom Sunada / Japan, France / 123’
Bardo, Falsa CRÓNICA De Unas Cuantas Verdades
Director Alejandro G. Iñárritu
Main Cast Daniel Giménez Cacho, Griselda Siciliani, Ximena Lamadrid, Iker Sanchez Solano, Andrés Almeida, Francisco Rubio / Mexico / 174’
Athena
Director Romain Gavras
Main Cast Dali Benssalah, Sami Slimane, Anthony Bajon, Ouassini Embarek, Alexis Manenti / France / 97’
Bones And All
Director Luca Guadagnino
Main Cast Taylor Russell, Timothée Chalamet, Mark Rylance, André Holland, Chloë Sevigny, Jessica Harper, David Gordon Green, Michael Stuhlbarg, Jake Horowitz / USA / 130’
The Eternal Daughter
Director Joanna Hogg
Main Cast Tilda Swinton, Joseph Mydell, Carly-Sophia Davies / UK, USA / 96’
Shab, Dakheli, Divar (Beyond The Wall)
Director Vahid Jalilvand
Main Cast Navid Mohammadzadeh, Diana Habibi, Amir Aghaee / Iran / 126’
The Banshees Of Inisherin
Director Martin McDonagh
Main Cast Colin Farrell, Brendan Gleeson, Kerry Condon, Barry Keoghan / Ireland, UK, USA / 109’
Argentina, 1985
Director Santiago Mitre
Main Cast Ricardo Darín, Peter Lanzani, Alejandra Flechner, Norman Briski / Argentina, USA / 140’
Chiara
Director Susanna Nicchiarelli
Main Cast Margherita Mazzucco, Andrea Carpenzano, Carlotta Natoli, Paola Tiziana Cruciani, Luigi Lo Cascio / Italy, Belgium / 106’
Monica
Director Andrea Pallaoro
Main Cast Trace Lysette, Patricia Clarkson, Adriana Barraza, Emily Browning, Joshua Close / USA, Italy / 113’
Khers Nist (No Bears)
Director Jafar Panahi
Main Cast Jafar Panahi, Naser Hashemi, Vahid Mobaseri, Bakhtiar Panjeei, Mina Kavani, Reza Heydari / Iran / 107’
All The Beauty And The Bloodshed
Director Laura Poitras
USA / 117’
Un Couple
Director Frederick Wiseman
Main Cast Nathalie Boutefeu / France, USA / 64’
The Son
Director Florian Zeller
Main Cast Hugh Jackman, Laura Dern, Vanessa Kirby, Zen McGrath, Anthony Hopkins, Hugh Quarshie / UK / 124’
Les Miens
Director Roschdy Zem
Main Cast Sami Bouajila, Roschdy Zem, Meriem Serbah, Maïwenn, Rachid Bouchareb, Abel Jafrei, Nina Zem / France / 85’
Les Enfants Des Autres
Director Rebecca Zlotowski
Main Cast Virginie Efira, Roschdy Zem, Chiara Mastroianni, Callie Ferreira / France / 104’
Toronto is in spite of itself in a civilized sort of way in competition for the premieres with Venice, though the sequential festivals are serving different constituencies. Still, The Whale, for example is premiering in Venice and then traveling to TIFF.
TIFF Gala Presentations:
The Whale directed by Darren Aronofsky, produced and to be distributed in U.S. and actng as international sales agent A24.
TIFF says: “Brendan Fraser gives a career-defining performance in Darren Aronofsky’s arrestingly intimate drama about a reclusive English professor struggling with personal relationships and self-acceptance, adapted from the stage play by Samuel D. Hunter.”
Alice, Darling by Mary Nighy
Also playing are Alice, Darling (Mary Nighy) in which Anna Kendrick captures the anxious psychology of a woman in an abusive relationship as her friends try to reconnect with her while on a cottage getaway.
Black Ice(Hubert Davis) about Black hockey players facing systemic racism in the sport.
The Greatest Beer Run Ever (Peter Farrelly) about man’s story of leaving New York in 1967 to bring beer to his childhood buddies in the Army while they are fighting in Vietnam. An Apple TV+ production.
Butcher’s Crossing (Gabe Polsky) is a frontier epic about an Ivy League drop-out as he travels to the Colorado wilderness, where he joins a team of buffalo hunters on a journey that puts his life and sanity at risk. Based on the highly acclaimed novel by John Williams. Isa Altitude
The Hummingbird (Francesca Archibugi)Hunt (Jung-jae Lee)A Jazzman’s Blues (Tyler Perry)Kacchey Limbu (Shubham Yogi)Moving On (Paul Weitz)Paris Memories (Alice Winocour)Prisoner’s Daughter (Catherine Hardwicke)Raymond & Ray (Rodrigo García)Roost (Amy Redford)Sidney (Reginald Hudlin)The Son (Florian Zeller)The Swimmers (Sally El Hosaini)What’s Love Got to Do With It? (Shekhar Kapur)The Woman King(Gina Prince-Bythewood)
Special PRESENTATIONSAllelujah (Sir Richard Eyre)All Quiet on the Western Front (Edward Berger)The Banshees Of Inisherin (Martin McDonagh)Blueback (Robert Connolly)The Blue Caftan (Maryam Touzani)Broker (Hirokazu Kore-eda)Brother (Clement Virgo)Bros (Nicholas Stoller)Catherine Called Birdy (Lena Dunham)Causeway (Lila Neugebauer)Chevalier (Stephen Williams)Corsage (Marie Kreutzer)Decision to Leave (Park Chan-wook)Devotion (Jd Dillard)Driving (Madeleine Christian Carion)El Suplente (Diego Lerman)Empire of Light...
And simultaneously with these great screenings are sidebars, panel discussions, workshops, master classes and all around great networking for filmmakers around the world.
Venezia 79 Competition
Il Signore Delle Formiche
Director Gianni Amelio
Main Cast Luigi Lo Cascio, Elio Germano, Leonardo Maltese, Sara Serraiocco / Italy / 134’
The Whale
Director Darren Aronofsky
Main Cast Brendan Fraser, Sadie Sink, Hong Chau, Samantha Morton, Ty Simpkins / USA / 117’
White Noise
Director Noah Baumbach
Main Cast Adam Driver, Greta Gerwig, Don Cheadle, Raffey Cassidy, Sam Nivola, May Nivola, Jodie Turner-Smith, André L. Benjamin and Lars Eidinger / USA / 136’
L’IMMENSITÀ
Director Emanuele Crialese
Main Cast Penélope Cruz, Luana Giuliani, Vincenzo Amato, Patrizio Francioni / Italy, France / 97’
Saint Omer
Director Alice Diop
Main Cast Kayije Kagame, Guslagie Malanda, Valérie Dréville, Aurélia Petit / France / 123’
Blonde
Director Andrew Dominik
Main Cast Ana de Armas, Adrien Brody, Bobby Cannavale, Xavier Samuel, Julianne Nicholson, Lily Fisher / USA / 166’
TÁR
Director Todd Field
Main Cast Cate Blanchett, Noémie Merlant, Nina Hoss, Sophie Kauer, Julian Glover, Allan Corduner, Mark Strong / USA / 158’
Love Life
Director Kôji Fukada
Main Cast Fumino Kimura, Kento Nagayama, Atom Sunada / Japan, France / 123’
Bardo, Falsa CRÓNICA De Unas Cuantas Verdades
Director Alejandro G. Iñárritu
Main Cast Daniel Giménez Cacho, Griselda Siciliani, Ximena Lamadrid, Iker Sanchez Solano, Andrés Almeida, Francisco Rubio / Mexico / 174’
Athena
Director Romain Gavras
Main Cast Dali Benssalah, Sami Slimane, Anthony Bajon, Ouassini Embarek, Alexis Manenti / France / 97’
Bones And All
Director Luca Guadagnino
Main Cast Taylor Russell, Timothée Chalamet, Mark Rylance, André Holland, Chloë Sevigny, Jessica Harper, David Gordon Green, Michael Stuhlbarg, Jake Horowitz / USA / 130’
The Eternal Daughter
Director Joanna Hogg
Main Cast Tilda Swinton, Joseph Mydell, Carly-Sophia Davies / UK, USA / 96’
Shab, Dakheli, Divar (Beyond The Wall)
Director Vahid Jalilvand
Main Cast Navid Mohammadzadeh, Diana Habibi, Amir Aghaee / Iran / 126’
The Banshees Of Inisherin
Director Martin McDonagh
Main Cast Colin Farrell, Brendan Gleeson, Kerry Condon, Barry Keoghan / Ireland, UK, USA / 109’
Argentina, 1985
Director Santiago Mitre
Main Cast Ricardo Darín, Peter Lanzani, Alejandra Flechner, Norman Briski / Argentina, USA / 140’
Chiara
Director Susanna Nicchiarelli
Main Cast Margherita Mazzucco, Andrea Carpenzano, Carlotta Natoli, Paola Tiziana Cruciani, Luigi Lo Cascio / Italy, Belgium / 106’
Monica
Director Andrea Pallaoro
Main Cast Trace Lysette, Patricia Clarkson, Adriana Barraza, Emily Browning, Joshua Close / USA, Italy / 113’
Khers Nist (No Bears)
Director Jafar Panahi
Main Cast Jafar Panahi, Naser Hashemi, Vahid Mobaseri, Bakhtiar Panjeei, Mina Kavani, Reza Heydari / Iran / 107’
All The Beauty And The Bloodshed
Director Laura Poitras
USA / 117’
Un Couple
Director Frederick Wiseman
Main Cast Nathalie Boutefeu / France, USA / 64’
The Son
Director Florian Zeller
Main Cast Hugh Jackman, Laura Dern, Vanessa Kirby, Zen McGrath, Anthony Hopkins, Hugh Quarshie / UK / 124’
Les Miens
Director Roschdy Zem
Main Cast Sami Bouajila, Roschdy Zem, Meriem Serbah, Maïwenn, Rachid Bouchareb, Abel Jafrei, Nina Zem / France / 85’
Les Enfants Des Autres
Director Rebecca Zlotowski
Main Cast Virginie Efira, Roschdy Zem, Chiara Mastroianni, Callie Ferreira / France / 104’
Toronto is in spite of itself in a civilized sort of way in competition for the premieres with Venice, though the sequential festivals are serving different constituencies. Still, The Whale, for example is premiering in Venice and then traveling to TIFF.
TIFF Gala Presentations:
The Whale directed by Darren Aronofsky, produced and to be distributed in U.S. and actng as international sales agent A24.
TIFF says: “Brendan Fraser gives a career-defining performance in Darren Aronofsky’s arrestingly intimate drama about a reclusive English professor struggling with personal relationships and self-acceptance, adapted from the stage play by Samuel D. Hunter.”
Alice, Darling by Mary Nighy
Also playing are Alice, Darling (Mary Nighy) in which Anna Kendrick captures the anxious psychology of a woman in an abusive relationship as her friends try to reconnect with her while on a cottage getaway.
Black Ice(Hubert Davis) about Black hockey players facing systemic racism in the sport.
The Greatest Beer Run Ever (Peter Farrelly) about man’s story of leaving New York in 1967 to bring beer to his childhood buddies in the Army while they are fighting in Vietnam. An Apple TV+ production.
Butcher’s Crossing (Gabe Polsky) is a frontier epic about an Ivy League drop-out as he travels to the Colorado wilderness, where he joins a team of buffalo hunters on a journey that puts his life and sanity at risk. Based on the highly acclaimed novel by John Williams. Isa Altitude
The Hummingbird (Francesca Archibugi)Hunt (Jung-jae Lee)A Jazzman’s Blues (Tyler Perry)Kacchey Limbu (Shubham Yogi)Moving On (Paul Weitz)Paris Memories (Alice Winocour)Prisoner’s Daughter (Catherine Hardwicke)Raymond & Ray (Rodrigo García)Roost (Amy Redford)Sidney (Reginald Hudlin)The Son (Florian Zeller)The Swimmers (Sally El Hosaini)What’s Love Got to Do With It? (Shekhar Kapur)The Woman King(Gina Prince-Bythewood)
Special PRESENTATIONSAllelujah (Sir Richard Eyre)All Quiet on the Western Front (Edward Berger)The Banshees Of Inisherin (Martin McDonagh)Blueback (Robert Connolly)The Blue Caftan (Maryam Touzani)Broker (Hirokazu Kore-eda)Brother (Clement Virgo)Bros (Nicholas Stoller)Catherine Called Birdy (Lena Dunham)Causeway (Lila Neugebauer)Chevalier (Stephen Williams)Corsage (Marie Kreutzer)Decision to Leave (Park Chan-wook)Devotion (Jd Dillard)Driving (Madeleine Christian Carion)El Suplente (Diego Lerman)Empire of Light...
- 9/10/2022
- by Sydney
- Sydney's Buzz
Veteran Italian auteur Gianni Amelio rose to prominence with Oscar-nominated “Open Doors” (1990) and also “Stolen Children,” which won the 1992 Cannes Grand Prix. He won the Venice Golden Lion in 1998 with period drama “The Way We Laughed” and competed again in Venice with “A Lonely Hero” in 2013. Amelio’s more recent work comprises “Hammamet,” a portrait of disgraced late Italian Prime Minister Bettino Craxi’s final years in Tunisia.
Amelio is back in Venice with “Lord of the Ants” a biopic of Italian poet, playwright and director Aldo Braibanti, who was jailed in 1968, after a four-year trial due to a Fascist-era anti-gay law. Pic, which is produced by Simone Gattoni and Marco Bellocchio, stars Luigi Lo Cascio (“The Ties”) as Braibanti, who was convicted after a complaint from his younger partner’s father, who later forced his son to be treated with electroconvulsive therapy in an ill-conceived attempt to rid him of his homosexuality.
Amelio is back in Venice with “Lord of the Ants” a biopic of Italian poet, playwright and director Aldo Braibanti, who was jailed in 1968, after a four-year trial due to a Fascist-era anti-gay law. Pic, which is produced by Simone Gattoni and Marco Bellocchio, stars Luigi Lo Cascio (“The Ties”) as Braibanti, who was convicted after a complaint from his younger partner’s father, who later forced his son to be treated with electroconvulsive therapy in an ill-conceived attempt to rid him of his homosexuality.
- 9/10/2022
- by Nick Vivarelli
- Variety Film + TV
Oscar Wilde may be the most famous person to face imprisonment for being gay, but he wasn’t the only one to suffer under an archaic legal system. Set in 1960s Italy, Gianni Amelio’s expansive historical drama “Lord of The Ants” uncovers the story of Aldo Braibanti, an Italian playwright, poet, and director who faced imprisonment for a consensual relationship with a younger student. “Lord of The Ants” holds a mirror to this shameful chapter in Italian history, painting
The film opens on an intimate moment between the handsome and dignified Aldo (Luigi Lo Cascio) and beautiful Ettore (Leonardo Maltese). Glowing with adoration, Aldo and Ettore recite poetry to each other in an outdoor Roman movie theater, ensconced in each other’s brilliance. At another table a kind journalist named Ennio (Elio Germano) observes them with sensitivity. “Braibanti, the myrmecologist,” he points out to his cousin Grazie (Sara Serraiocco...
The film opens on an intimate moment between the handsome and dignified Aldo (Luigi Lo Cascio) and beautiful Ettore (Leonardo Maltese). Glowing with adoration, Aldo and Ettore recite poetry to each other in an outdoor Roman movie theater, ensconced in each other’s brilliance. At another table a kind journalist named Ennio (Elio Germano) observes them with sensitivity. “Braibanti, the myrmecologist,” he points out to his cousin Grazie (Sara Serraiocco...
- 9/10/2022
- by Jude Dry
- Indiewire
Tony Leung Chiu-wai, the Hong Kong star of “In The Mood For Love” and Marvel’s “Shang-Chi and the Legend of the Ten Rings” has been named Asian Filmmaker of the Year by the Busan International Film Festival. Leung will collect his award at the festival’s opening ceremony on Oct. 5. 2022.
The festival will open with a screening of “Scent of Wind” by Hagi Mohaghegh. The Iranian director previously won the 2015 New Currents competition in Busan with his second feature “Immortal.”
The festival will close with “A Man,” from Japan’s Ishikawa Kei. The title premiered this week at the Venice film festival in the Orrizonti section.
Busan organizers said that the festival will play a total of 243 films (features and shorts) from 71 countries and territories. These include 89 world premieres and 13 international premieres.
After two years of disruptions the festival will operate largely normally. This includes a red carpet opening ceremony,...
The festival will open with a screening of “Scent of Wind” by Hagi Mohaghegh. The Iranian director previously won the 2015 New Currents competition in Busan with his second feature “Immortal.”
The festival will close with “A Man,” from Japan’s Ishikawa Kei. The title premiered this week at the Venice film festival in the Orrizonti section.
Busan organizers said that the festival will play a total of 243 films (features and shorts) from 71 countries and territories. These include 89 world premieres and 13 international premieres.
After two years of disruptions the festival will operate largely normally. This includes a red carpet opening ceremony,...
- 9/7/2022
- by Patrick Frater
- Variety Film + TV
Click here to read the full article.
Gianni Amelio’s chronicle of the persecution of Aldo Braibanti, Lord of the Ants (Il Signore delle Formiche), doesn’t avoid the propensity of many Italian period dramas for dense verbosity, with characters spouting great gobs of manicured prose. That’s perhaps especially the case since the protagonist was a poet, playwright and philosopher. But Amelio’s classical approach, and the dignified refusal of martyrdom in Luigi Lo Cascio’s lead performance, make this account of Braibanti’s controversial imprisonment for homosexuality in 1968 after a four-year trial a quietly stirring portrait of institutional intolerance.
The Braibanti case drew international attention in the wake of his conviction due to the number of influential public figures who spoke out against the travesty of justice — Pier Paolo Pasolini, Alberto Moravia, Elsa Morante, Marco Bellocchio and Umberto Eco among them.
What’s striking now about the courtroom...
Gianni Amelio’s chronicle of the persecution of Aldo Braibanti, Lord of the Ants (Il Signore delle Formiche), doesn’t avoid the propensity of many Italian period dramas for dense verbosity, with characters spouting great gobs of manicured prose. That’s perhaps especially the case since the protagonist was a poet, playwright and philosopher. But Amelio’s classical approach, and the dignified refusal of martyrdom in Luigi Lo Cascio’s lead performance, make this account of Braibanti’s controversial imprisonment for homosexuality in 1968 after a four-year trial a quietly stirring portrait of institutional intolerance.
The Braibanti case drew international attention in the wake of his conviction due to the number of influential public figures who spoke out against the travesty of justice — Pier Paolo Pasolini, Alberto Moravia, Elsa Morante, Marco Bellocchio and Umberto Eco among them.
What’s striking now about the courtroom...
- 9/6/2022
- by David Rooney
- The Hollywood Reporter - Movie News
Triumph of the (Court’s) Will: Amelio Delves into Infamously Homophobic Italian Court Case
Perennial Italian auteur Gianni Amelio goes back to the contentious political climate of late 1960s Rome with Il signore delle formiche (Lord of the Ants) to recuperate the uncomfortable history of a law used to penalize homosexuality (though this term wasn’t used explicitly in court) as the crime of plagia. In other words, the act of manipulating another person either physically or psychologically to submit to whatever heinous biddings are deemed culturally problematic. As the film announces, the script co-written by Amelio, Federico Fava, and Edoardo Petit is ‘loosely’ based on these events, as evidenced by the intimate relationships sandwiching the eventual courtroom melodrama.…...
Perennial Italian auteur Gianni Amelio goes back to the contentious political climate of late 1960s Rome with Il signore delle formiche (Lord of the Ants) to recuperate the uncomfortable history of a law used to penalize homosexuality (though this term wasn’t used explicitly in court) as the crime of plagia. In other words, the act of manipulating another person either physically or psychologically to submit to whatever heinous biddings are deemed culturally problematic. As the film announces, the script co-written by Amelio, Federico Fava, and Edoardo Petit is ‘loosely’ based on these events, as evidenced by the intimate relationships sandwiching the eventual courtroom melodrama.…...
- 9/6/2022
- by Nicholas Bell
- IONCINEMA.com
Myrmecology is a study of science that looks at the life, society and hierarchy of ants. Early Myrmecologists believed that ant culture was utopian and thought by studying them in encased ant farms, they could find solutions to human problems. However, Gianni Amelio’s Italian post-wwii drama The Lord of the Ants (Il Signore Delle Formiche) flips this idea around. It examines why strict societies foster cultures of oppression where everyone must play their role or be punished.
The screenplay by Amelio, Federico Fava and Edoardo Petti chooses its dialogue with precision. They want us to know they resent post-Mussolini Europe and how not just homosexuals but anyone on the margins is oppressed under fascist rule.
Venice Film Festival: Deadline’s Full Coverage
In 1965 Rome, Aldo Braibanti (Luigi Lo Cascio) is caught sleeping with his young lover Ettore (Leonardo Maltese). Their relationship started a year earlier in small-town Italy, where Aldo was directing a play.
The screenplay by Amelio, Federico Fava and Edoardo Petti chooses its dialogue with precision. They want us to know they resent post-Mussolini Europe and how not just homosexuals but anyone on the margins is oppressed under fascist rule.
Venice Film Festival: Deadline’s Full Coverage
In 1965 Rome, Aldo Braibanti (Luigi Lo Cascio) is caught sleeping with his young lover Ettore (Leonardo Maltese). Their relationship started a year earlier in small-town Italy, where Aldo was directing a play.
- 9/6/2022
- by Valerie Complex
- Deadline Film + TV
Gianni Amelio was in his late sixties when he came out as gay a few years ago. The announcement preceded the release of his documentary “Happy to Be Different,” which worked toward an overriding sunniness in contemplating the trials and challenges of being gay in Italy at various points in the 20th century. In turning to a gay-themed narrative project, Amelio narrows the focus and dims the mood: “Lord of the Ants” takes as its subject the gay Italian author Aldo Braibanti, and the social and legal opposition he faced over his sexuality in mid-1960s Rome. Solemn, stately and perhaps a little stifled, it’s the kind of queer statement you might expect from a veteran filmmaker who wasn’t until relatively recently out and proud, and is rather poignant for that.
In a key scene, the middle-aged Braibanti (played with urbane grace by Luigi Lo Cascio) takes his...
In a key scene, the middle-aged Braibanti (played with urbane grace by Luigi Lo Cascio) takes his...
- 9/6/2022
- by Guy Lodge
- Variety Film + TV
Prominent arthouse sales company The Match Factory has closed multiple sales on Italian auteur Gianni Amelio’s Venice competition title “Lord of the Ants” ahead of its Venice premiere on Tuesday.
The Match Factory has sealed deals on Amelio’s latest work – which is a biopic of Italian poet, playwright and director Aldo Braibanti, who was jailed in 1968 due to a Fascist-era anti-gay law – that will ensure the film’s theatrical release in Australia/New Zealand (Palace Films); Japan (Zazie Films); Spain (Surtsey Films); Sweden (TriArt Film) and Greece (Ama Films). Further deals are in negotiation, the company said.
Braibanti was convicted after a complaint from his partner’s father, who later forced his son to be treated with electroconvulsive therapy in an ill-conceived attempt to rid him of his homosexuality. The Fascist-era law that punished Braibanti, which made it a crime to lead innocent or unwary people “morally” astray,...
The Match Factory has sealed deals on Amelio’s latest work – which is a biopic of Italian poet, playwright and director Aldo Braibanti, who was jailed in 1968 due to a Fascist-era anti-gay law – that will ensure the film’s theatrical release in Australia/New Zealand (Palace Films); Japan (Zazie Films); Spain (Surtsey Films); Sweden (TriArt Film) and Greece (Ama Films). Further deals are in negotiation, the company said.
Braibanti was convicted after a complaint from his partner’s father, who later forced his son to be treated with electroconvulsive therapy in an ill-conceived attempt to rid him of his homosexuality. The Fascist-era law that punished Braibanti, which made it a crime to lead innocent or unwary people “morally” astray,...
- 9/6/2022
- by Nick Vivarelli
- Variety Film + TV
Since 2007, Venice’s Queer Lion Award has reflected and elevated the best in LGBTQ cinema. Fifteen years later, founder Daniel N. Casagrande said this year’s Venice Film Festival will be “the most queer edition ever.”
Among the fest’s 30 LGBTQ-themed titles, 19 are competing for the Queer Lion, including a record six films from the main competition. They include Todd Field’s orchestra conductor drama “Tár,” starring Cate Blanchett; Darren Aronofsky’s estranged gay father study “The Whale,” featuring Brendan Fraser; Laura Poitras’ doc “All the Beauty and the Bloodshed,” chronicling bisexual artist Nan Goldin’s life and anti-opioid crusade; Andrea Pallaoro’s trans woman family drama “Monica”; Emanuele Crialese’s “L’immensità,” starring Penélope Cruz as the mother of a transgender child; and Gianni Amelio’s “Il signore delle formiche,” the true story of an Italian artist jailed under an infamous anti-gay law.
With an average of eight to 10 nominees each year,...
Among the fest’s 30 LGBTQ-themed titles, 19 are competing for the Queer Lion, including a record six films from the main competition. They include Todd Field’s orchestra conductor drama “Tár,” starring Cate Blanchett; Darren Aronofsky’s estranged gay father study “The Whale,” featuring Brendan Fraser; Laura Poitras’ doc “All the Beauty and the Bloodshed,” chronicling bisexual artist Nan Goldin’s life and anti-opioid crusade; Andrea Pallaoro’s trans woman family drama “Monica”; Emanuele Crialese’s “L’immensità,” starring Penélope Cruz as the mother of a transgender child; and Gianni Amelio’s “Il signore delle formiche,” the true story of an Italian artist jailed under an infamous anti-gay law.
With an average of eight to 10 nominees each year,...
- 9/2/2022
- by Gregg Goldstein
- Variety Film + TV
Welcome to Deadline’s International Disruptors, a feature where we shine a spotlight on key executives and companies outside of the U.S. shaking up the offshore marketplace. As the Venice Film Festival kicks off today, we’re speaking with Rai Cinema CEO Paolo Del Brocco about some of the company’s 24 titles featuring in the festival this year as well as his ongoing challenge to lure Italian audiences back into the cinema after a rocky post-pandemic period.
Rai Cinema CEO Paolo Del Brocco is no stranger to the Venice Film Festival, having headed up the film arm of the top Italian public broadcaster Rai for more than a decade. But, in many ways, this year feels more significant than ever for the top exec as he touches down on the Lido to enjoy local and international projects on the big screen at a time when the cinema sector has...
Rai Cinema CEO Paolo Del Brocco is no stranger to the Venice Film Festival, having headed up the film arm of the top Italian public broadcaster Rai for more than a decade. But, in many ways, this year feels more significant than ever for the top exec as he touches down on the Lido to enjoy local and international projects on the big screen at a time when the cinema sector has...
- 8/31/2022
- by Diana Lodderhose
- Deadline Film + TV
Leading Italian theatrical distribution and production house Eagle Pictures has acquired a 100 stake in emerging independent film and TV production start-up 302 Original Content.
Giuseppe Saccà launched 302 Original Content in July 2021 and will stay on as its managing director.
Saccà previously produced alongside his father Agostino Sacca under the banner of Pepito Produzioni, the Rome-based company behind films such as Gianni Amelio’s Hammamet and Damiano and Fabio D’Innocenzo’s Bad Tales.
302 Original Content’s credits to date include Calabria-set romantic comedy My Brother And I about a brother and sister fighting for the love of the same woman, and the Marta & Eva teen series produced with Rai Ragazzi for Rai Gulp/RaiPlay.
“The acquisition of 302 further expands Eagle Pictures’ business in a constantly evolving audiovisual market,” said Eagle Pictures president and owner Tarak Ben Ammar.
Eagle Pictures was Italy’s top performing distributor in the second quarter of 2022 with a 22.5 share of the market,...
Giuseppe Saccà launched 302 Original Content in July 2021 and will stay on as its managing director.
Saccà previously produced alongside his father Agostino Sacca under the banner of Pepito Produzioni, the Rome-based company behind films such as Gianni Amelio’s Hammamet and Damiano and Fabio D’Innocenzo’s Bad Tales.
302 Original Content’s credits to date include Calabria-set romantic comedy My Brother And I about a brother and sister fighting for the love of the same woman, and the Marta & Eva teen series produced with Rai Ragazzi for Rai Gulp/RaiPlay.
“The acquisition of 302 further expands Eagle Pictures’ business in a constantly evolving audiovisual market,” said Eagle Pictures president and owner Tarak Ben Ammar.
Eagle Pictures was Italy’s top performing distributor in the second quarter of 2022 with a 22.5 share of the market,...
- 8/4/2022
- by Melanie Goodfellow
- Deadline Film + TV
Film arm of Italy’s state broadcaster has four films in competition at Venice.
Rai Cinema is investing €85m (86.9m) in 80 new projects this year, according to CEO Paolo Del Brocco.
Del Brocco was speaking to Screen as the film production and distribution arm of Italy’s state broadcaster gears up to premiere three films in the Venice Film Festival’s main competition. In total, Rai Cinema has 22 films debuting in all Venice sections including Horizons.
“Obviously, the overall production value of the films is higher, given that Rai Cinema’s investment covers only a part of the movies’ financial requirements,...
Rai Cinema is investing €85m (86.9m) in 80 new projects this year, according to CEO Paolo Del Brocco.
Del Brocco was speaking to Screen as the film production and distribution arm of Italy’s state broadcaster gears up to premiere three films in the Venice Film Festival’s main competition. In total, Rai Cinema has 22 films debuting in all Venice sections including Horizons.
“Obviously, the overall production value of the films is higher, given that Rai Cinema’s investment covers only a part of the movies’ financial requirements,...
- 8/2/2022
- by Alina Trabattoni
- ScreenDaily
Filmmaker Vahid Jalilvand returns to the Lido for the third time.
The Match Factory has acquired worldwide rights to Vahid Jalilvand’s Iranian feature Beyond The Wall, which will have its world premiere in the Venice Competition in September.
It is a sixth Venice pickup for The Match Factory, and third Competition title; it announced the acquisitions of Gianni Amelio’s Lord Of The Ants and Susanna Nicchiarelli’s Chiara earlier this week.
Beyond The Wall follows a blind man whose suicide attempt is interrupted by his building’s concierge. The concierge informs him that an escaped woman is hidden...
The Match Factory has acquired worldwide rights to Vahid Jalilvand’s Iranian feature Beyond The Wall, which will have its world premiere in the Venice Competition in September.
It is a sixth Venice pickup for The Match Factory, and third Competition title; it announced the acquisitions of Gianni Amelio’s Lord Of The Ants and Susanna Nicchiarelli’s Chiara earlier this week.
Beyond The Wall follows a blind man whose suicide attempt is interrupted by his building’s concierge. The concierge informs him that an escaped woman is hidden...
- 7/29/2022
- by Ben Dalton
- ScreenDaily
White NoiseCOMPETITIONWhite Noise (Noah Baumbach)Il Signore Delle Formiche (Gianni Amelio)The Whale (Darren Aronofsky)L’Immensita (Emanuele Crialese)Saint Omer (Alice Diop)Blonde (Andrew Dominik)Tár (Todd Field)Love Life (Koji Fukada)Bardo, False Chronicle Of A Handful Of Truths (Alejandro G. Inarritu)Athena (Romain Gavras)Bones & All (Luca Guadagnino)The Eternal Daughter (Joanna Hogg)Beyond The Wall (Vahid Jalilvand)The Banshees Of Inisherin (Martin McDonagh)Argentina, 1985 (Santiago Mitre)Chiara (Susanna Nicchiarelli)Monica (Andrea Pallaoro)No Bears (Jafar Panahi)All The Beauty And The Bloodshed (Laura Poitras)A Couple (Frederick Wiseman)The Son (Florian Zeller)Our Ties (Roschdy Zem)Other People’s Children (Rebecca Zlotowski)Out Of COMPETITIONFictionThe Hanging Sun (Francesco Carrozzini)When The Waves Are Gone (Lav Diaz)Living (Oliver Hermanus)Dead For A Dollar (Walter Hill)Call Of God (Kim Ki-duk)Dreamin’ Wild (Bill Pohlad)Master Gardener (Paul Schrader)Siccità (Paolo Virzi)Pearl (Ti West)Don’t Worry Darling...
- 7/28/2022
- MUBI
Updated, July 27 at 9:53 a.m. Et: The official Xr competition category of the 2022 Venice International Film Festival marks the return of the exhibition for the first time since 2019 to the island Lazzaretto Vecchio. Close to the Lido, Festival goers, industry members, and press will have the opportunity to screen 43 projects from 19 countries within the Xr exhibit.
The Venice Immersive, the new title of the Venice VR Expanded section, intends to acknowledge the growth of immersive media beyond the technologies of Virtual Reality and to include all means of creative expression in Xr – Extended Reality: 360° videos and Xr works of any length, including installations, live performances and virtual worlds. The Venice Immersive section of the 79th Venice International Film Festival will be held in person again this year, with the technical support of Meta and Htc Vive.
Returning Grand Prize winners like Celine Tricart (“Fight Back”) and special projects from...
The Venice Immersive, the new title of the Venice VR Expanded section, intends to acknowledge the growth of immersive media beyond the technologies of Virtual Reality and to include all means of creative expression in Xr – Extended Reality: 360° videos and Xr works of any length, including installations, live performances and virtual worlds. The Venice Immersive section of the 79th Venice International Film Festival will be held in person again this year, with the technical support of Meta and Htc Vive.
Returning Grand Prize winners like Celine Tricart (“Fight Back”) and special projects from...
- 7/27/2022
- by Christian Blauvelt
- Indiewire
Gianni Amelio’s ‘Lord Of The Ants’ and Susanna Nicchiarelli’s ‘Chiara’ both in Competition.
Sales powerhouse The Match Factory is representing five titles at this year’s Venice Film Festival, including two Competition films plus Mark Cousins’ Giornate degli Autori opener The March On Rome.
Both of the German-based sales firm’s Competition titles are Italian films. Gianni Amelio’s Lord Of The Ants recounts the true story of Italian playwright and poet Aldo Braibanti, and the relationship he had with his pupil Ettore that lead to an infamous trial in the 1960s.
Kavac Film, Ibc Movie, Tenderstories and Rai Cinema produced the title.
Sales powerhouse The Match Factory is representing five titles at this year’s Venice Film Festival, including two Competition films plus Mark Cousins’ Giornate degli Autori opener The March On Rome.
Both of the German-based sales firm’s Competition titles are Italian films. Gianni Amelio’s Lord Of The Ants recounts the true story of Italian playwright and poet Aldo Braibanti, and the relationship he had with his pupil Ettore that lead to an infamous trial in the 1960s.
Kavac Film, Ibc Movie, Tenderstories and Rai Cinema produced the title.
- 7/26/2022
- by Ben Dalton
- ScreenDaily
With opening night locked in––Noah Baumbach’s highly-anticipated Don DeLillo adaptation White Noise––Venice Film Festival has unveiled the rest of their lineup. Amongst the slate is Todd Field’s TÁR, Andrew Dominik’s Blonde, Martin McDonagh’s The Banshees of Inisherin, Paul Schrader’s Master Gardener, Jafar Panahi’s No Bears, Darren Aronofsky’s The Whale, Luca Guadagnino’s Bones and All, Joanna Hogg’s The Eternal Daughter, Frederick Wiseman’s A Couple, Laura Poitras’ All The Beauty And The Bloodshed, Walter Hill’s Dead for a Dollar, and more.
Check out the lineup below, with a hat tip to Deadline.
Venezia 79 Competiton
Il Signore Delle Formiche, dir: Gianni Amelio
The Whale, dir: Darren Aronofsky
L’Imensita, dir: Emanuel Crialese
Saint Omer, dir: Alice Diop
Blonde, dir: Andrew Dominik
TÁR, dir: Todd Field
Love Life, dir: Koji Fukada
Bardo, False Chronicle Of A Handful Of Truths, dir: Alejandro G. Inarritu
Athena,...
Check out the lineup below, with a hat tip to Deadline.
Venezia 79 Competiton
Il Signore Delle Formiche, dir: Gianni Amelio
The Whale, dir: Darren Aronofsky
L’Imensita, dir: Emanuel Crialese
Saint Omer, dir: Alice Diop
Blonde, dir: Andrew Dominik
TÁR, dir: Todd Field
Love Life, dir: Koji Fukada
Bardo, False Chronicle Of A Handful Of Truths, dir: Alejandro G. Inarritu
Athena,...
- 7/26/2022
- by Jordan Raup
- The Film Stage
Update: The Venice Film Festival has revealed a robust lineup for the 79th edition which runs from August 31-September 10 on the Lido. Scroll down for the full list of Competition titles which include new works from such directors as Darren Aronofsky, Alejandro G Iñárritu, Todd Field, Andrew Dominik, Luca Guadagnino, Alice Diop, Joanna Hogg, Martin McDonagh, Jafar Panahi and Florian Zeller.
In big-ticket Out of Competition berths are Olivia Wilde’s Don’t Worry Darling from Warner Bros and starring Florence Pugh and Harry Styles as well as a new documentary from Oliver Stone and TV series The Kingdom Exodus and Copenhagen Cowboy, respectively from Danish auteurs Lars von Trier and Nicolas Winding Refn.
Previous: The Venice Film Festival will unveil its lineup for the 79th edition this morning at 11 a.m. local time (2 a.m. Pt/5 a.m. Et). The press conference is being held at the Library of the...
In big-ticket Out of Competition berths are Olivia Wilde’s Don’t Worry Darling from Warner Bros and starring Florence Pugh and Harry Styles as well as a new documentary from Oliver Stone and TV series The Kingdom Exodus and Copenhagen Cowboy, respectively from Danish auteurs Lars von Trier and Nicolas Winding Refn.
Previous: The Venice Film Festival will unveil its lineup for the 79th edition this morning at 11 a.m. local time (2 a.m. Pt/5 a.m. Et). The press conference is being held at the Library of the...
- 7/26/2022
- by Nancy Tartaglione
- Deadline Film + TV
Includes films by Alejandro G. Inarritu, Joanna Hogg, Olivia Wilde, Darren Aronofsky, Andrew Dominik, Luca Guadagnino and Florian Zeller.
The line-up of the 79th Venice Film Festival (August 31-September 10) has been announced by festival president Roberto Cicutto and artistic director Alberto Barbera.
Scroll down for full line-up
The heavyweight competition line-up includes films by Alejandro G. Inarritu, Joanna Hogg, Susanna Nicchiarelli, Darren Aronofsky, Andrew Dominik, Luca Guadagnino, Martin McDonagh and Florian Zeller. As with last year, five female directors were selected in the main competition. Olivia Wilde’s Don’t Worry Darling is playing out of competition.
As previously announced, Noah Baumbach...
The line-up of the 79th Venice Film Festival (August 31-September 10) has been announced by festival president Roberto Cicutto and artistic director Alberto Barbera.
Scroll down for full line-up
The heavyweight competition line-up includes films by Alejandro G. Inarritu, Joanna Hogg, Susanna Nicchiarelli, Darren Aronofsky, Andrew Dominik, Luca Guadagnino, Martin McDonagh and Florian Zeller. As with last year, five female directors were selected in the main competition. Olivia Wilde’s Don’t Worry Darling is playing out of competition.
As previously announced, Noah Baumbach...
- 7/26/2022
- by Orlando Parfitt
- ScreenDaily
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