John Wengraf(1897-1974)
- Actor
A great number of Austrian and German actors were forced to flee their
homeland during the rise of Adolf Hitler
and the Nazis in the late 1930s only to find themselves smack dab in
Hollywood pictures playing thoroughly nefarious Gestapo commanders.
Viennese performer John Wengraf was one such actor. Born in 1897, his
father was a theatre critic whose occupation obviously encouraged
John's early interest in performing. His acting career began on the
repertory stage in 1920, eventually becoming a member of the Vienna
Volkstheater. He went on to earn a sturdy reputation as a dramatic
performer both in his homeland and in Berlin.
Because he was Jewishm Wengraf emigrated to England in 1933 as the Nazis began their rise to power. There he appeared unbilled in a couple of films there, as well as in some of the first BBC live-television shows ever presented, but his career began to languish. In late 1941, however, he had the good fortune of appearing on Broadway with Helen Hayes in "Candle in the Wind" and decided to stay in the United Stes, where he eventually was naturalized. The following year he headed west and settled permanently in the Los Angeles area. A dark, cold-eyed, thin-lipped player with a precise, meticulous air about him, he found himself invariably playing the very characters he detested. Some of his more nefarious nasties surfaced in such films as the Humphrey Bogart classic Sahara (1943), as well as The Boy from Stalingrad (1943), U-Boat Prisoner (1944) and Voyage sans retour (1944).
In postwar years, he was often spotted portraying ethnic professionals (scientists, doctors, professors, foreign royalty). Some of the higher quality roles he portrayed were Demain viendra toujours (1946); Count Von Papen in L'affaire Cicéron (1952); and Ronchin in the Ethel Merman musical Appelez-moi madame (1953). Although Wengraf never made it to the very top of the Hollywood character ranks, he remained a thoroughly strong and reliable player. In the 1950s and 1960s he transferred his talents to TV, appearing on a number of dramatic showcases and on such popular programs as Les incorruptibles (1959), Hawaiian Eye (1959), Des agents très spéciaux (1964) and Au coeur du temps (1966). His last few films included minor roles in the war-themed Jugement à Nuremberg (1961), La vie privée d'Hitler (1962) and La nef des fous (1965). He retired in 1966, and died in Santa Barbara, California, at age 77, on May 4, 1974.
Because he was Jewishm Wengraf emigrated to England in 1933 as the Nazis began their rise to power. There he appeared unbilled in a couple of films there, as well as in some of the first BBC live-television shows ever presented, but his career began to languish. In late 1941, however, he had the good fortune of appearing on Broadway with Helen Hayes in "Candle in the Wind" and decided to stay in the United Stes, where he eventually was naturalized. The following year he headed west and settled permanently in the Los Angeles area. A dark, cold-eyed, thin-lipped player with a precise, meticulous air about him, he found himself invariably playing the very characters he detested. Some of his more nefarious nasties surfaced in such films as the Humphrey Bogart classic Sahara (1943), as well as The Boy from Stalingrad (1943), U-Boat Prisoner (1944) and Voyage sans retour (1944).
In postwar years, he was often spotted portraying ethnic professionals (scientists, doctors, professors, foreign royalty). Some of the higher quality roles he portrayed were Demain viendra toujours (1946); Count Von Papen in L'affaire Cicéron (1952); and Ronchin in the Ethel Merman musical Appelez-moi madame (1953). Although Wengraf never made it to the very top of the Hollywood character ranks, he remained a thoroughly strong and reliable player. In the 1950s and 1960s he transferred his talents to TV, appearing on a number of dramatic showcases and on such popular programs as Les incorruptibles (1959), Hawaiian Eye (1959), Des agents très spéciaux (1964) and Au coeur du temps (1966). His last few films included minor roles in the war-themed Jugement à Nuremberg (1961), La vie privée d'Hitler (1962) and La nef des fous (1965). He retired in 1966, and died in Santa Barbara, California, at age 77, on May 4, 1974.
