Chips Rafferty(1909-1971)
- Actor
- Producer
- Writer
Years before Jack Thompson arrived
on the scene, Chips Rafferty was regarded by many as the
personification of the stereotypically rugged, straightforward and
laconic Aussie male. Tall and thin, though not particularly striking in
appearance, Rafferty was a tailor-made star for the austere,
modestly-budgeted dramas made 'down under' in the 1940s and 50s. His
most individual aspect was in not being remotely reminiscent of any
other leading contemporary British or American actor. In his youth,
Chips had learned boxing and the art of horsemanship. He also displayed
an affinity for painting watercolours. By the time he entered the film
industry as an extra with Cinesound Studios in 1939, John William
Pilbean Goffage (nicknamed 'Chips' since schooldays) had already seen a
great deal of life as a sheep-shearer, drover, roo hunter, gold
prospector and cellarman in a wine bar. One of his more exotic
activities also included that of a 'false teeth packer'. On the side,
he also wrote poems and short stories which he sold to several Sydney
publications. His first stint on the stage was as assistant and comic
foil to a magician.
After his inauspicious screen debut in 1939, Chips came to the attention of film maker Charles Chauvel who assigned him a rather more roguish-sounding surname and proceeded to cast him as a heroic 'digger' in his patriotic wartime drama 40 000 cavaliers (1940). The resulting box-office success, both at home and abroad, led Chauvel to repeat the exercise with The Rats of Tobruk (1944). After wartime duties with the RAAF, Chips managed to persuade British director Harry Watt to star him in the pivotal role of tough cattle drover Dan McAlpine in La route est ouverte (1946). This defined the Rafferty screen personae to such an extent, that he continued to play variations on the theme pretty much throughout the remainder of his career.
Under contract to Ealing, Chips had a brief sojourn in England opposite Googie Withers in The Loves of Joanna Godden (1947), followed by an integral part in La Dernière barricade (1949). In the early 50s, he co-founded - and invested much of his own money in - a short-lived production company, Southern International (in conjunction with the director Lee Robinson). They turned out a few unambitious adventure films like The Phantom Stockman (1953) and King of the Coral Sea (1954). Chips appeared in these as the nominal star. For the most part however, lucrative film work was to be found only in Hollywood: in feature films, like La loi du fouet (1952), Les Révoltés du Bounty (1962) and Les horizons sans frontières (1960); or as guest star in television episodes, ranging from Gunsmoke (1955) to Tarzan (1966). He remained for many years Australia's most popular and quintessential actor, an archetypal anti-establishmentarian, irreverent in humour, honest and uncomplicated. His penultimate performance as an outback cop in Réveil dans la terreur (1971) is often cited as one of his best.
After his inauspicious screen debut in 1939, Chips came to the attention of film maker Charles Chauvel who assigned him a rather more roguish-sounding surname and proceeded to cast him as a heroic 'digger' in his patriotic wartime drama 40 000 cavaliers (1940). The resulting box-office success, both at home and abroad, led Chauvel to repeat the exercise with The Rats of Tobruk (1944). After wartime duties with the RAAF, Chips managed to persuade British director Harry Watt to star him in the pivotal role of tough cattle drover Dan McAlpine in La route est ouverte (1946). This defined the Rafferty screen personae to such an extent, that he continued to play variations on the theme pretty much throughout the remainder of his career.
Under contract to Ealing, Chips had a brief sojourn in England opposite Googie Withers in The Loves of Joanna Godden (1947), followed by an integral part in La Dernière barricade (1949). In the early 50s, he co-founded - and invested much of his own money in - a short-lived production company, Southern International (in conjunction with the director Lee Robinson). They turned out a few unambitious adventure films like The Phantom Stockman (1953) and King of the Coral Sea (1954). Chips appeared in these as the nominal star. For the most part however, lucrative film work was to be found only in Hollywood: in feature films, like La loi du fouet (1952), Les Révoltés du Bounty (1962) and Les horizons sans frontières (1960); or as guest star in television episodes, ranging from Gunsmoke (1955) to Tarzan (1966). He remained for many years Australia's most popular and quintessential actor, an archetypal anti-establishmentarian, irreverent in humour, honest and uncomplicated. His penultimate performance as an outback cop in Réveil dans la terreur (1971) is often cited as one of his best.
