Teruyoshi Nakano(1935-2022)

Special Effects
Second Unit Director or Assistant Director
Visual Effects

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Teruyoshi Nakano was born on 9 October 1935 in Dandong, Liaoning, China. He was an assistant director, known for Le retour de Godzilla (1985), Taketori monogatari (1987) and Shuto shôshitsu (1987). He died on 27 June 2022 in Japan.

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Add photos, demo reels

Awards
- 2 wins total

Known for

Le retour de Godzilla (1985)

Le retour de Godzilla

6.1

Special Effects

1985

Taketori monogatari (1987)

Taketori monogatari

6.3

Special Effects

1987

Shuto shôshitsu (1987)

Shuto shôshitsu

5.4

Special Effects

1987

King Kong contre Godzilla (1963)

King Kong contre Godzilla

5.7

Special Effects

1963

Credits

Special Effects

Taketori monogatari
6.3
- special effects
- 1987
Shuto shôshitsu
5.4
- special effects
- 1987
Pulgasari
5.2
- special effects director
- 1985
Le retour de Godzilla
6.1
- director of special effects
- 1985
Le Retour de Godzilla
6.8
- director of special effects
- 1984
Nihonkai daikaisen: Umi yukaba
6.5
- special effects director
- 1983
Maboroshi no mizuumi
6.0
- special effects director
- 1982
Dai Nippon teikoku
6.6
- special effects director
- 1982
Rengô kantai
6.8
- special effects director
- 1981
Cataclysme force 7.9
4.9
- director of special effects
- 1980
203 kochi
6.6
- special effects director
- 1980
Saiyûki
8.4
TV Series
- director of special effects
- 1979
Hi no tori
6.0
- director of special effects
- 1978
La Guerre de l'espace
5.0
- director of special effects
- 1977
Zoku ningen kakumei
8.4
- special effects director
- 1976

Second Unit or Assistant Director

Visual Effects

Personal details

Alternative names
- Akiyoshi Nakano
Born
- October 9, 1935
- Dandong, Liaoning, China
Died
- June 27, 2022
- Japan(sepsis)

Did you know

Trivia
He became the chief assistant to Eiji Tsuburaya, the Director of Special Techniques (Special Effects) at the Toho Company. They were best known internationally for their work on a series of science fiction spectacles produced at Toho.

Quotes
[on Jun Fukuda] I think sometimes the greatest movies we make are ones we don't necessarily like. Whether or not we like something has nothing to do with making a great movie.

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