Virginia Maskell(1936-1968)
- Actress
This ill-fated British actress was born in the Shepherd's Bush area of
London, England, on February 27, 1936. After the outbreak of World War
II, young Virginia and her family were evacuated to South Africa. She
eventually returned to London and entered a convent school where the
pretty, gray-eyed brunette developed an interest in acting.
Virginia attended drama school and finally broke into the business with TV parts, usually playing demure young lasses in assorted dashing action series such as "The Buccaneers" and The Adventures of Robin Hood." Making a minor film debut for director Roy Boulting with Gai, gai marions-nous (1958), she achieved better notices with her second film. In Virgin Island (1958), she played the bride of John Cassavetes who learns to adapt to a Robinson Crusoe-styled existence. Co-starring an up-and-coming Sidney Poitier, the story lightly tinges on racial issues.
On the strength of this, Virginia won a contract with British Lion Pictures and showcased well in The Man Upstairs (1958) with Richard Attenborough, but less so playing a airline stewardess in the mediocre Jet Storm (1959) which also wasted a top-notch cast including Attenborough, Mai Zetterling, Diane Cilento, Stanley Baker and Sybil Thorndike.
Virginia's reticent but sincere approach to films worked remarkably well in an understated way, and she proved just as quietly compelling on stage with a prime role in "The Catalyst" in 1958 with Phil Brown and Renée Asherson. She showed escalating promise and earned BAFTA nominations for her memorable work in The Wild and the Willing (1962) and as Peter Sellers' forlorn wife in On n'y joue qu'à deux (1962), but then all filming stopped.
This abrupt end was primarily due to her marriage in 1962 and a change of focus on family life. Other than occasional TV appearances in such popular series as "Danger Man" and "The Prisoner," Virginia was seldom seen. It was learned that following the birth of her second son in February, 1966, she began showing acute signs of post-natal depression.
In the summer of 1967 Virginia returned auspiciously to filming with a remake of the soap drama Interlude (1968) playing the cast-off wife of orchestra conductor Oskar Werner. She suffered a severe nervous breakdown following the film's shoot and never recovered.
On a bitterly cold day on January 24, 1968, Virginia took a major overdose of antidepressants, drove away from her home at Princes Risborough. She was found collapsed in a nearby wooded area the next day suffering from acute hypothermia. Although she was revived briefly, she died shortly after at a nearby hospital.
Virginia won a posthumous National Board of Review award and a BAFTA nomination for her work in "Interlude." During her relatively short career, the actress seemed doomed to play unhappy, sympathetic third parties in romantic triangles. While a notable sadness touched many of Virginia Maskell's roles, her performances are all the more haunting to watch knowing her personal tragedy.
Virginia attended drama school and finally broke into the business with TV parts, usually playing demure young lasses in assorted dashing action series such as "The Buccaneers" and The Adventures of Robin Hood." Making a minor film debut for director Roy Boulting with Gai, gai marions-nous (1958), she achieved better notices with her second film. In Virgin Island (1958), she played the bride of John Cassavetes who learns to adapt to a Robinson Crusoe-styled existence. Co-starring an up-and-coming Sidney Poitier, the story lightly tinges on racial issues.
On the strength of this, Virginia won a contract with British Lion Pictures and showcased well in The Man Upstairs (1958) with Richard Attenborough, but less so playing a airline stewardess in the mediocre Jet Storm (1959) which also wasted a top-notch cast including Attenborough, Mai Zetterling, Diane Cilento, Stanley Baker and Sybil Thorndike.
Virginia's reticent but sincere approach to films worked remarkably well in an understated way, and she proved just as quietly compelling on stage with a prime role in "The Catalyst" in 1958 with Phil Brown and Renée Asherson. She showed escalating promise and earned BAFTA nominations for her memorable work in The Wild and the Willing (1962) and as Peter Sellers' forlorn wife in On n'y joue qu'à deux (1962), but then all filming stopped.
This abrupt end was primarily due to her marriage in 1962 and a change of focus on family life. Other than occasional TV appearances in such popular series as "Danger Man" and "The Prisoner," Virginia was seldom seen. It was learned that following the birth of her second son in February, 1966, she began showing acute signs of post-natal depression.
In the summer of 1967 Virginia returned auspiciously to filming with a remake of the soap drama Interlude (1968) playing the cast-off wife of orchestra conductor Oskar Werner. She suffered a severe nervous breakdown following the film's shoot and never recovered.
On a bitterly cold day on January 24, 1968, Virginia took a major overdose of antidepressants, drove away from her home at Princes Risborough. She was found collapsed in a nearby wooded area the next day suffering from acute hypothermia. Although she was revived briefly, she died shortly after at a nearby hospital.
Virginia won a posthumous National Board of Review award and a BAFTA nomination for her work in "Interlude." During her relatively short career, the actress seemed doomed to play unhappy, sympathetic third parties in romantic triangles. While a notable sadness touched many of Virginia Maskell's roles, her performances are all the more haunting to watch knowing her personal tragedy.
