Ashes in the Snow

It's really important to understand the atrocities and oppression of the Russian government over Eastern Europeans. This film takes place during World War II but even under the Tsar/Czar in the late 1800's and early 1900's, Russia was trying to erase Lithuanian and other conquered cultures with such things as Banning the local language and books.

This film shows us that the Russians were not much better than the Nazis when it came to concentration/labor camps. Without spoilers, it's heartbreaking and horrible what they did to millions of people from the 1930s to the 1950s. I have Lithuanian family who were deported to Siberia and not released for 15 years! Watching this you will understand what they say and so many went through.

Greetings from Lithuania.

Finally i saw a Lithuanian movie (most of it), which is the one that can definitely be safely shown abroad without embarrassment to itself. And the movie is "Ashes in the Snow" (2018). This is a highly solidly directed, acted, written, filmed and edited movie. It tells a true story and stories. My grandfather was one of those who witnessed and survived this experience on his own, luckily, he did come back.

Overall, "Ashes in the Snow" represent a good Lithuania cinema. Not some stupid pseudo / comedies for with same faces all over again targeted for same audiences trailers of which to even witness in a cinema feels like embarrassment. Not our "Tarantino" wannabe directors crime / comedies of a genre which faded away from cinema more then a decade ago - but in our country feels fresh!

"Ashes in the Snow" is the one who should be seen for all true movie lovers around the world. Great Lithuania cinema.

'Ashes in the Snow' is a war drama that tugs at the heartstrings. Note, this is not a film about soldiers on the battlefield. Instead, it concentrates on how it affects the people, and in particular Lithuanians.

One can only cringe at the inhumane things humans did during war, simply because their government expected it of them. It turned ordinary men into coldblooded killers. This film also showed us the reluctant soldiers. Men who found themselves in situations they dreaded. Yet, they still had orders to follow...

The acting is very good, especially Bel Powley as heroin Lina. We follow her family as they are taken from the comfort of their home, to a six-week long harrowing journey on a train, to a prison camp in Siberia, and finally to the freezing Laptev Sea. This is an emotional and heartfelt journey sure to set emotions in motion.

My wife and I watched this at home on DVD from our public library. Switching on subtitles during key scenes was nice, some of the mumbling with an accent was hard to understand.

This story is "inspired" by real events which means it is a fictional story representative of what happened back then, the 1940s, when Stalin's USSR was invading Eastern European countries and labeling residents as enemies, gathering them up and sending them to harsh labor camps. This story focuses on Lithuanians.

Bel Powley is the main focus, even though the actress was 25 or 26, she plays 16-yr-old Lina who has a knack for art - drawing, painting, these types of art. She is self-taught but her father hopes to get her admission to a formal art school. Right then, just after she receives her acceptance letter, is when her family and many others are forced into trucks then trains and shipped off to labor camps.

Of course part of the movie is to show how brutal the Soviets were but the main part is to show how people can work to maintain their dignity in such trying times. Interestingly, in the credits are a long list of "extras" who had ties to ancestors who had been imprisoned and mistreated during those times.

Good movie although hard to watch at times.

Greetings again from the darkness. Most World War II films focus on the atrocities committed by Hitler's German forces, but this adaptation of Ruta Sepetys' novel ("Between Shades of Gray") reminds us of the evils under Stalin and the Russian seizure of the Baltic States. Director Marius A Markevicius delivers a feature film debut that is both historical drama and tale of human perseverance.

We have long since been educated on just how cruel humans can and have been to other humans, and director Markevicius - with a script from Ben York Jones (LIKE CRAZY, 2011) - doesn't shy away from the cruelty or atrocities, but he and cinematographer Ramunus Greicius capture the harshness and brutality of the Siberian environment, as well as the brief moments when those being held captive feel sparks of life.

Bel Powley (THE DIARY OF A TEENAGE GIRL, 2015) stars as Lina, a young Lithuanian artist who lives with her family: mother Elena (Lisa Loven Kongsli, FORCE MAJEUR) and brother Jonas (Tom Sweet). The father/husband is played by Sam Hazeldine and we learn of his secret agenda and activism later in the film. When Russian troops forcibly remove mother and the two kids from their home, a long train ride ends with their working the fields in the Altai Labor Camp in Siberia.

Martin Wallstrom is excellent as Kretzky, a conflicted Russian soldier from the Ukraine. He's kind of persona non-grata on both sides, and as an outsider to the troops and the "devil" to the prisoners, he is somewhat of a sympathetic character. A year later (1942), the family and Officer Kretzky are shipped off to Laptev Sea in the Arctic Circle. This frozen tundra is no place for human beings and death seems preferable to freezing in misery. When giving the relocation order, Kretzky's commanding officer calls them "one big happy family in frozen hell". It's a great line. An acutely descriptive line.

Young Lina's childhood innocence has been shattered, but she possesses an inner strength that only such miserable circumstances could unveil. She carries on finding brief respites in her art and in fleeting romance with fellow prisoner Andrius (Jonah Hauer-King).

There is a story told, a legend really, about a fishing boat and its survivors - the correlation made late in the film. The devastating circumstances and desolate landscape are accompanied aptly by German composer Volker Bertelmann. But let's face it, war crimes against the innocent are tough to watch even in movie form, and this film, regardless of how expertly it's crafted, is relentless in bleakness - though heartfelt and sincere.