Piccoli demoni

Yours truly is a diehard horror fanatic, but also a sucker for mushy traditions. During the Christmas period I seek out holiday-horror with psychotic Santa's or demonic elves, and on All Hallows' Eve I like to stay in theme as well. And, since you can't watch John Carpenter's "Halloween" every year, it's good to have some alternatives. "Hellions" isn't nearly as good or entertaining as, say, "Trick 'r Treat" or "Tales of Halloween", but I'm nevertheless glad that I watched a genuine Halloween flick with spooky seasonal decoration, gruesome costumes and lots & lots of pumpkins! Perhaps I'm being too generous here, as I was in a festive mood, but I think "Hellions" is a solid film for a mere two-thirds of the running time. Bruce McDonald, director of the - in my humble opinion - heavily overrated "Pontypool", creates an ideally sinister atmosphere and comes up with an efficiently unsettling premise. The rebellious but troubled 16-year-old Dora Vogel finds out she's pregnant, so she's pondering alone at her house while the rest of her family goes out trick or treating. Eerie kids with seriously terrifying masks and outfits soon come knocking at her door, but these little monsters aren't satisfied with regular candy. They want Dora's unborn baby, and anyone who tries to protect her won't survive the night! The set-up of the plot is great, the little demon-kids look petrifying and Chloë Rose is a persuasive young actress. So far so good, but admittedly Bruce McDonald has no idea where his surreal storylines are going or how to lead everything towards a credible finale. The skies over Dora's isolated little town suddenly color purple and pink, along with various other surreal and inexplicably bizarre phenomena, which causes us to suspect that McDonald tries to cover for the lack of content and/or continuity with visual distractions. Nice try, but horror fans really aren't as dumb as some people think, you know! I'll remember it for the handful of authentic frights, but "Hellions" definitely won't become a cult classic.

Hellions is a very well made Horror movie that's for sure but it's more than a Horror movie it plays on fears of childbirth & the terrifying realisation that a girls world is about to change along with her body.

Chloe Rose is the pregnant 17 year old this movie is about & she plays Dora abit of a loner goth type of rebel chick & Rose gives a fantastic performance of all the ranges of emotion & then some & she's acts it brilliantly so i think this girl will do well in the movie world.

One of my all time favourite actors is in Hellions & that's the always good veteran Robert Patrick & here he plays a tough serious local police officer who is there to protect & serve our hero Dora & again although under used his screen presence is always welcomed & gives a solid performance for his screen time mixed up in this crazy nightmare world.

The movie looks BEAUTIFUL most of the time with stunning cinematography & i like the way it starts as a proper Halloween themed Home invasion Horror with demonic trick or treaters & then crosses over into a twilight zone type nightmare world.

There is bits that doesn't make sense or atleast to me & you never REALLY know what is real & what really happened but it's a part of the crazy acid trip dream like charm & you can make your mind up with what plays out.

All in all Hellions is a beautiful Looking Halloween Horror with underlining messages of fear & anxiety about pregnancy.

I think Hellions is a good watch but because it's very weird & dreamlike it's not one to watch lots.

This movie is clearly a piece of pro-life propaganda from about five minutes in and while philosophical stances in movies and using horror as allegory is not always a bad thing, in this case it is just too heavy handed and shallow to really be any good.

There is barely any thought given to character or plot and it is more all about creating striking visuals to drive home the message of how wrong it is to have an abortion. Whatever your stance on the issue it does not mean that you can't make a subtler and more thought-provoking film on the subject, otherwise you are just preaching to the converted.

If you can look past the blatant bias that this movie possesses then there are some cool visuals and a dream-like feel that makes the film pretty unique considering it seems like the people who made it didn't actually care about the substance of their product. Still though I can't recommend a movie for style alone so I would give this one a miss, unless you just want to be told what you already know.

Hellions is the latest film from Bruce McDonald who helmed Pontypool (2008), a film which showed that he was a director who was not afraid to approach old ideas in new ways. With Hellions, it could be said that he is adopting the same philosophy. Its story focuses on a teenage girl who lives in a town famed for its pumpkin crop. On Halloween night she discovers she is pregnant to her boyfriend and very soon finds herself home alone and terrorized by strange, costumed, demonic children who seem to be after her unborn child.

To be honest just going by the synopsis you could be forgiven for thinking this is going to be no more than a routine horror outing with little to differentiate itself from the pack. But in practice it's a whole lot better than that. This is mainly on account of the stylised manner in which its story has been brought to the screen. Once our heroine is in the midst of her struggles, lots of colour filters are used to create a weird Halloween fantasy land which creates quite a nice off-kilter atmosphere. Not only that but this is one of the few recent horror films that actually makes an effort with its soundtrack too; the score by Todor Kobakov and Ian LeFeuvre is a consistently inventive, layered and spooky concoction. Rounding things off there is a strong central performance from Chloe Rose and decent support work from Robert Patrick.

Content-wise, there's nothing especially new here but the manner in which it is brought to the screen shows considerable care and effort. There's quite a lot to appreciate in the visuals and soundtrack in particular, while the creepy kids are donned out in some imaginatively sinister costumes. This one successfully creates its own distinctive ambiance and that seems like a pretty good enough achievement to me.

Boring, clichéd teen ghost story/slasher that is more of an exercise in how to recycle tired elements such as overused sound effects, children being creepy, and the whole unborn demon pregnancy angle.

What's worse is most of the movie is filmed in this gross purple-pink filter, which doesn't make sense... and as expected, the main character makes several unrealistic, irrational choices that help escalate the situation she's a victim of.

I feel for Robert Patrick, who now seems relegated to playing the generic role of a small town cop in lame horror movies. His minimal screen time suggests he probably did not earn much for this appearance, though he is or was always a relatively dignified actor.

This movie made me roll my eyes so hard that I could hear it, and incidentally it was the first time I jumped.