VALUTAZIONE IMDb
6,3/10
36.231
LA TUA VALUTAZIONE
Uno sceriffo di una piccola città si propone di trovare i due bambini che hanno portato la sua macchina in un viaggio di gioia.Uno sceriffo di una piccola città si propone di trovare i due bambini che hanno portato la sua macchina in un viaggio di gioia.Uno sceriffo di una piccola città si propone di trovare i due bambini che hanno portato la sua macchina in un viaggio di gioia.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 4 candidature totali
Kyra Sedgwick
- Dispatch
- (voce)
Bluebell the Dog
- Self
- (as Bluebell)
Recensioni in evidenza
Some people forget their bags, luggage or whatever, others lose their car. Though that wouldn't make this justice. It's a what would happen if situation. It feels like the movie might have sprung out of the idea, what if two boys found a cop car and started messing around with it. The movie feels like this was the starting point and also the point where the viewer is not exactly sure what's going to happen next.
Which is a good thing. You keep guessing what is up next, where the movie will be heading (pun intended). The boys are perfectly cast and they really don't seem like they're acting at all. Kevin Bacon is hard to read as always, as is the situation in general. Just when you thought you figured it out, something else happens that you didn't see coming
Which is a good thing. You keep guessing what is up next, where the movie will be heading (pun intended). The boys are perfectly cast and they really don't seem like they're acting at all. Kevin Bacon is hard to read as always, as is the situation in general. Just when you thought you figured it out, something else happens that you didn't see coming
I guess you would have to describe Cop Car as a high concept movie, i.e. a film whose story can succinctly be described in one sentence. This is essentially about a couple of kids who steal a cop car belonging to a sheriff who it soon transpires is a very bad man. Do not let the simplicity of the set-up put you off though, as this is a lean film with a lot of good things about it. Firstly, we have the two young boys who are a great central pairing; they really act like genuine kids and are very sympathetic and humorous throughout. Secondly, we have Kevin Bacon giving yet another good performance as the bad cop. Thirdly, this is well-paced and builds quite a bit of tension as events escalate to an ending that is a little surprising. Fourthly, it's a rather well photographed and scored affair, with the sparse Colorado plains scenery shot nicely in widescreen.
This is a very good example of a film that keeps things simple while never forgetting to entertain and surprise. It's well acted, photographed and directed. It has well-handled suspense and characters you actually care about. Can't say fairer than that really.
This is a very good example of a film that keeps things simple while never forgetting to entertain and surprise. It's well acted, photographed and directed. It has well-handled suspense and characters you actually care about. Can't say fairer than that really.
While many films use the device of a "real time" narrative for effect (ie, where the viewer is given the sense that he/she is a participant in real time in the story) very few films run the device for the full length.
For example, the Bourne films went into real time when the main character was on screen, but otherwise maintained a traditional narrative. Examples of standout real-time films would include Tom Cruise (amazing) in COLLATERAL; Dennis Weaver in DUEL; and the Canadian sci-fi epic, CUBE.
So now that you know first-rate films CAN potentially be made using the technique, the writer/director of this film (to be kind) did not set his sights quite that high.
Overall, it is not a bad film, it is incredibly engaging given how little is actually going on. However, while all films require a suspension of disbelief, the overall problem with COP CAR is that the two lead characters, boys of about ten years of age, are written as the dumbest children ever to appear in a feature film.
Seriously. In an age where even the Disney channel attributes 'tude, street cred, smarts and fast moves to 7 year olds (ask your child if you don't believe me) these two characters as written are so far removed from coherent thought that the audience starts to wonder if they escaped from "special class." To use the term "pig stupid" for these kids effectively slanders the pig.
Bacon is excellent. Would like to see more of him in features.
For example, the Bourne films went into real time when the main character was on screen, but otherwise maintained a traditional narrative. Examples of standout real-time films would include Tom Cruise (amazing) in COLLATERAL; Dennis Weaver in DUEL; and the Canadian sci-fi epic, CUBE.
So now that you know first-rate films CAN potentially be made using the technique, the writer/director of this film (to be kind) did not set his sights quite that high.
Overall, it is not a bad film, it is incredibly engaging given how little is actually going on. However, while all films require a suspension of disbelief, the overall problem with COP CAR is that the two lead characters, boys of about ten years of age, are written as the dumbest children ever to appear in a feature film.
Seriously. In an age where even the Disney channel attributes 'tude, street cred, smarts and fast moves to 7 year olds (ask your child if you don't believe me) these two characters as written are so far removed from coherent thought that the audience starts to wonder if they escaped from "special class." To use the term "pig stupid" for these kids effectively slanders the pig.
Bacon is excellent. Would like to see more of him in features.
When two boys take an abandoned cop car for a joyride, a sheriff, played by Kevin Bacon, desperately attempts to get his car back by any means necessary. Jon Watts directed this indie thriller which is just now getting a wider release after receiving positive buzz at Sundance. Cop Car is a fun, intriguing ride that left me wishing there was more gas in this tank.
Cop Car has a simple premise that is executed very effectively. The story is interesting and raises fascinating questions early on. Once you begin connecting some of the dots, Cop Car turns into a more stereotypical thriller. However, the director Jon Watts has very unique visual style which distances Cop Car from the rest of the pack. There's beautiful cinematography and great suspense throughout the film. I'm very interested to see how Watts does with the upcoming Spider-Man movie.
James Freedson-Jackson and Hays Wellford play the two boys who steal the cop car. The two kids are fine; they aren't great, but they aren't 'Episode I Anakin Skywalker' bad. The best part about these two kids is they act exactly how 10-year-olds would act while on this joyride. They play with guns found in the car and roll each other up with police tape. Seeing the kids' innocent mindsets juxtaposed with the sheriff's dark actions make for an interesting dynamic.
Speaking of the sheriff, Kevin Bacon is great in Cop Car. Bacon and his disgusting mustache take the story in dark directions in his attempt to get his car back. His presence adds the star power that the film deserves.
While the story is dark, there are some subtle moments of comedy sprinkled here and there. The dark comedy works well in breaking up the suspense just long enough for you to catch your breath.
Cop Car ends rather abruptly, which some might find uneasy. While I can appreciate the creative decision to end where it did and not have a 'Hollywood ending,' there were just too many questions left unanswered for my taste. This is one of the few movies I wish were longer than its current 90 minute runtime.
Cop Car is a very solid edition to the thriller genre due in large part to Bacon's performance, and Watts' direction. While slightly too ambiguous, there is enough suspense and intrigue to warrant a ride for yourself.
If you liked this review, check out more of my reviews over at www.watsonmoviereviews.com
Cop Car has a simple premise that is executed very effectively. The story is interesting and raises fascinating questions early on. Once you begin connecting some of the dots, Cop Car turns into a more stereotypical thriller. However, the director Jon Watts has very unique visual style which distances Cop Car from the rest of the pack. There's beautiful cinematography and great suspense throughout the film. I'm very interested to see how Watts does with the upcoming Spider-Man movie.
James Freedson-Jackson and Hays Wellford play the two boys who steal the cop car. The two kids are fine; they aren't great, but they aren't 'Episode I Anakin Skywalker' bad. The best part about these two kids is they act exactly how 10-year-olds would act while on this joyride. They play with guns found in the car and roll each other up with police tape. Seeing the kids' innocent mindsets juxtaposed with the sheriff's dark actions make for an interesting dynamic.
Speaking of the sheriff, Kevin Bacon is great in Cop Car. Bacon and his disgusting mustache take the story in dark directions in his attempt to get his car back. His presence adds the star power that the film deserves.
While the story is dark, there are some subtle moments of comedy sprinkled here and there. The dark comedy works well in breaking up the suspense just long enough for you to catch your breath.
Cop Car ends rather abruptly, which some might find uneasy. While I can appreciate the creative decision to end where it did and not have a 'Hollywood ending,' there were just too many questions left unanswered for my taste. This is one of the few movies I wish were longer than its current 90 minute runtime.
Cop Car is a very solid edition to the thriller genre due in large part to Bacon's performance, and Watts' direction. While slightly too ambiguous, there is enough suspense and intrigue to warrant a ride for yourself.
If you liked this review, check out more of my reviews over at www.watsonmoviereviews.com
If you like the quirkiness of films like Fargo or Blue Ruin you will enjoy this film. I found the 2 kids to be absolutely adorable and at times hilarious.
There's not really much to the plot but it actually works for a film like this. The cinematography and music are excellent and really captures the small town feel of the film.
Solid acting all around especially by Kevin Bacon. There are quite a few unbelievable/illogical moments in the film but to me they are forgivable.
Original, quirky, beautiful, funny and crazy. Loved it.
There's not really much to the plot but it actually works for a film like this. The cinematography and music are excellent and really captures the small town feel of the film.
Solid acting all around especially by Kevin Bacon. There are quite a few unbelievable/illogical moments in the film but to me they are forgivable.
Original, quirky, beautiful, funny and crazy. Loved it.
Lo sapevi?
- QuizKyra Sedgwick, Kevin Bacon's wife, is the voice of the dispatcher.
- BlooperAfter Kretzer is shot he reaches up to the rear driver's side window, covering it in blood. A few minutes later as the boys are trying to escape from the back seat we see the rear driver's side window, with no blood to be found.
- Citazioni
Sheriff Kretzer: You don't... Steal... A Fucking... COP CAR!
- Colonne sonoreCop Car Theme
(uncredited)
Written by Phil Mossman
Performed by Phil Mossman
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- La patrulla
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 800.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 134.552 USD
- Fine settimana di apertura Stati Uniti e Canada
- 26.146 USD
- 9 ago 2015
- Lordo in tutto il mondo
- 143.658 USD
- Tempo di esecuzione
- 1h 28min(88 min)
- Colore
- Proporzioni
- 2.39 : 1
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