Due colleghi scambiati per una coppia sono inseguiti da un assassino a San Francisco nel giorno di San Valentino. Costretti a fuggire, si muovono tra i luoghi romantici della città per sopra... Leggi tuttoDue colleghi scambiati per una coppia sono inseguiti da un assassino a San Francisco nel giorno di San Valentino. Costretti a fuggire, si muovono tra i luoghi romantici della città per sopravvivere.Due colleghi scambiati per una coppia sono inseguiti da un assassino a San Francisco nel giorno di San Valentino. Costretti a fuggire, si muovono tra i luoghi romantici della città per sopravvivere.
- Regia
- Sceneggiatura
- Star
- Reporter
- (as Amy Workman)
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Recensioni in evidenza
Then it ground to a halt and it became a really lame romantic comedy (without real comedy, just awkward smile cringe humour). This went on far too long and luckily just when I said out loud....."oh for Christ's sake! Enough of this soppy nonsense" the killer returned and we were off again with some great action. I wasn't really liking the characters yet so didn't care whether they lived or died. Was just wanting more of the killer without the cringe level attempts at comedy.
This film didn't know what it wanted ro be. A soppy romantic soft comedy or an all out slasher gorefest. I guess they thought they were being original trying tk blend the two but it didn't work for me.
The humour seemed out of place and silly and I was constantly thinking "I wish they had played this straight as the killer is really good.
The two cops "Hobbs and Shaw" *eyeroll moment and if it was a nod to something it was lost on me. Same writer ir director as the Staham/Rock film maybe? Otherwise it was just plain odd ??
The police station scenes were well ahem...executed but soon after the film Grinds to another halt to allow some more pointless romance !? Mid chase from a maniac slasher!?? Really!?
Luckily this is not as long as before and the killer takes out the stoners in epic fashion. Now that's more like it.
Ignoring the plenty of opportunities the killer has to end the couples life's yet doesn't the scene is good.
Then back to the soppy romantic slop. And I was almost ready to turn it off.
But then a very lazy twist and we have yet more opportunities to end the heroes but fail and end up toast.
Soppy ending with embarrassing phone call that was supposed to be amusing yet made my eyeballs roll so hard back I could see my brain.
It gets a 5 for the fantastic slasher character who if had been done better and play3d straight couldn't have been a new horror icon.
But wasted opportunity.
It's like a husband and wife team decided to make a film together with one another. One loving Slashers and the other Notting Hill.
The humour didn't land very well and it was ultimately a frustrating mess.
I was seriously looking forward to this, they made it look quite something in the trailers, I was expecting something along the lines of Scream, what I wasn't expecting was a film that had horror elements, but was 70% romcom, I'm not one hundred percent sure it worked.
It definitely deserves a couple of points for originality, I can't think of many films that have emade me laugh and bad a couple of decent jump scares. The restaurant scene also made me chuckle, amusing to see the man being objectified, it was funny.
If they'd done less of the soppy stuff and more scares, it would have worked a whole lot better, there were essentially three big scare scenes, you couldn't really blame the killer going after that awful couple at the start.
Interesting, if flawed.
6/10.
Theatrical Releases You Can Stream or Rent
Theatrical Releases You Can Stream or Rent
Lo sapevi?
- QuizThe mask designer for "Heart Eyes," special effects artist Tony Gardner, also created the killer masks for "Freaky," "Happy Death Day," and "Totally Killer."
- BlooperWhile palm trees are not unheard of in the Seattle area, there are far more in the film than would be in real life; thus revealing the New Zealand filming location.
- Citazioni
Monica: [On the phone with Ally] Hey, Ally? Ally, listen to me: you deserve to be happy. You deserve to have someone love you for the beautiful, neurotic mess that you are. I mean, you can be so clueless sometimes; it's one of the ten things I hate about you, honestly. You can't let Jay go off to his best friend's wedding and hook up with a bunch of bridesmaids and move to Notting Hill. No. This is love, momma. Some kind of... wonderful, crazy stupid love, actually.
- Curiosità sui creditiThere is an additional scene midway through the end credits.
- ConnessioniFeatures La signora del venerdì (1940)
- Colonne sonoreAmazed
Written by Marv Green, Chris Lindsey and Aimee Mayo
Performed by Lonestar
Courtesy of RCA Records
By arrangement with Sony Music Entertainment
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Сердечні очі
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 18.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 30.415.738 USD
- Fine settimana di apertura Stati Uniti e Canada
- 8.305.156 USD
- 9 feb 2025
- Lordo in tutto il mondo
- 33.027.539 USD
- Tempo di esecuzione1 ora 37 minuti
- Colore
- Proporzioni
- 2.39:1