Un uomo è affetto da un'antica maledizione dopo essere stato morso da un lupo mannaro.Un uomo è affetto da un'antica maledizione dopo essere stato morso da un lupo mannaro.Un uomo è affetto da un'antica maledizione dopo essere stato morso da un lupo mannaro.
- Regia
- Sceneggiatura
- Star
Leigh Whannell
- Dan
- (voce)
Lucy Bowden
- Journalist
- (non citato nei titoli originali)
James Ketteridge
- Tyler
- (non citato nei titoli originali)
Rob MacBride
- SFPD
- (non citato nei titoli originali)
Riepilogo
Reviewers say 'Wolf Man' offers a fresh take on the werewolf genre with a realistic transformation and strong atmosphere, but suffers from a predictable story and slow pacing. Practical effects and sound design are lauded, while the creature design divides opinions. Christopher Abbott's performance is praised, but Julia Garner's role is criticized as underutilized. The film attempts innovation but struggles with narrative and character depth.
Recensioni in evidenza
Let me start by saying that Christopher Abbott's performance was splendid. He stepped into this role with ease, and I would recommend this film based solely on his interpretation of the titular character.
That said, there were many things in this film that failed to work for me. Addressing Julia Garner's performance, I must say I think she is a lovely actress. In fact, she tends to steal any scenes she's in when it comes to most of her other work that I've seen. In Wolf Man, however, she is less than believable in the role of wife and mother, and, along with a lack of depth in the script, I found myself less than concerned about the fate of the family.
I was especially excited to see this movie after hearing it was being written/directed by Leigh Whannell, whose work on The Invisible Man was impeccable. Wolf Man fails where The Invisible Man succeeds in the way of character development and raw emotion. When it comes to the world of fantastical creatures like vampires, werewolves, zombies, etc., I think there should be a clear direction chosen between campy/outrageous and dark/serious when telling such stories. While Whannell seems to have chosen the latter, I felt the film was too tame to affect an audience and too surface-level to reach the heart.
That said, there were many things in this film that failed to work for me. Addressing Julia Garner's performance, I must say I think she is a lovely actress. In fact, she tends to steal any scenes she's in when it comes to most of her other work that I've seen. In Wolf Man, however, she is less than believable in the role of wife and mother, and, along with a lack of depth in the script, I found myself less than concerned about the fate of the family.
I was especially excited to see this movie after hearing it was being written/directed by Leigh Whannell, whose work on The Invisible Man was impeccable. Wolf Man fails where The Invisible Man succeeds in the way of character development and raw emotion. When it comes to the world of fantastical creatures like vampires, werewolves, zombies, etc., I think there should be a clear direction chosen between campy/outrageous and dark/serious when telling such stories. While Whannell seems to have chosen the latter, I felt the film was too tame to affect an audience and too surface-level to reach the heart.
As a horror girlie, I couldn't resist checking out "Wolf Man" today, and while it had its moments, I'm a bit torn on it.
The cinematography was easily the standout-some of the angles and camera work were fantastic, especially for a horror film. There are also a few fresh ideas that really surprised me, which is impressive for a remake of the 1941 classic.
That said, the child actress's performance kept breaking the immersion for me, and overall, the movie felt a little too safe. It's enjoyable enough, but not particularly memorable. Honestly, it gave me strong novel vibes-this story would've worked so well as a book. It also made me want to replay 'Until Dawn', which captures a similar vibe with way more impact.
"Wolf Man" is worth a watch for horror fans, but it's probably one to wait for on streaming.
The cinematography was easily the standout-some of the angles and camera work were fantastic, especially for a horror film. There are also a few fresh ideas that really surprised me, which is impressive for a remake of the 1941 classic.
That said, the child actress's performance kept breaking the immersion for me, and overall, the movie felt a little too safe. It's enjoyable enough, but not particularly memorable. Honestly, it gave me strong novel vibes-this story would've worked so well as a book. It also made me want to replay 'Until Dawn', which captures a similar vibe with way more impact.
"Wolf Man" is worth a watch for horror fans, but it's probably one to wait for on streaming.
"Wolf Man" is the new adaptation of one of Universal's classic monsters, a different look at what "The Wolf Man" (1941) was, is what Leigh Whannell offers in his film directed and written by him, the script touches on folkloric elements of the werewolf myth and mixes them with a family drama, giving a good but not excellent result. Although Whannell had already brought another classic Universal monster in his version of "The Invisible Man" which was somewhat overrated in 2020, in 2025 his version of "Wolf Man" is more interesting than his aforementioned previous film. The performances of Christopher Abbott and Julia Garner are good, managing to portray a marriage in crisis. The cinematography is good, and it uses the werewolf's perspective to show us his visual change from human to animal, as is the sound design, which is incredible and also takes the audience to be part of the protagonist's auditory mutation. The prosthetic makeup special effects are realistic and nostalgic in an old-school way, giving a nice touch to the subgenre that the film touches on, that of body horror. Whannell manages to introduce suspense in several scenes and knows what he wants to show on screen. "Wolf Man" is not a perfect film, and it will certainly not be the best horror film of 2025, but it is an entertaining and well-made cinematic product.
From the director of The Invisible Man comes a reboot of yet another Universal Classic Monster, this time offering a modern spin on the studio's lycanthropic franchise. But unlike his impressive last feature, Wolf Man fails to create any sort of intrigue or interest, is formulaic & forgettable in every possible way, and makes for a bland, banal & boring offering with nothing worth investing into.
Co-written & directed by Leigh Whannell (Insidious: Chapter 3 & Upgrade), the premise is paper-thin, characters are poorly sketched & devoid of personality and the plot is predictable from afar with not many (or any) surprises in store. And if that's not enough, the sappy melodrama & lame dialogues don't do the film any favour either. And the ride is furthermore hampered by its lack of suspense.
There is no sense of direction to where the plot is headed, the family unit isn't developed enough and the horror set pieces also lack the expected ferocity & flesh-tearing carnage. Performances are lifeless, and even the werewolf design fails to impress. Whannell intended to address themes of parenting, marriage, sickness & death here but for those to work, the fundamentals needed to be solid which isn't the case here.
Overall, Wolf Man is ineffective in its storytelling, flat in its execution and underdeveloped as a whole. Terribly directed, shoddily scripted, tediously paced & weakly acted, there's nothing that clicks here nor is there anything to latch onto, thus resulting in a finished product that has no bite. An uneven, uninspiring & underwhelming reimagining that's not only devoid of tension & scares but is also lacking in narrative & emotional depth.
Co-written & directed by Leigh Whannell (Insidious: Chapter 3 & Upgrade), the premise is paper-thin, characters are poorly sketched & devoid of personality and the plot is predictable from afar with not many (or any) surprises in store. And if that's not enough, the sappy melodrama & lame dialogues don't do the film any favour either. And the ride is furthermore hampered by its lack of suspense.
There is no sense of direction to where the plot is headed, the family unit isn't developed enough and the horror set pieces also lack the expected ferocity & flesh-tearing carnage. Performances are lifeless, and even the werewolf design fails to impress. Whannell intended to address themes of parenting, marriage, sickness & death here but for those to work, the fundamentals needed to be solid which isn't the case here.
Overall, Wolf Man is ineffective in its storytelling, flat in its execution and underdeveloped as a whole. Terribly directed, shoddily scripted, tediously paced & weakly acted, there's nothing that clicks here nor is there anything to latch onto, thus resulting in a finished product that has no bite. An uneven, uninspiring & underwhelming reimagining that's not only devoid of tension & scares but is also lacking in narrative & emotional depth.
What unbreakable did for super heroes movies, Wolf-man did for werewolf movies. Its execution felt similar. But much like Unbreakable I believe the reviews will dip lower than this movie deserves to be. I remember people hating Unbreakable because of the slowness and "seeming" anti-climactic nature of it but over time people began to realize the brilliance of it. This feels similar. The tension is great and atmosphere spot on. I kept waiting for a cringy or overtop moment make me roll my eyes but it never did and stayed the course it was on. Not the modern American werewolf in London I've been searching for but definitely an emerald I didn't expect to find while mining for diamonds. Go see it.
Lo sapevi?
- QuizLeigh Whannell explained how he conceived the werewolf's point-of-view shots, saying: "I had this idea of the camera moving around the room and suddenly what seemed like gibberish became legible, and you realized there was some invisible wall that the camera had crossed through. I started researching wolves, how they see, the colors of their eyes. I was thinking about how animals hear. When we talk to our dogs, we all anthropomorphize our pets. I have whole conversations with my dog where I'm like, "What are you doing? Oh, you're upset. What are you upset about?" You know that he's just staring at you. They recognize tone and maybe up to 20 words. I was thinking about that. This classic Wolf Man story is a great way to use this because usually in Wolf Man stories, the transformation is very quick. I was like, what if you slowed this down and treated it more like a degenerative illness? I was thinking more of a film like "Still Alice."
- BlooperThough the city scene is set in San Francisco, California, New Zealand traffic lights are visible.
- ConnessioniFeatured in Jeremy Jahns: Wolf Man - Movie Review (2025)
- Colonne sonoreLes Feuilles Mortes
Music by Joseph Kosma
Performed by Cannonball Adderley
Courtesy of Blue Note Records under license from Universal Music Enterprises
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Dettagli
Botteghino
- Budget
- 25.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 20.707.280 USD
- Fine settimana di apertura Stati Uniti e Canada
- 10.897.495 USD
- 19 gen 2025
- Lordo in tutto il mondo
- 34.151.868 USD
- Tempo di esecuzione1 ora 43 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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