Quando una squadra di livestreamer si imbarca in una sfida in una casa infestata, si rende subito conto che gli spaventi potrebbero essere più reali del previsto. A ogni svolta, devono attra... Leggi tuttoQuando una squadra di livestreamer si imbarca in una sfida in una casa infestata, si rende subito conto che gli spaventi potrebbero essere più reali del previsto. A ogni svolta, devono attraversare il terrore e lottare per sopravvivere.Quando una squadra di livestreamer si imbarca in una sfida in una casa infestata, si rende subito conto che gli spaventi potrebbero essere più reali del previsto. A ogni svolta, devono attraversare il terrore e lottare per sopravvivere.
Recensioni in evidenza
Of course I wasn't familiar with the cast ensemble in the movie. And despite it being a 'found footage' movie about social media 'influencers', then I will say that the acting performances were actually fair.
Writer Victor Soares certainly had a fair enough idea for the concept of the storyline and script, just a shame that it was made as a 'found footage' movie and focusing on social media freeloaders. So yeah, in my opinion, if Victor Soares had opted for a properly filmed movie and changed the characters away from narcissistic social media 'influencers' to regular people, then the movie would have been a whole other level of enjoyment. But as it was, then the movie stood a snowball's chance in Hell of winning me over.
"Livestream" was not a great movie to sit through, because I absolutely loathe 'found footage' movies and social media 'influencers'. And this movie's theme was a combination of those two things, so I was not in for an evening of stellar entertainment here. This is definitely not a movie that will grace my screen a second time.
If you enjoy horror movies, then I would not recommend you to waste 91 minutes on watching "Livestream". Some of us literally suffered through this ordeal, so you don't have to; you're quite welcome.
I am sorry, but hand-held camera footage and narcissistic social media freeloaders just doesn't cut it for me. And the constant flood of messages from the viewers was a major nuisance, as it often stole focus from the happenings on the screen.
My rating of writer and director Victor Soares's 2025 movie "Livestream" lands on a very generous two out of ten stars.
Writer Victor Soares certainly had a fair enough idea for the concept of the storyline and script, just a shame that it was made as a 'found footage' movie and focusing on social media freeloaders. So yeah, in my opinion, if Victor Soares had opted for a properly filmed movie and changed the characters away from narcissistic social media 'influencers' to regular people, then the movie would have been a whole other level of enjoyment. But as it was, then the movie stood a snowball's chance in Hell of winning me over.
"Livestream" was not a great movie to sit through, because I absolutely loathe 'found footage' movies and social media 'influencers'. And this movie's theme was a combination of those two things, so I was not in for an evening of stellar entertainment here. This is definitely not a movie that will grace my screen a second time.
If you enjoy horror movies, then I would not recommend you to waste 91 minutes on watching "Livestream". Some of us literally suffered through this ordeal, so you don't have to; you're quite welcome.
I am sorry, but hand-held camera footage and narcissistic social media freeloaders just doesn't cut it for me. And the constant flood of messages from the viewers was a major nuisance, as it often stole focus from the happenings on the screen.
My rating of writer and director Victor Soares's 2025 movie "Livestream" lands on a very generous two out of ten stars.
It feels as though the director went to directors school at Youtube University and is stuck in Forever 17. I predict they will not be the next Stephen King or any other name you will ever hear again. Apparently my review is too short so I will add that nothing in this movie, absolutely nothing cannot be found for free on youtube. And they dont even use directors. I would have to be paid to watch this again. As for the actors, nothing special about any of them and I would have to add that I would guess that they based their acting ability on what they see on youtube and they all probably have their own sad channel with sad subscribers.
In my experience it's never a good thing to have the writer also direct. When you add acting into
the equation, you're doomed. One Victor Soares played the hat trick here. His direction was made easier by relying on a variation of the "found footage" genre, here using a "livestream" as his crutch... or in this case his walker.
His "hyper-manic Brazilian" character was especially annoying and would've been the low point, acting-wise in most no-budget movies, but here there were even more blatant offenders.
The main character was played by Sarah Moliski, it was her live feed and she was the master, or mistress, of ceremonies. Another absolutely spastic role of overacting and that Gen Z/Millennial sort of attitude that fills Tik-Tok and YouTube with their willful ignorance and airheaded know-it-all-ness. Oh, she plays it to perfection and I'll grant that her character felt legit. I hope she's nothing like that in real life. But the death of her character, like that of Soares, was not lamentable. More likely cathartic.
Mao Sun played a wannabe actor and funnily enough, he was the least talented thespian of a weak bunch. He wasn't asked for much and yet still struggled.
But the main problem was the writing. It really was pedestrian. Examples are rife, you'll see.
The location was cool and could've been much better utilized. It's a shame the writer/director/actor's ego got in the way. Jack of all trades, master of none
Add this together with a zero budget and, well, you're lucky you emerged with four stars from this viewer.
.
His "hyper-manic Brazilian" character was especially annoying and would've been the low point, acting-wise in most no-budget movies, but here there were even more blatant offenders.
The main character was played by Sarah Moliski, it was her live feed and she was the master, or mistress, of ceremonies. Another absolutely spastic role of overacting and that Gen Z/Millennial sort of attitude that fills Tik-Tok and YouTube with their willful ignorance and airheaded know-it-all-ness. Oh, she plays it to perfection and I'll grant that her character felt legit. I hope she's nothing like that in real life. But the death of her character, like that of Soares, was not lamentable. More likely cathartic.
Mao Sun played a wannabe actor and funnily enough, he was the least talented thespian of a weak bunch. He wasn't asked for much and yet still struggled.
But the main problem was the writing. It really was pedestrian. Examples are rife, you'll see.
The location was cool and could've been much better utilized. It's a shame the writer/director/actor's ego got in the way. Jack of all trades, master of none
Add this together with a zero budget and, well, you're lucky you emerged with four stars from this viewer.
.
This was a film that I got the chance to see thanks to Shirly from Studio Dome. The Horror Collective picked this film up and a press release was sent to me. Confirming that this is a 2025 horror film was enough to check it out. I do enjoy these live streams based horror films, like Spree, Deadstream or Dash Cam. Other than that, I did come into this one blind to avoid spoiling.
Synopsis: as a team of live streamers embark on a haunted house challenge, they quickly realize that the scares may be more real than they anticipated. With each twist and turn, they must navigate through the terror to fight to survive the night.
Now I'll be honest about something. I didn't realize that this group of friends were going to this remote location for a 'haunted house challenge'. We start this with a cop having pulled over the car. Driving is Joss Myers (Mao Sun). He's an aspiring actor who is dating Mia (Sarah Moliski). She is livestreaming for their protection as the cop is being rude. He is Officer Heyes (Nicholas Edmunds). Knowing that he's being filmed, he does back off.
Joss questions Mia after they're allowed to leave. He doesn't like that she livestreams as much as she does. He gets it though as this is how she makes money, as an influencer. With them are a couple aspiring stand-up comedians who use social media for their popularity, Pedro Carvalho (Victor Soares) and Thomas (James Michael Cowan). There is also an artist, Nina Bloom (Giulia Nassa), who Pedro has a crush on.
They arrive at the cabin they're staying at and it looks amazing. It is owned by Anthony (Anthony Moore) and his wife, Lindsey (Nika Khitrova). They also have a shy daughter, Liza (Savannah Schakett). Her mother embarrasses her by revealing to Mia that Liza is her biggest fan. Our group then goes inside to get settled.
It is from here that we truly get to know our characters. Thomas is a jerk and he pushes buttons. There are multiple times that Mia has to cover up things that he says and point out she doesn't share those beliefs. Joss and him get into it as well. I get the feeling that this group doesn't necessarily like each other. Live streaming what they're doing does force people to put their internet persona. It is grating for Joss, but it also pays the bills.
Joss goes off to blow off steam while the rest of the group checks out the fire pit. It is here that Lindsey asks if Liza can hang out with them to which Mia confirms is cool. Things get tense here where Thomas gets hurt, or did he? This becomes a night none of them will ever forget and they truly learn how far away from everything they are.
That is where I'll leave my recap and introduction to the characters. Where I want to start then is with a warning or an encouragement, depending on what you're into. I know people that love this take on the found-footage subgenre. We have the comments that are coming in as people are watching. I'll be honest, I had a difficult time focusing on both what is happening on the screen and with reading those. There are a couple of times that this does cool things with using the whole frame so I started focusing on it. Another aspect here is that this is more about a character study and less about the story. Keep that in mind when deciding to check this out.
Now that I've set that up, let's start with our lead character of Mia. She worked with a travel agency to get set up with this house. The family that owns it are excited as this should be good for business. I'd bet that it is rented out at a discounted rate in exchange for her live streaming as much of their time there as they can. I'll be honest though, I hated Mia. She comes off as a fake, but that's definitely by design as this explores the concept of 'influencers'. I will also credit Moliski in her performance for getting a reaction out of me.
To then explore her friend group, I don't feel they truly like each other. It seems more of a necessity for their respective brands. Joss doesn't want to hurt his image in becoming an actor. He cracks a few times that he just wants time with his girlfriend while also knowing that she has obligations. Thomas is a sellout. He resisted TikTok and then decided to get it, now he's got a bigger following. Pedro is in a similar vein but not as popular. The most grounded character is Nina. She doesn't do social media or is limited there. She is probably the most talented as well. Credit to Cowan, Nassa and Soares, who I realized is also the writer/director.
The last group of characters will be the family that owns the cabin. Anthony feels a bit over the top, but I think that is by design. I think we're supposed to be leery of how nice he is. Lindsey is more grounded and feels real in the fact that she accidentally embarrassed Liza without meaning to. We learn that Liza is also bullied at school. Mia does what she can to make her feel included. There is this odd scene about a boy named David who only comes around to mess with her. We get an interesting scene there that sets the stage as something that is off with a broken window. I also thought that Moore, Khitrova and Schakett were solid in their performances.
I'll then just finish this out with filmmaking. I do love this live streaming found footage concept that we get. This does fall short to ones that I've named earlier. It gets too busy for me trying to see what is going on in the frame, see if I'm missing anything while also reading the comments. It doesn't help that not much happens. I didn't know there was a haunted house angle until reading the synopsis, so I think that is a misstep not building that more. It focuses on this group and I don't like the characters. I picked up on what route they were going and that worked. Something to credit here is that we have limited effects. They were practical so good on them. It does feel like a live stream so that's another positive.
In conclusion, this one tries to do something that is becoming more popular in the horror genre with live streams. I enjoy the concept, but I do think that this film falls short due to lacking the story. The acting performances were good across the board. They all bring distinct personalities to their characters. I just don't personally like these characters. It captures the live stream well. I just needed more to get me invested and to work better unfortunately. I'd still recommend it if you like this subset for this filming style.
My Rating: 5.5 out of 10.
Synopsis: as a team of live streamers embark on a haunted house challenge, they quickly realize that the scares may be more real than they anticipated. With each twist and turn, they must navigate through the terror to fight to survive the night.
Now I'll be honest about something. I didn't realize that this group of friends were going to this remote location for a 'haunted house challenge'. We start this with a cop having pulled over the car. Driving is Joss Myers (Mao Sun). He's an aspiring actor who is dating Mia (Sarah Moliski). She is livestreaming for their protection as the cop is being rude. He is Officer Heyes (Nicholas Edmunds). Knowing that he's being filmed, he does back off.
Joss questions Mia after they're allowed to leave. He doesn't like that she livestreams as much as she does. He gets it though as this is how she makes money, as an influencer. With them are a couple aspiring stand-up comedians who use social media for their popularity, Pedro Carvalho (Victor Soares) and Thomas (James Michael Cowan). There is also an artist, Nina Bloom (Giulia Nassa), who Pedro has a crush on.
They arrive at the cabin they're staying at and it looks amazing. It is owned by Anthony (Anthony Moore) and his wife, Lindsey (Nika Khitrova). They also have a shy daughter, Liza (Savannah Schakett). Her mother embarrasses her by revealing to Mia that Liza is her biggest fan. Our group then goes inside to get settled.
It is from here that we truly get to know our characters. Thomas is a jerk and he pushes buttons. There are multiple times that Mia has to cover up things that he says and point out she doesn't share those beliefs. Joss and him get into it as well. I get the feeling that this group doesn't necessarily like each other. Live streaming what they're doing does force people to put their internet persona. It is grating for Joss, but it also pays the bills.
Joss goes off to blow off steam while the rest of the group checks out the fire pit. It is here that Lindsey asks if Liza can hang out with them to which Mia confirms is cool. Things get tense here where Thomas gets hurt, or did he? This becomes a night none of them will ever forget and they truly learn how far away from everything they are.
That is where I'll leave my recap and introduction to the characters. Where I want to start then is with a warning or an encouragement, depending on what you're into. I know people that love this take on the found-footage subgenre. We have the comments that are coming in as people are watching. I'll be honest, I had a difficult time focusing on both what is happening on the screen and with reading those. There are a couple of times that this does cool things with using the whole frame so I started focusing on it. Another aspect here is that this is more about a character study and less about the story. Keep that in mind when deciding to check this out.
Now that I've set that up, let's start with our lead character of Mia. She worked with a travel agency to get set up with this house. The family that owns it are excited as this should be good for business. I'd bet that it is rented out at a discounted rate in exchange for her live streaming as much of their time there as they can. I'll be honest though, I hated Mia. She comes off as a fake, but that's definitely by design as this explores the concept of 'influencers'. I will also credit Moliski in her performance for getting a reaction out of me.
To then explore her friend group, I don't feel they truly like each other. It seems more of a necessity for their respective brands. Joss doesn't want to hurt his image in becoming an actor. He cracks a few times that he just wants time with his girlfriend while also knowing that she has obligations. Thomas is a sellout. He resisted TikTok and then decided to get it, now he's got a bigger following. Pedro is in a similar vein but not as popular. The most grounded character is Nina. She doesn't do social media or is limited there. She is probably the most talented as well. Credit to Cowan, Nassa and Soares, who I realized is also the writer/director.
The last group of characters will be the family that owns the cabin. Anthony feels a bit over the top, but I think that is by design. I think we're supposed to be leery of how nice he is. Lindsey is more grounded and feels real in the fact that she accidentally embarrassed Liza without meaning to. We learn that Liza is also bullied at school. Mia does what she can to make her feel included. There is this odd scene about a boy named David who only comes around to mess with her. We get an interesting scene there that sets the stage as something that is off with a broken window. I also thought that Moore, Khitrova and Schakett were solid in their performances.
I'll then just finish this out with filmmaking. I do love this live streaming found footage concept that we get. This does fall short to ones that I've named earlier. It gets too busy for me trying to see what is going on in the frame, see if I'm missing anything while also reading the comments. It doesn't help that not much happens. I didn't know there was a haunted house angle until reading the synopsis, so I think that is a misstep not building that more. It focuses on this group and I don't like the characters. I picked up on what route they were going and that worked. Something to credit here is that we have limited effects. They were practical so good on them. It does feel like a live stream so that's another positive.
In conclusion, this one tries to do something that is becoming more popular in the horror genre with live streams. I enjoy the concept, but I do think that this film falls short due to lacking the story. The acting performances were good across the board. They all bring distinct personalities to their characters. I just don't personally like these characters. It captures the live stream well. I just needed more to get me invested and to work better unfortunately. I'd still recommend it if you like this subset for this filming style.
My Rating: 5.5 out of 10.
This is some taylor swift fans brand of horror. It's cheesy, morbidly cliche', utterly predictable complete with low budget performers. One word. Corny. I'm not going to include any spoilers but going into the movie I immediately figured out the plot in literally less than 3 minutes after they introduced certain charaters. From that point on I had to decide if I'd give it a chance. Sit until the end. Well, I almost made it. I just could not get with the overly zealous, feigned so called jump scenes not to mention it just made no sense. Perhaps a movie like this may sit well with soysagues and soy egg consumers but in the real horror world, this does not measure up to even be placed in the genre. At best, this may qualify as a thriller...without thrills.
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- Tempo di esecuzione1 ora 31 minuti
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- 1.78 : 1
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