Crudelia

Okay so cruella was actually kind of amazing. The cinematography and costuming were breathtakingly beautiful. The storyline took a few weird turns, but for the most part really worked. The characters were well cast and well acted. The Emma's slayed being maniacally deranged.

It's dark, it's edgy, it embodies the punk rock movement of the 1970s and injects it into every aspect of this film with glorious results. Emma Thompson steals the show!

My faith in Walt is restored...Disney that is.

Ever since I was a little child watching in wonderment in the dark at the Movies or on the Black and White Pye TV at home...Walt Disney has entertained me for decades, but it's been a while since he put this kind of smile on my face.

Even though he's pushing up daisies or chilling out in a Cryogenic Chamber he still manages to bring magic into my life.

The brands latest effort is the live-action prequel, "Cruella" and it lives up to the trailers and then some.

It's a very dark origins story, not unlike "Joker".

Both films feature famous villains and turn them into protagonists misunderstood by friends, family and society.

What an amazing cast to watch strutting their stuff on the big screen and enjoying themselves.

"La La Lands" Emma Stone is brilliant as both Estella and her alter ego Cruella.

Emma Thompson is the Baroness...the nasty sociopathic woman Estella aspires to be whilst Cruella wants to destroy her and for good reasons that will reveal themselves in the fullness of time.

Joel Fry who was fun in "Yesterday" and Paul Walter Houser from "Richard Jewell" and "I,Tonya" provide the comic relief.

John McCrea who flamboyantly played Jamie in "Everybody's Talking About Jamie" doesn't hold back as the Rock Star of the Vintage Rag Trade.

Dedicated followers of fashion will love this movies costumes.

As usual Mark Strong puts in another strong performance as John the Valet.

The best part is the films Director is a fellow Aussie, Craig Gillespie, better known for "Lars and the Real Girl" and "I, Tonya" where he worked with Houser.

The original live action Cruella de Vil, Glenn Close, gets a nod with an Executive Producer credit for this 2021 movie.

"Cruella" had me from the opening bars of Supertramps' "Bloody Well Right" as we witness the birth of Estella.

From there the soundtrack rolls on highlighting just how good some of the modern classic songs of the 60's and 70's have stood the test of time.

It's a stellar collection of music from The Doors, Nine Simone, Electric Light Orchestra, The Ohio Players, Queen, Blondie, and The Clash to name a few.

It's already liked on my Spotify Library and playing in my French Batmobile.

I even love how the famous Disney logo is in black, white and red...Cruella DeVil's colours.

Even though it's based on the popular children's novel "One Hundred and One Dalmatians" by the late author Dodie Smith and has a PG rating this is a movie adults will also enjoy.

After all they didn't release it during the School Holidays.

In the words of Deadpool, "You're so dark. Are you sure you're not from the DC Universe."

This is a film I did not see myself enjoying as much as I did. Serving as a (sort of) prequel to 101 Dalmations, Cruella is set in 1970s London during the punk rock movement and follows the character Estella (Emma Stone) as she attempts to make it in the fashion industry. She is taken under the wing of the vindictive and domineering Baroness von Hellman (Emma Thompson) and quickly learns secrets that will push her along the path to becoming the villainous Cruella De Vil.

First off I have to praise the performances of both leads. Emma Stone is wonderfully hammy yet charming and surprisingly nuanced as the titular Cruella, while Emma Thompson is cold and ruthless as the fashion mogul Baroness. There was also great support from Paul Walter Hauser as 'Horace', who serves as the main comedic output of the film, a role which he serves with aplomb.

I loved the Rock/Punk Rock style and aesthetic the film had, which is exemplified by the wonderful set and costume design and the excellent and unrelenting soundtrack. The original score from Nicholas Britell was also very effective at establishing the tone and mood and was quite Danny Elfman-esque.

My main problem with the film comes in the form of writing, with some aspects seeming cheap and overly reliant on coincidence and convenience. The latter stages are definitely weaker and the film doesn't end quite as strongly as it should have.

Overall, this is one of Disney's best live action outputs in recent memory although the sympathetic origin story seems tonally dissonant for one of Disney's most despicable villains.

Can you make an entertaining film by blending features from the Joker's girlfriend Harley Quinn in "Birds of Prey," a successful heist film like Oceans Eleven, the daring of a Bond film, a swath of "The Devil Wears Prada," and meld it with the 1970's London punk fashion story of designer Vivienne Westwood? Can you do all that as a backstory for a six-decade old, animated Disney feature film? Can you sew all those different fabrics and parts into one cohesive garment? Apparently, you can. There is so much brilliant writing, over-the-top performance, and spot-on production brilliance packed into this movie that it must simply be seen to be appreciated. I've never seen a movie like this and I don't think there's a written explanation that can do it justice. If you love all sorts of films like the ones listed above, you'll love this film.