Un prequel che segue la vita di Crudelia de Mon da giovane.Un prequel che segue la vita di Crudelia de Mon da giovane.Un prequel che segue la vita di Crudelia de Mon da giovane.
- Regia
- Sceneggiatura
- Star
- Vincitore di 1 Oscar
- 29 vittorie e 44 candidature totali
Recensioni in evidenza
This is hands down the BEST Disney film I've seen in years and has the best soundtrack I've ever heard. Emma Stone is hypnotic as Cruella, Emma Thompson is delightfully wicked. The ancillary characters are very strong, as well. This film should received multi Oscar nods for acting, fashion, cinematography, and direction. The films' only drawbacks were the iffy CGI Dalmatians and particular animal references to skunks and raccoons that most outside the UK would never pick up on; neither animal is found in the UK.
To be really honest, I had very low positive thoughts about this movie. But, boy was I in for a surprise. Emma Stone is the show stealer. It's really a fun dark movie. Did expect this from Disney. Loved it!!
The atoeynis a little thin but it's a fun feast if fashion, music and big performances. Emma Thompson seemed to be having a lot of fun with her character, I came away feeling glad I had seen it at the cinema and thinking of at least 3 friends to reccomend it to, enjoyed it!
This is a film I did not see myself enjoying as much as I did. Serving as a (sort of) prequel to 101 Dalmations, Cruella is set in 1970s London during the punk rock movement and follows the character Estella (Emma Stone) as she attempts to make it in the fashion industry. She is taken under the wing of the vindictive and domineering Baroness von Hellman (Emma Thompson) and quickly learns secrets that will push her along the path to becoming the villainous Cruella De Vil.
First off I have to praise the performances of both leads. Emma Stone is wonderfully hammy yet charming and surprisingly nuanced as the titular Cruella, while Emma Thompson is cold and ruthless as the fashion mogul Baroness. There was also great support from Paul Walter Hauser as 'Horace', who serves as the main comedic output of the film, a role which he serves with aplomb.
I loved the Rock/Punk Rock style and aesthetic the film had, which is exemplified by the wonderful set and costume design and the excellent and unrelenting soundtrack. The original score from Nicholas Britell was also very effective at establishing the tone and mood and was quite Danny Elfman-esque.
My main problem with the film comes in the form of writing, with some aspects seeming cheap and overly reliant on coincidence and convenience. The latter stages are definitely weaker and the film doesn't end quite as strongly as it should have.
Overall, this is one of Disney's best live action outputs in recent memory although the sympathetic origin story seems tonally dissonant for one of Disney's most despicable villains.
First off I have to praise the performances of both leads. Emma Stone is wonderfully hammy yet charming and surprisingly nuanced as the titular Cruella, while Emma Thompson is cold and ruthless as the fashion mogul Baroness. There was also great support from Paul Walter Hauser as 'Horace', who serves as the main comedic output of the film, a role which he serves with aplomb.
I loved the Rock/Punk Rock style and aesthetic the film had, which is exemplified by the wonderful set and costume design and the excellent and unrelenting soundtrack. The original score from Nicholas Britell was also very effective at establishing the tone and mood and was quite Danny Elfman-esque.
My main problem with the film comes in the form of writing, with some aspects seeming cheap and overly reliant on coincidence and convenience. The latter stages are definitely weaker and the film doesn't end quite as strongly as it should have.
Overall, this is one of Disney's best live action outputs in recent memory although the sympathetic origin story seems tonally dissonant for one of Disney's most despicable villains.
101 Dalmations is a fantastic film with excellent characters, and after watching it one would think that it cannot be depicted in live action. The live action remakes proved this correct, however Cruella is different.
The angle taken on the film actually provides a sufficient and imaginative backstory for Cruella DeVil, and it cleverly manages to position the audiences on the side of the character despite how much we hate her in all her other depictions. That was quite impressive, as well as the acting from Emma Thompson.
The story was good, except there appeared to be repetition of segments of the movie which just make you feel like the movie is more of the way through than it actually is. Another thing that did this was the constant climactic moments which end up tiring you out a little. This means that when the proper climax happens, the movie feels like it's been going on forever and you find yourself not really as engaged as you should be.
Emma Stone's accent was really impressive, however it must have been the director's decision to make it more posh in certain moments, which I wasn't really a fan of. Also, the incorporation of a full fledged lgbt character felt a little unsuitable for the time period in which it was set (sorry about the spoiler).
The soundtrack was filled with excellent songs which were really suitable for the film. However, the events happening on screen couldn't quite match the coolness of the song resulting in the music being a slight distraction.
Overall a very admirable and imaginative effort from Disney.
The angle taken on the film actually provides a sufficient and imaginative backstory for Cruella DeVil, and it cleverly manages to position the audiences on the side of the character despite how much we hate her in all her other depictions. That was quite impressive, as well as the acting from Emma Thompson.
The story was good, except there appeared to be repetition of segments of the movie which just make you feel like the movie is more of the way through than it actually is. Another thing that did this was the constant climactic moments which end up tiring you out a little. This means that when the proper climax happens, the movie feels like it's been going on forever and you find yourself not really as engaged as you should be.
Emma Stone's accent was really impressive, however it must have been the director's decision to make it more posh in certain moments, which I wasn't really a fan of. Also, the incorporation of a full fledged lgbt character felt a little unsuitable for the time period in which it was set (sorry about the spoiler).
The soundtrack was filled with excellent songs which were really suitable for the film. However, the events happening on screen couldn't quite match the coolness of the song resulting in the music being a slight distraction.
Overall a very admirable and imaginative effort from Disney.
Lo sapevi?
- QuizGlenn Close, who played the first live-action Cruella DeVil in La carica dei 101 - Questa volta la magia è vera (1996) and La carica dei 102 - Un nuovo colpo di coda (2000), serves as executive producer for this movie.
- BlooperCruella crashes a car into an old-fashioned British red phone box, which buckles on impact. These phone boxes were made of cast iron which would, with sufficient force, break, not bend.
- Citazioni
Cruella de Vil: They say there are five stages of grief. Denial, anger, bargaining, depression, and acceptance. Well, I'd like to add one more. Revenge
- Curiosità sui creditiThere are scenes in the closing credits: Anita and Roger receive a gift of two Dalmatians (one each) from Cruella. The dogs are named Pongo and Perdita, the parent dogs from 101 Dalmatians. Roger then starts to play the Cruella de Vil song from La carica dei cento e uno (1961).
- ConnessioniFeatured in AniMat's Crazy Cartoon Cast: D23 Expo 2019 Extravaganza (2019)
- Colonne sonoreBloody Well Right
Written by Rick Davies (as Richard Davies) and Roger Hodgson
Performed by Supertramp
Courtesy of A&M Records
Under license from Universal Music Enterprises
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Cruella
- Luoghi delle riprese
- Old Royal Naval College, King William Walk, Greenwich, London, Greater London, Inghilterra, Regno Unito(Rock Concert and Fountain at Regent's Park)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 100.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 86.103.234 USD
- Fine settimana di apertura Stati Uniti e Canada
- 21.496.997 USD
- 30 mag 2021
- Lordo in tutto il mondo
- 233.503.234 USD
- Tempo di esecuzione2 ore 14 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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