Ad Vitam

At the beginning of the film, it is interesting enough for the viewer to watch the film and the story depends on the heroic man for his family and his child who will be born through his wife. He faces all the difficulties that come to him with great precision and faces people who break into his house. One time he and his wife were captured, and with goodness the heroic man was able to save his wife and child through his friend. Who worked with them to ensure their protection, and the story was detailed from beginning to end.

My rating is very sure about this movie who need a very important watcher to review this movie.

Ad Vitam was for me and my wife a great ride hell.

The story took me on an emotional level mixed with suspense and lot of combat scenes.

It was interesting to watch inside the private life of the special forces GIGN of the French Gendarmes.

If you are looking for a fast paced movie with lot of action then this one will entertain you no doubt.

Netflix presented again another blockbuster that run already on number one of the international charts. Both leading actors Canet and Cortaillod delivered respectable top performance. Finally the director succeeded in making a good show time.

Congratulations to all the staff. It merita for this high value of entertainment a solid 7/10.

If you liked it see Sous la Seine.

You wouldn't have expected a role like this from the French actor Guillaume CANET until now, but from now on you'll have to talk about a French Tom CRUISE. In German-speaking countries, Guillaume CANET was known primarily for his role in THE BEACH (2000) with Leonardo Di CAPRIO in the lead role and as the first husband of the German actress Diane KRUGER.

In AD VITAM by Rodolphe LAUGA, CANET plays a former member of the French elite unit GIGN who, after his release, is drawn into a confusing game of intrigue with very bad guys. When his pregnant wife Leo (Stephane CAILLARD, known from CHEZ NOUS (2017) by Lucas BELVAUX) is kidnapped, Franck Lazareff finally becomes a one-man army who can hit, shoot and climb so much that even Mr. CRUISE would be jealous. Fortunately, the elite fighter also has some good colleagues (Nassim LYES from SOUS LA SEINE and Alexis MANENTI from LES MISERABLES) who rush to help with their powerful skills.

Of course, this film has some weaknesses, such as the miserably long flashbacks at the beginning of the film, but NETFLIX has provided a budget that makes such a well-illustrated action film possible in France. The fights and chases on the street and in the air are well done. Breathtaking images of Sacre-Coeur and the Versailles Palace Park included! The film also does full justice to the French PolAr tradition (film policier and Argot). It is a lot of fun to watch and has so far been quite successful on the global streaming service.

In a small role, there is also a reunion with Stephane RIDEAU (in the sequence in Sacre-Coeur), who became known in 1993 with ROSEAUX SAUVAGES.

Ad Vitam (2025), directed by Rodolphe Lauga, is a thriller that follows Franck Lazareff (Guillaume Canet), who survives an attempted murder and embarks on a quest to find his kidnapped wife, Leo. As Franck delves deeper into a world of mystery, he is confronted by his past and swept into a state conspiracy that proves more than he bargained for. While the premise offers potential for a gripping and emotional story, the film fails to rise above the clichés of the genre.

Guillaume Canet, despite being a talented actor, feels miscast in this film. His performance, while competent, lacks the depth and complexity that might have made his character truly compelling. It's surprising that an actor of his caliber chose to take on a role in such a formulaic and uninspired narrative. The supporting cast, including Jamel Blissat and Rayan Bouazza, doesn't bring anything particularly noteworthy to their roles, with their performances often feeling wooden and lacking emotional engagement.

The film's biggest weakness lies in its screenplay. The story follows a predictable path, offering few surprises or twists. While it tries to combine elements of action, mystery, and conspiracy, it never fully commits to any one genre, leaving the narrative feeling disjointed. The pacing also suffers, with certain plot points dragging on too long, and the dialogue feels repetitive and uninspired, leaving little for the viewer to truly connect with.

Visually, the film offers some decent action sequences, but the cinematography doesn't bring anything fresh or innovative to the genre. The direction is competent but lacks the flair needed to elevate the film beyond its generic premise. Ultimately, Ad Vitam feels like a classic example of a film that is forgettable, offering only brief moments of intrigue before fading into obscurity.

Rating: 5/10. A passable thriller with little to distinguish it from others in the genre, despite a talented cast and a promising premise.

Ad Vitam is a French action thriller directed by Rodolphe Lauga and co-written by Lauga, Guillaume Canet, and David Corona. The film follows Franck, played by Canet, a former member of the elite French police unit GIGN, who must save his pregnant wife Léo (Stéphane Caillard) from kidnappers while evading the police.

The movie delivers some impressive action sequences, particularly the stunts filmed in Paris and Versailles. Canet's performance is solid, though some may find it lacking the intensity of other action stars like Liam Neeson or Jason Statham. The plot, however, feels somewhat underdeveloped, with the action scenes taking precedence over character development and narrative depth.

Overall, Ad Vitam offers a mix of thrilling action and a somewhat thin storyline, making it an entertaining watch for fans of the genre, but perhaps not a standout in terms of plot complexity.

Netflix, like other streaming platforms, has to meet certain content quotas in various regions, including Europe. These quotas often require a certain percentage of content to be locally produced . While it's possible that Ad Vitam was produced to meet such requirements, it's also common for streaming services to invest in a wide range of content to appeal to diverse audiences.