- Premi
- 1 candidatura in totale
Recensioni in evidenza
A masterclass in tension and sound design. A visceral, gut wrenching, unrelenting war film experience.
This film absolutely deserves an Oscar nod for its sound design, my ears are still ringing, but in the best way possible. It's not for the faint of heart. Rarely has the raw horror of war been depicted with such intensity; I haven't felt this shaken since Saving Private Ryan. The theatrical experience is essential, this soundscape demands a massive screen. The gunfire alone rivals Heat in realism and impact.
Those expecting a conventional narrative should adjust their expectations. This isn't a traditional hero's journey, it's an immersive, boots-on-the-ground depiction of a team navigating a chaotic operation where, even when everything is done right, everything can still go catastrophically wrong.
Watching this, my respect for our military deepened tenfold. The courage it takes to step into such situations is beyond comprehension, and the professionalism of the operators is portrayed with remarkable authenticity. This film didn't just entertain, it inspired me to be a better leader, a better friend.
This is the film I wanted Civil War to be, and I wouldn't be surprised if Alex Garland felt the same. It offered a deeper understanding of PTSD and the brotherhood forged in combat. The emotional and psychological toll is palpable, yet never overplayed.
This is not just a film, it's an experience. I'm already planning to see it again in theaters. I'm genuinely curious if my heart rate ever dropped below 130 bpm. As a filmmaker who dreams of tackling a military story one day, I found this both intimidating and inspiring.
So. Well. Done.
This film absolutely deserves an Oscar nod for its sound design, my ears are still ringing, but in the best way possible. It's not for the faint of heart. Rarely has the raw horror of war been depicted with such intensity; I haven't felt this shaken since Saving Private Ryan. The theatrical experience is essential, this soundscape demands a massive screen. The gunfire alone rivals Heat in realism and impact.
Those expecting a conventional narrative should adjust their expectations. This isn't a traditional hero's journey, it's an immersive, boots-on-the-ground depiction of a team navigating a chaotic operation where, even when everything is done right, everything can still go catastrophically wrong.
Watching this, my respect for our military deepened tenfold. The courage it takes to step into such situations is beyond comprehension, and the professionalism of the operators is portrayed with remarkable authenticity. This film didn't just entertain, it inspired me to be a better leader, a better friend.
This is the film I wanted Civil War to be, and I wouldn't be surprised if Alex Garland felt the same. It offered a deeper understanding of PTSD and the brotherhood forged in combat. The emotional and psychological toll is palpable, yet never overplayed.
This is not just a film, it's an experience. I'm already planning to see it again in theaters. I'm genuinely curious if my heart rate ever dropped below 130 bpm. As a filmmaker who dreams of tackling a military story one day, I found this both intimidating and inspiring.
So. Well. Done.
True "edge of your seat." Think of the tension of the first 15 minutes of "Saving Private Ryan," but over an hour and a half. No spoilers, but I love the fact that the movie immediately drops you into the situation. We don't need to know why the soldiers are there, or what their objective/mission is, because that's irrelevant when the bullets start to fly. These are just soldiers going on a mission. Finally, as a patriotic American, I feel that before Congress & the President deploy any of our U. S. Service people into harms way, they and the CEOs of Raytheon, Blackrock, Vanguard, and Halliburton should be forced to watch this movie, as well as the first 15 minutes of Saving Private Ryan, before anyone is deployed. Also, the law should be passed that all of their children should be the first deployed, call it the "No Fortunate Son" law. I think we would have less wars if that happened.
For someone like me, who has even the faintest and smallest experience of war, watching war films is the scariest thing I can imagine-especially when the story is set in the Middle East.
Warfare felt so real with its visuals, sounds, and atmosphere that it was as if I was right there in the middle of the battlefield.
On the giant cinema screen, every explosion hit me like a punch in the face, and the loud Dolby sound shook my heartbeat with every gunshot and scream.
From the first third of the film to the very end, I sat on my seat with my knees pulled up-frozen, motionless-like I was truly trapped inside those scenes.
When the film ended, it took me a few minutes to pull myself together. It felt like the war was still going on in my head.
Damn every war-seeker-of any kind, for any reason, under any pretext, with any intention.
Warfare felt so real with its visuals, sounds, and atmosphere that it was as if I was right there in the middle of the battlefield.
On the giant cinema screen, every explosion hit me like a punch in the face, and the loud Dolby sound shook my heartbeat with every gunshot and scream.
From the first third of the film to the very end, I sat on my seat with my knees pulled up-frozen, motionless-like I was truly trapped inside those scenes.
When the film ended, it took me a few minutes to pull myself together. It felt like the war was still going on in my head.
Damn every war-seeker-of any kind, for any reason, under any pretext, with any intention.
Went into this expecting a military movie like those that get rolled out on Netflix periodically, however this is a huge step above. The fact it's a true story too also adds so much to the events shown. The filmmakers go out to put you in the middle of the action. It's a very intense movie that does an amazing job of making you feel the tension in the situation. Performances keep you locked in but the real star of the show is the sound. From the gunfire to explosions you feel every hit. The 'Show of force' they use NEEDS to be heard to be believed. I came out of the movie shaken tbh but really entertained and the time flew by.
I want to start off by saying GWOT (global war on terrorism) can be seen in a couple different periods of time and I personally fall into the latter having gone to Afghanistan in 2010. The former however was really a depiction of the Wild West with ROE (rules of engagement) and TTPs (tactics techniques and procedures); folks were learning this new environment that didn't exist. Admittedly I'm a little biased because I spent a number of years supporting operators in this community, but watching this movie really hit me. This movie completely understands what we as service members care about and potentially go through in horrible circumstances. The movie throws a middle finger to narrative and just gives you the story as a handful of men experienced that day with no real bias. As far as accuracy I have to say they really hit the nail on the head! Comms saying 0 and not O(the letter), blood sweeps, and taking a knee one someone if you don't have a tourniquet are so fundamental to us, and it's the little details we appreciate for remembrance. This isn't the modern day saving private ryan but it is the theatrical version of generation kill from HBO. If this was your time and conflict go see it.
The 'Warfare' Cast on the Beauty of Boot Camp
The 'Warfare' Cast on the Beauty of Boot Camp
Joseph Quinn, Will Poulter, D'Pharaoh Woon-A-Tai, Charles Melton, and Kit Connor discuss their experiences during the three-week boot camp they attended to prepare for Warfare.
Lo sapevi?
- QuizNames of the real SEAL team members' were changed in the film to protect their identities as some are still serving in the military or preferred to remain anonymous. The only names that weren't changed in the film are: Ray Mendoza and Elliott Miller.
- BlooperThe sniper is positioned about 1.5 m from the hole in the wall, which is barely 20 cm across. His viewing field is no more than 10 degrees. In the movie, they show the sniper doing panoramic sweeps at least five times wider.
- Curiosità sui creditiBefore the end credits, photos are displayed showing the cast on the right and the true-life servicemen they portrayed on the left. Many of the left-hand photos are blurred to protect identities, including the last photo showing the Iraqi family whose home the Navy SEALs occupied.
- Colonne sonoreCall on Me
Written by Will Jennings, Eric Prydz, Steve Winwood
Performed by Eric Prydz
C/O Data Records/Ministry of Sound Recordings Limited/Wincraft Music Limited
Licensed by Sony Music Entertainment UK Limited
Published by Sony Music Publishing
Hipgnosis SFH I Limited
Administered by Kobalt Music Publishing Limited
Universal Music Publishing Ltd.
On behalf of Blue Sky Rider Songs
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Çatışma
- Luoghi delle riprese
- Iraq(on location)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 20.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 26.000.309 USD
- Fine settimana di apertura Stati Uniti e Canada
- 8.317.989 USD
- 13 apr 2025
- Lordo in tutto il mondo
- 32.895.387 USD
- Tempo di esecuzione1 ora 35 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.00 : 1
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