In un viaggio alla scoperta di sé, un uomo si trova di fronte al dovere di amare e difendere la propria patria, trovandosi di fronte a tre cruciali bivi.In un viaggio alla scoperta di sé, un uomo si trova di fronte al dovere di amare e difendere la propria patria, trovandosi di fronte a tre cruciali bivi.In un viaggio alla scoperta di sé, un uomo si trova di fronte al dovere di amare e difendere la propria patria, trovandosi di fronte a tre cruciali bivi.
- Premi
- 1 vittoria in totale
Daniel Dow
- Vadim Pavlichuk
- (as Dan Dow)
Recensioni in evidenza
There's just about enough intrigue in David Koepp's efficient script to hold the attention in trying to decipher what is going on in Steven Soderbergh's underwhelming spy thriller which is more like a theatrical play than a cinematic experience.
All of the assembled cast do a sufficient job in delivering a very talky script. I especially liked Michael Fassbender's concise and measured performance as the spy ordered to get to the bottom of a leaked top secret software program that could jeopardise national security where his wife, Cate Blanchett, is one of the suspects.
For me Soderbergh never quite scratches my itch when he attempts to do 'cool' like he did with the Ocean trilogy. There's a cold aloofness that prevents me as a viewer to get completely wrapped up in the story he is trying to tell. Also with Black Bag I wasn't keen on the cinematography which looked like a creative decision to make most light sources seem diffused, presumably to make this look like an old fashioned espionage thriller from the 1960's. Fassbenders character certainly has shades of Harry Palmer to him, especially wearing those trademark black glasses.
Despite it being talky and smart it's not that taut and I would like to have seen a bit more action and a few surprise twists for there to be a better payoff for all the concentration the viewer has to endure to get to a rather mediocre finale.
All of the assembled cast do a sufficient job in delivering a very talky script. I especially liked Michael Fassbender's concise and measured performance as the spy ordered to get to the bottom of a leaked top secret software program that could jeopardise national security where his wife, Cate Blanchett, is one of the suspects.
For me Soderbergh never quite scratches my itch when he attempts to do 'cool' like he did with the Ocean trilogy. There's a cold aloofness that prevents me as a viewer to get completely wrapped up in the story he is trying to tell. Also with Black Bag I wasn't keen on the cinematography which looked like a creative decision to make most light sources seem diffused, presumably to make this look like an old fashioned espionage thriller from the 1960's. Fassbenders character certainly has shades of Harry Palmer to him, especially wearing those trademark black glasses.
Despite it being talky and smart it's not that taut and I would like to have seen a bit more action and a few surprise twists for there to be a better payoff for all the concentration the viewer has to endure to get to a rather mediocre finale.
It was one of those movies that's first hard to get into, but once you hit halfway you're invested. It's not that this movie was bad at all, it just didn't hit for me. It felt like a murder mystery, without the murder. It had fun twists and turns and dark at times. Them sitting around the table was the most intense parts, that goes to show you the amount of action in this movie. Just a warning if you're looking for any at all, this has none. Also most of this movie could have been figured out with a conversation between wife and husband, thay apparently trust each other so much. But whatever. Haha
Watched at AMC on 3-13-2025.
Watched at AMC on 3-13-2025.
I have to confess that I have tried my best to sit through watching it, but I failed...gladly.
I don't know why this movie, with several men and women sitting around a dinner table, kept blabbering to each other, would cost and consume 50 million dollars to make. How much did the producers pay each of these actors to sit down? Maybe they spent a lot of the movie budget just for the black plastic glass frame for the guy, even if it looked so unnecessary and so fake on his face?
I have also found that the dialogue of this movie is just so irrelevant to me. I couldn't even understand what it meant, maybe not just to the participant actors who could ingeniously memorize the wtf? Dialogue, but to a lot of the viewers, including me. I have watched some movies with only two actors sitting facing each other and talking from the very beginning to the end, but I found them so interesting and never lost my focus. But the dialogue of this Black Bag, with more people talking to each other, I didn't even know what they were talking about and couldn't care less.
Black Bag (2025) would be one of the most tedious and meaningless movies that I have watched in the last 50 years.
Cate Blanchett didn't age well and did an abysmal facelift job that almost made her unrecognizable and tough to look at.
I don't know why this movie, with several men and women sitting around a dinner table, kept blabbering to each other, would cost and consume 50 million dollars to make. How much did the producers pay each of these actors to sit down? Maybe they spent a lot of the movie budget just for the black plastic glass frame for the guy, even if it looked so unnecessary and so fake on his face?
I have also found that the dialogue of this movie is just so irrelevant to me. I couldn't even understand what it meant, maybe not just to the participant actors who could ingeniously memorize the wtf? Dialogue, but to a lot of the viewers, including me. I have watched some movies with only two actors sitting facing each other and talking from the very beginning to the end, but I found them so interesting and never lost my focus. But the dialogue of this Black Bag, with more people talking to each other, I didn't even know what they were talking about and couldn't care less.
Black Bag (2025) would be one of the most tedious and meaningless movies that I have watched in the last 50 years.
Cate Blanchett didn't age well and did an abysmal facelift job that almost made her unrecognizable and tough to look at.
This is not your average spy thriller: it's mainly talk, tons of it, between a small group of British intelligence employees who all seem to live their personal and work lives in each others pockets and beds. To attempt to add gravitas to the production, the colour has been desaturated and the light dialled down to dull and grim, so viewers know it's a serious drama, not James Bond.
There are a few effective action set pieces to keep viewers awake ( not my wife, unfortunately, she slept through most of it ) but not really enough, I'm guessing, to satisfy the action fans.
For film fans who try to see everything that opens in cinemas, only.
There are a few effective action set pieces to keep viewers awake ( not my wife, unfortunately, she slept through most of it ) but not really enough, I'm guessing, to satisfy the action fans.
For film fans who try to see everything that opens in cinemas, only.
Greetings again from the darkness. Are you ready for 90 minutes of cool people wearing cool clothes and doing cool things while acting cool in the face of danger? If so, this one is for you. Oscar winner Steven Soderbergh (TRAFFIC, 2000; OCEAN'S ELEVEN, 2001; OCEAN'S TWELVE, 2004) dons multiple hats here as director-producer-editor-cinematographer (some under familiar pseudonyms). The screenplay comes from well-known writer David Koepp (JURASSIC PARK, 1993; MISSION: IMPOSSIBLE, 1996). The pedigree of these two is exemplified by the cast assembled.
George (Michael Fassbender) and Kathryn (Oscar winner Cate Blanchett) star as husband and wife secret agents that have pledged to kill for each other if ever necessary. Really, that should be part of every wedding vow. Fastidious George has built his reputation on his mystical ability to spot a lie, and has no room for anyone who is less than honest. Glamorous Kathryn excels at her missions and when secrecy is required, one spouse will utter the magic titular phrase, "black bag". This signals, 'I love you, but can't tell you more'. They live in a stunning London apartment, which serves as the setting for two particularly crucial dinner parties.
Every spy story worth its mettle has at least one MacGuffin, and ours is Severus, a sophisticated code worm designed to take control of nuclear weaponry. While it gets mentioned numerous times, the real story here is in discovering who the mole is inside the Secret Intelligence Service managed by Stieglitz (Pierce Brosnan). The five suspects George must investigate include computer analyst Clarissa (Marisa Abela, BACK TO BLACK, 2019), easily tempted agency veteran Freddie (Tom Burke, so excellent in THE SOUVENIR, 2019), suave and self-confident Stokes (Rege-Jean Page, "Bridgerton"), and staff psychologist Dr. Zoe Vaughn (Naomie Harris, MOONLIGHT, 2016). You'll notice that's just four suspects, as the fifth (unknown to her) is George's wife Kathryn. Adding to the intricacies of the jobs, the dinner parties, and this mole mission is the fact that George and Kathryn aren't the only couple in attendance. Clarissa is dating the older Freddie, while Stokes and Zoe are also seeing each other ... and there are likely other surprise complications with this group.
True fans of spy thrillers should know that this is not a new TINKER TAILOR SOLDIER SPY (2011), but rather a user-friendly story in the mold of the "Mission: Impossible" movies - only with less action and no high-wire stunt sequences. Instead, these agents withhold a lot while still talking a lot (some of the dialogue is quite funny). It's more of a personality chess match than an assault on our senses. Complementing the verbose proceedings is a perfect twisty jazz score from David Holmes. We must also take note of the numerous ties to the James Bond franchise (Brosnan, Harris, and rumors), and it's best to just sit back and enjoy Soderbergh in his element (this is his second film released in 2025) ... entertainment with a cool vibe.
Opens in theaters on March 14, 2025.
George (Michael Fassbender) and Kathryn (Oscar winner Cate Blanchett) star as husband and wife secret agents that have pledged to kill for each other if ever necessary. Really, that should be part of every wedding vow. Fastidious George has built his reputation on his mystical ability to spot a lie, and has no room for anyone who is less than honest. Glamorous Kathryn excels at her missions and when secrecy is required, one spouse will utter the magic titular phrase, "black bag". This signals, 'I love you, but can't tell you more'. They live in a stunning London apartment, which serves as the setting for two particularly crucial dinner parties.
Every spy story worth its mettle has at least one MacGuffin, and ours is Severus, a sophisticated code worm designed to take control of nuclear weaponry. While it gets mentioned numerous times, the real story here is in discovering who the mole is inside the Secret Intelligence Service managed by Stieglitz (Pierce Brosnan). The five suspects George must investigate include computer analyst Clarissa (Marisa Abela, BACK TO BLACK, 2019), easily tempted agency veteran Freddie (Tom Burke, so excellent in THE SOUVENIR, 2019), suave and self-confident Stokes (Rege-Jean Page, "Bridgerton"), and staff psychologist Dr. Zoe Vaughn (Naomie Harris, MOONLIGHT, 2016). You'll notice that's just four suspects, as the fifth (unknown to her) is George's wife Kathryn. Adding to the intricacies of the jobs, the dinner parties, and this mole mission is the fact that George and Kathryn aren't the only couple in attendance. Clarissa is dating the older Freddie, while Stokes and Zoe are also seeing each other ... and there are likely other surprise complications with this group.
True fans of spy thrillers should know that this is not a new TINKER TAILOR SOLDIER SPY (2011), but rather a user-friendly story in the mold of the "Mission: Impossible" movies - only with less action and no high-wire stunt sequences. Instead, these agents withhold a lot while still talking a lot (some of the dialogue is quite funny). It's more of a personality chess match than an assault on our senses. Complementing the verbose proceedings is a perfect twisty jazz score from David Holmes. We must also take note of the numerous ties to the James Bond franchise (Brosnan, Harris, and rumors), and it's best to just sit back and enjoy Soderbergh in his element (this is his second film released in 2025) ... entertainment with a cool vibe.
Opens in theaters on March 14, 2025.
Lo sapevi?
- QuizDirector Steven Soderbergh said that he chose Michael Fassbender to play the keenly observant cyber-security interrogator George Woodhouse because he "...knew he wouldn't be afraid to play the interiority of George. He burrowed in deep while creating a calm surface that masks a lot of turbulence. Michael can imply a great deal without being flashy."
- BlooperWhen Freddie arrives late in the pub, he pays his companions' bill and tips generously. In a British pub, you pay for each drink as you buy it, rather than running up a bill to be settled later. Also, tipping in British pubs is almost unknown. However, this appears to be a London wine bar, not a pub, where restaurant-style paying is normal.
- Citazioni
George Woodhouse: If she's in trouble, even of her own making, I will do everything in my power to extricate her. No matter what that means. You understand?
Clarissa Dubose: My god, that's so hot.
- Curiosità sui creditiActress Alicia Vikander, the wife of the film's leading man, Michael Fassbender, who plays George Woodhouse, made a playlist that was used in the film. She was billed for this in the closing credits as "DJ Vicarious". In 2020, Vikander with her agent founded a production company called "Vikarious".
- ConnessioniFeatured in Designing Black Bag (2025)
- Colonne sonorePolyrhythmic
Performed by Phil Kieran & Thomas Annang (as Thomas Tettey Annang)
Written by Phil Kieran
Licensed by Phil Kieran
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Código Negro
- Luoghi delle riprese
- Hotel Storchen, Weinplatz, Zurigo, Canton Zurigo, Svizzera(exterior: Kathryn has meeting outside hotel)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 50.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 21.474.035 USD
- Fine settimana di apertura Stati Uniti e Canada
- 7.607.250 USD
- 16 mar 2025
- Lordo in tutto il mondo
- 43.191.162 USD
- Tempo di esecuzione1 ora 33 minuti
- Colore
- Proporzioni
- 2.39 : 1
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What is the Canadian French language plot outline for Black Bag - Doppio gioco (2025)?
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