Sherlock e Figlia

I think most books, movies and some TV shows could be improved with maps. This one uses maps to illustrate old London and even a carriage chase. Well done.

I'm very forgiving with Sherlock stories. I was able to enjoy Sherlock and Elementary at the same time, but I can't stomach the Will Ferrell abomination. I suggest "Smarter Brother" and "Without a Clue" for a humorous Holmes. And I still miss Houdini and Doyle, but I digress.

This Holmes is older but still rude, egocentric and logical. I like that he does not accept the young American as his daughter ('You are not the first to make this claim") but finds her useful to investigate his case. Also we work with the same clues as Holmes. The main problem is extending the mystery across 8 episodes. The middle does bog down a bit. It would be better to have 2 four episode arcs. This is still an entertaining effort that I can recommend to a Holmes fan.

For me, Sherlock Holmes should notice all the small details, leave nothing to chance, and in the end you get an explanation of how how Holmes' conclusion was made.

Sherlock & Daughter did try to do all these things, but it felt like the writing used for the series was in iteration 2, when it needed to be iterated 10 times to be proper Sherlock Holmes.

It was entertaining, well paced and all that. Impressive how they can nail costumes and environment to the time period. A nick pick would be a lack of a realistic amount of bystanders / crowds, due to what I only can imagine to be budget costs.

I'll admit my expectations for a CW production are somewhat reduced compared to HBO, but Sherlock & Daughter is definitely a decent show worth watching.

There are a lot of little things done properly that show care and attention to detail. The little animation showing when characters move about London is simple and effective.

The sets and scenes in London and environs are top notch, particularly when I compare them to Miss Scarlett. The set designers performed excellent work here.

Where there is a bit of a letdown is the reliance on coincidence to further the plot. Amelia is definitely too much of a Mary Sue but I've seen far worse. The acting, other than Thewlis, is average at best. The actors read their lines rather than saying them, but, again, for a CW production this is not unexpected.

All in all, I'm enjoying this and I'd recommend it. Must see television, perhaps not, but if you're a Sherlock Holmes fan, this is worth giving a shot.

I was expecting to be mildly amused but I ended up enjoying quite a bit. I used to to dislike Thewlis a while back but I've learned to appreciate some of the characters he's played though his Holmes here is a bit smug and annoying. Of course he's dealing with some loss and personal issues so he gets a pass for now. The daughter which could have been a waste of character is actually charming and interesting. I've seen untold movies and shows featuring Holmes as well as read dozens of novels and this is quite refreshing though somewhat reminiscent of Miss Scarlett and the Duke ( another good show ). This could have had dumb, unfunny jokes but while not overly dramatic it's mercifully not whimsical or campy ( two things I abhor ). Anyway give it a shot and you too might be surprisingly entertained.

One of the endless iterations of Sherlock Holmes, this one comes with a young woman who may be his daughter. The story begins with Holmes mid-drama, trying to save persons at risk while feeling that greater risk may come from his efforts. Meanwhile, a young woman makes her way from New York City to London, hoping to meet Holmes, whom she regards as a personal hero.

The atmosphere of London, 1896, is convincing, so the viewer can relax into the story, which wastes no time developing. Holmes (David Thewlis) and the young woman, Amelia Rojas (Blu Hunt), begin the series as fully-developed characters. Their back stories and personality traits are quickly established. Holmes is self-important and surly, though considerations might be made due to his current situation. Amelia is bright, cordial, and eager to learn. When she makes her way to 221B Baker Street, her hopes are briefly dashed, but she finds a place in Holmes' situation.

Before long, the two are working together to solve a case, but not as equals. And the disparate duo competes with Scotland Yard and the Pinkertons.

The production is filled with graphics, which some viewers may like; others may find them distracting.

But the first two episodes are enjoyable, and there is potential for much more enjoyment if the script allows the main characters to grow into a relationship of depth and warmth, if only grudgingly.