L'orchestra stonata

Just watched it on Varilux French Movie Festival in Brazil.

Nice story about bonding with family members, about the "what could have beens" in life.

It's a drama but with warmth and some laughs. Acting of the two main characters are on point, especially the brother played by Pierre Lotin whose role is a somewhat closed person but with good heart.

Believable story without being too dramatic. I really recommend it.

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Just watched it on Varilux French Movie Festival in Brazil.

Nice story about bonding with family members, about the "what could have beens" in life.

It's a drama but with warmth and some laughs. Acting of the two main characters are on point, especially the brother played by Pierre Lotin whose role is a somewhat closed person but with good heart.

Believable story without being too dramatic. I really recommend it.

"The Marching Band" (2024) is one of those rare films that stays with you long after the credits roll. Directed with incredible sensitivity and vision, it captures the raw emotions of its characters and presents a story that feels both deeply personal and universally relatable.

The performances are outstanding - every actor brings authenticity and depth to their role. The music, naturally central to the story, is woven in so seamlessly that it feels like a character of its own, carrying the audience through moments of joy, sorrow, and quiet reflection.

What moved me most was how the film portrayed resilience and human connection without ever feeling forced or overly sentimental. It's honest, heartfelt storytelling at its best.

Visually, the movie is stunning too - each frame feels carefully composed, almost poetic. The director's touch is gentle yet firm, allowing the story to unfold naturally while maintaining a clear artistic vision.

I wholeheartedly recommend "The Marching Band" to anyone who loves films that speak to the soul. It's a beautiful reminder of the power of art, music, and human perseverance.

En Fanfare takes us on a profoundly human journey filled with generosity and hope. This touching and luminous film transforms a familiar premise into an inspiring reflection on brotherhood, adoption, and altruism.

// A classic story, reimagined The plot centers on two estranged brothers who meet late in life-one thriving in a world of prestige, the other leading a modest existence. While the theme feels timeless, En Fanfare stands out with its nuanced storytelling. Combining tender moments with delicate humor, it entertains while provoking thought. The narrative raises universal questions about our ability to live together and create meaningful connections.

// A cinematic and musical triumph The direction is polished, featuring visually striking scenes enhanced by an enriching soundtrack. Music plays a key role, almost as a character in itself, heightening the emotional impact. The cinematography's subtle contrasts reflect the dualities of the film, such as wealth and humility, isolation and solidarity. The balance between story and music creates a deeply immersive experience.

// Exceptional performances The cast delivers outstanding work, with Benjamin Lavernhe excelling as the conductor. He portrays a figure of authority who evolves with unexpected depth and sensitivity. Opposite him, Pierre Lottin shines as the humble yet quietly resilient brother, embodying authenticity. Their chemistry breathes life into heartfelt scenes, navigating tension and growing connection with ease.

// A hopeful and timely message In a time of societal division, En Fanfare feels like a necessary breath of fresh air. It challenges the narrative of individualism, offering an uplifting portrayal of empathy and mutual support. This optimism, deeply rooted in complex characters and realistic scenarios, reminds us of the best humanity has to offer.

En Fanfare is a joyous and inspiring film for anyone who believes in the power of connection and generosity. Delicate yet powerful, it is a must-watch.

Final score: 9/10 A deeply human film that will leave you feeling uplifted.

A moving rendition of the bond between two brothers at opposite ends of the social spectrum, of what a life's achievement means, and of the consequences of single decisions by parents on a child's destiny.

The screenplay manages to blend funny dialogues, unexpected situations, and serious moments. What could have been "only" a sad drama escapes that trap. With a great supporting cast, B Lavernhe and P Lottin succeed in bringing to life the bond and tension between a renowned director and an amateur brass band member E Courcol's, M Tomersy's, O Bonduel's, I Muscari and K Amara's storytelling and the quality of acting combine to make it one the great movies I've seen this year.

I don't have an easy tear, but my eyes were shining as I left the hall.

Masterful performance by Benjamin Lavernhe. The story is very nice, light but not superficial, never dull.

Many melodies run through the film, the comedy, the drama, the 'protest' film (it reminded me of Kean Loach).

The red thread is music, in its purest manifestations from classical to jazz. The popular declination is very successful, making it a film for everyone. I will take my 9- and 12-year-old children to see it.

I think the only "flaw" in the film is the direction. Some parts of the film are not tied together well. But the rendering is still effective and, above all, emotionally impactful.