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Director Emmanuel Courcol masterfully crafts a bittersweet comedy that flows effortlessly, much like the music at its core. The plot is simple: two brothers, separated at birth, reunite as adults. One is a celebrated orchestra conductor, while the other is a chef. For one, music represents a thriving career; for the other, it is a hard-earned passion, kept alive within a scrappy village band in northern France. Despite their contrasting lives, their shared love for music forges an unbreakable bond.

The music, with its universal language, unites and breaks down barriers between individuals. In the same vein, the film conveys a poignant message of empathy, solidarity, and brotherhood-a message that feels more vital than ever today.

I don't have an easy tear, but my eyes were shining as I left the hall.

Masterful performance by Benjamin Lavernhe. The story is very nice, light but not superficial, never dull.

Many melodies run through the film, the comedy, the drama, the 'protest' film (it reminded me of Kean Loach).

The red thread is music, in its purest manifestations from classical to jazz. The popular declination is very successful, making it a film for everyone. I will take my 9- and 12-year-old children to see it.

I think the only "flaw" in the film is the direction. Some parts of the film are not tied together well. But the rendering is still effective and, above all, emotionally impactful.

I was moved by this film in many ways (even though I saw it dubbed over in German in a German cinema), but one quality stood out to me: the care that had been given to really portraying music in the making: The rehearsal scenes of both the orchestras seemed very real to me, no-one was mimicking to play an instrument, they could all really play and apparently seemed to do so. For real! This is quite exceptional, for it isn't easy to find people who can both act and play an instrument.

The composing scene, with the 'composer' working with pencil and paper on the piano, was the only scene that musically struck me as a bit unrealistic, for it would be hard to find a composer under 50 that doesn't use a computer to write the notes.

It was also really moving to see how even the most different styles in music can travel straight to the heart and have an important function in peoples lives.

For the rest I found the story moving, original and well performed.

It's only the beginning of 2025 and already I feel like I've seen the best movie of the year.

It's one of the best movies I have ever seen.

'En Fanfare' reminds me a bit of 'Brassed Off', also about a brass band but then in a coal mine in The United Kingdom.

The beautiful classic music ties in nicely with the beautiful song 'Emmenez moi' of Charles Aznavour, my favourite French singer. The two leading actors - Benjamin Lavernhe and Pierre Lotin - are excellent in their roles of two brothers who only verly late in live know that they are brothers. It's a drama but with a lot of warmth and some laughs.

One can completely empathize with this realistic and deeply human story.

I highly recommend everyone to watch this beautiful film, but on the big screen in the cinema.

And when the film ended, there was applause from part of the almost full hall. I had never experienced this before in cinema, and I have been going for many years.

En Fanfare takes us on a profoundly human journey filled with generosity and hope. This touching and luminous film transforms a familiar premise into an inspiring reflection on brotherhood, adoption, and altruism.

// A classic story, reimagined The plot centers on two estranged brothers who meet late in life-one thriving in a world of prestige, the other leading a modest existence. While the theme feels timeless, En Fanfare stands out with its nuanced storytelling. Combining tender moments with delicate humor, it entertains while provoking thought. The narrative raises universal questions about our ability to live together and create meaningful connections.

// A cinematic and musical triumph The direction is polished, featuring visually striking scenes enhanced by an enriching soundtrack. Music plays a key role, almost as a character in itself, heightening the emotional impact. The cinematography's subtle contrasts reflect the dualities of the film, such as wealth and humility, isolation and solidarity. The balance between story and music creates a deeply immersive experience.

// Exceptional performances The cast delivers outstanding work, with Benjamin Lavernhe excelling as the conductor. He portrays a figure of authority who evolves with unexpected depth and sensitivity. Opposite him, Pierre Lottin shines as the humble yet quietly resilient brother, embodying authenticity. Their chemistry breathes life into heartfelt scenes, navigating tension and growing connection with ease.

// A hopeful and timely message In a time of societal division, En Fanfare feels like a necessary breath of fresh air. It challenges the narrative of individualism, offering an uplifting portrayal of empathy and mutual support. This optimism, deeply rooted in complex characters and realistic scenarios, reminds us of the best humanity has to offer.

En Fanfare is a joyous and inspiring film for anyone who believes in the power of connection and generosity. Delicate yet powerful, it is a must-watch.

Final score: 9/10 A deeply human film that will leave you feeling uplifted.

Just watched it on Varilux French Movie Festival in Brazil.

Nice story about bonding with family members, about the "what could have beens" in life.

It's a drama but with warmth and some laughs. Acting of the two main characters are on point, especially the brother played by Pierre Lotin whose role is a somewhat closed person but with good heart.

Believable story without being too dramatic. I really recommend it.

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Just watched it on Varilux French Movie Festival in Brazil.

Nice story about bonding with family members, about the "what could have beens" in life.

It's a drama but with warmth and some laughs. Acting of the two main characters are on point, especially the brother played by Pierre Lotin whose role is a somewhat closed person but with good heart.

Believable story without being too dramatic. I really recommend it.

A moving rendition of the bond between two brothers at opposite ends of the social spectrum, of what a life's achievement means, and of the consequences of single decisions by parents on a child's destiny.

The screenplay manages to blend funny dialogues, unexpected situations, and serious moments. What could have been "only" a sad drama escapes that trap. With a great supporting cast, B Lavernhe and P Lottin succeed in bringing to life the bond and tension between a renowned director and an amateur brass band member E Courcol's, M Tomersy's, O Bonduel's, I Muscari and K Amara's storytelling and the quality of acting combine to make it one the great movies I've seen this year.

"Thibaut" (Benjamin Lavernhe) is an accomplished conductor who is now based in the USA but who comes home to France now and again to perform. It's during one such visit that he confides to his sister "Rose" (Mathilde Courcol-Rozés) that he needs a bone-marrow transplant. She readily agrees to help out but when she is found to be incompatible, that news opens quite a can of worms that results in him having to ask "Jimmy" (Pierre Lottin) - a brother he didn't know he had and who lives in a quietly dying town where his workplace is earmarked for closure, to help out. Initially uninterested and disbelieving, the film now illustrates just how the two men come to terms with their past, their present and (hopefully) their future against a backdrop of resentment and privilege as they try to reconcile with the elements of "luck of the draw" that have governed their lives thus far. Fortunately, they have one thing in common. They both love music, and as it transpires that "Jimmy" plays trombone in his local mineworkers band we have a conduit for them to bond - or not! There are shades of "Brassed Off" (1996) as this offers us a social commentary on the decline of traditional rural industries that leave little by way of hope or opportunity in it's wake; a little bit of romance and some seriously horrible uniforms too! Along the way, there is also some fine classical Mozart, some crooning from Charles Aznavour and some enjoyable band rehearsals with an eclectic collection of the townsfolk proving remarkably talented with instrument and voice alike - after a soupçon of guidance. No, there probably isn't so much jeopardy about the denouement, though there is a twist - it's really a story about family and one that's presented without too much sentiment and a bit of enjoyably bloody-minded Gallic humour. I was never quite sure what an orchestral conductor actually did, standing there flailing his baton at a collection of perfectly proficient musicians, but this might just have helped explain a little - and that seating matters too!

Oh how wonderful, a drama/comedy at its best. A country like France is truly a master at this. The actors are absolutely wonderful in their roles. The seriousness and humor are spot on. I really love that mix in a film. You are never disappointed. The film highlights many things that can be crucial in life. Without me revealing anything. After watching a film like this, you are filled with different emotions such as joy, hope and a little bit of sadness. Then the director has succeeded with his film in my opinion. The most important thing about film is that you are touched in one way or another. It is the experience and feelings you carry with you after you have seen a really good film. Watch the film and be touched in your own way.

This film does not waste time to get into the story and felt a bit rushed but it didn't matter as you do get to know the characters and their motivations in the end. I would say the film is still a bit choppy here and there but it had a lot of emotion and genuinely touching scenes.

By the time the last scene of the film reaches crescendo I could not hold tears. This film is a reminder to us all to remember to show people you care. We all feel that.

On the last note, I can't remember when I saw a French film in the cinema. What a treat. It's very very refreshing to see actors looking like real people with lines on their faces and the odd misaligned teeth. Bravo!

Without a doubt the best film I've seen this year. So this is a solid 10/10.

The film has been in my mind for days, with details being analyzed and new understandings emerging.

Both leading actors deliver heartbreakingly good performances. But all the supporting cast deliver.

I dont realy want to write anymore so here we go again:

Without a doubt the best film I've seen this year. So this is a solid 10/10

The film has been in my mind for days, with details being analyzed and new understandings emerging.

Both leading actors deliver heartbreakingly good performances. But all the supporting cast deliver.

"The Marching Band" (2024) is one of those rare films that stays with you long after the credits roll. Directed with incredible sensitivity and vision, it captures the raw emotions of its characters and presents a story that feels both deeply personal and universally relatable.

The performances are outstanding - every actor brings authenticity and depth to their role. The music, naturally central to the story, is woven in so seamlessly that it feels like a character of its own, carrying the audience through moments of joy, sorrow, and quiet reflection.

What moved me most was how the film portrayed resilience and human connection without ever feeling forced or overly sentimental. It's honest, heartfelt storytelling at its best.

Visually, the movie is stunning too - each frame feels carefully composed, almost poetic. The director's touch is gentle yet firm, allowing the story to unfold naturally while maintaining a clear artistic vision.

I wholeheartedly recommend "The Marching Band" to anyone who loves films that speak to the soul. It's a beautiful reminder of the power of art, music, and human perseverance.