VALUTAZIONE IMDb
7,0/10
79.716
LA TUA VALUTAZIONE
Un australiano si reca in Turchia dopo la battaglia di Gallipoli per localizzare i suoi tre figli scomparsi.Un australiano si reca in Turchia dopo la battaglia di Gallipoli per localizzare i suoi tre figli scomparsi.Un australiano si reca in Turchia dopo la battaglia di Gallipoli per localizzare i suoi tre figli scomparsi.
- Regia
- Sceneggiatura
- Star
- Premi
- 14 vittorie e 15 candidature totali
Dylan Jett
- Orhan
- (as Dylan Georgiades)
Aidan Liam Smith
- Young Edward
- (as Aidan Smith)
Recensioni in evidenza
Not going to give it 10 out of 10 stars, because you should always save your 10. However, this movie is close to perfect. Very loosely based on what might have been a true story (a war record that mentioned that 'only one father came looking for his sons' at Gallipoli after the war). Really well acted. The war scenes conveyed some of the horror without being gratuitous in the violence or gore. There was some shown, but only briefly, and really just enough to set the scenes. The movie is well- paced, well edited and doesn't drag. The lead actors (including the young Turkish boy) were all perfectly cast. At the start of the 100th anniversary year of the Gallipoli landings, this is a story that was well worth telling. Great job, Russell Crowe.
10eha96727
Russell Crowe has absolutely outdone himself with this film; it had me entranced from the start. Beautifully shot, amazing casting and the time and effort put into the making of this film really shone through. I feel the costumers deserve an Oscar nomination for this one - everything was spot on which for a period drama is almost impossible:) Flawless casting and great character development leads the viewer through the story; this film will bring out emotions and provoke thought. I loved the perspective of the film; it is an exceptional sensitive retelling of an historical story from both perspectives and I think this is one of the absolute highlights of this film.
See it - you won't be disappointed!Take the tissues though...
See it - you won't be disappointed!Take the tissues though...
Set in 1919 The Water Diviner tells the story of an Australian father of three young men all of whom have enlisted with the ANZAC's in the Gallipoli campaign in World War 1. Subsequent to the battle in which the Allied forces were defeated all three have failed to return home and are now presumed dead. Joshua Connor (Russell Crowe) their father, a Victorian Outback farmer with a gift for divining water makes a promise to his wife to bring them home and heads off on a quest to Gallipoli to find them.
This is the reasonably promising premise laid out in the first 20 minutes of the film. I didn't envisage a swash-buckle fest at this stage; nor is it true to say it becomes this, but the film does veer in that direction once or twice over the ensuing hour and thirty minutes. It seems like a betrayal of the seriousness of the subject matter because of this.
The Water Diviner is relatively entertaining but it falls short of what I was hoping for and I think this is because it neither all-out delivers as a full on ravages of war redemption story or as an all- out high-spirited adventure. Having said that some of the battle- scenes (shot in flashback) are unflinching and are probably the best scenes in the film.
The cinematography is beautiful to the eye but the end effect here is that it feels too sanitised at times. There are other things that rankle as well- a burgeoning love story which comes over as too shoe-horned and heavy handed for my liking and in my view steals the central story of its import. There are two scenes in particular where the viewer is required to make the jump from believing in the power of the diviners hand to believing in altogether more mystical powers or insights divined by the same hand (also to do with powers of location). Another thing to watch out for; the film plays host to a stock character or two- witness the very officious English officer who speaks in stereotypical clipped tones, previously seen in countless other films.
This is the reasonably promising premise laid out in the first 20 minutes of the film. I didn't envisage a swash-buckle fest at this stage; nor is it true to say it becomes this, but the film does veer in that direction once or twice over the ensuing hour and thirty minutes. It seems like a betrayal of the seriousness of the subject matter because of this.
The Water Diviner is relatively entertaining but it falls short of what I was hoping for and I think this is because it neither all-out delivers as a full on ravages of war redemption story or as an all- out high-spirited adventure. Having said that some of the battle- scenes (shot in flashback) are unflinching and are probably the best scenes in the film.
The cinematography is beautiful to the eye but the end effect here is that it feels too sanitised at times. There are other things that rankle as well- a burgeoning love story which comes over as too shoe-horned and heavy handed for my liking and in my view steals the central story of its import. There are two scenes in particular where the viewer is required to make the jump from believing in the power of the diviners hand to believing in altogether more mystical powers or insights divined by the same hand (also to do with powers of location). Another thing to watch out for; the film plays host to a stock character or two- witness the very officious English officer who speaks in stereotypical clipped tones, previously seen in countless other films.
10vinifrss
First of all, I am neither Australian nor Turkish. I'm from Rio, as far away as it can get from either country - not only in terms of geography, but also, and most importantly, in culture. I enjoyed "The Water Diviner" enormously nonetheless (watched it in Mediterranean Turkey on a trip), for this jewel of a movie is built upon universal themes of common appeal to our shared humankind.
This is the first film from an English-speaking country with a huge budget and world-famous actors that thoroughly succeeds in overcoming jingoism and achieving a perfectly harmonious, cross- culture balance of fairness that I have ever watched in my entire life.
The story has an amazing soul, a mesmerizing spiritual power, and a refreshing perspective on History. As a scholar of History, I'd say it treats a noble Turkish nation victim of absolutely unprovoked aggression from all sides during World War I with long-overdue justice after a 100 years, while retaining the dignity of ANZAC soldiers who fought with great bravery and loyalty for a dubious British cause.
"The Water Diviner" is not only a cinematographic masterpiece of rare beauty. It is a powerful statement of tolerance, a testimony of endless hope and love.
This is the first film from an English-speaking country with a huge budget and world-famous actors that thoroughly succeeds in overcoming jingoism and achieving a perfectly harmonious, cross- culture balance of fairness that I have ever watched in my entire life.
The story has an amazing soul, a mesmerizing spiritual power, and a refreshing perspective on History. As a scholar of History, I'd say it treats a noble Turkish nation victim of absolutely unprovoked aggression from all sides during World War I with long-overdue justice after a 100 years, while retaining the dignity of ANZAC soldiers who fought with great bravery and loyalty for a dubious British cause.
"The Water Diviner" is not only a cinematographic masterpiece of rare beauty. It is a powerful statement of tolerance, a testimony of endless hope and love.
If this is Russell Crowe's first film I can't wait to see what is to come. The Water Diviner takes you an an impossible, heart warming journey of a father looking for his sons after the tragedy of Gallipoli. What this film does well is captures both sides of the battle, the Turkish and the ANZAC's. It is visually stunning, emotionally charged and does more than most movies to pry open your empathetic side.
The cast are amazing but I think my praise would have to go to Ryan Corr, Yilmaz Erdogen and Olga Kurylenko for three beautiful performances. All three of them aid Crowe's performance in a highly emotional way and create depth and love within the film.
I highly recommend giving this film a go if you appreciate a film with a good story and good talent and I hope it receives the praise and attention it deserves. It is definitely worth the watch.
The cast are amazing but I think my praise would have to go to Ryan Corr, Yilmaz Erdogen and Olga Kurylenko for three beautiful performances. All three of them aid Crowe's performance in a highly emotional way and create depth and love within the film.
I highly recommend giving this film a go if you appreciate a film with a good story and good talent and I hope it receives the praise and attention it deserves. It is definitely worth the watch.
Lo sapevi?
- QuizThe horse that Russell Crowe rides in the scenes shot in Australia is actually his own horse Honey.
- BlooperThe Turks storm the (empty) ANZAC trenches on the 20th December 1915. The movie portrays this as a sunny day with hot weather. In reality snow and frost appeared as far back as November with as many as 16,000 cases of frostbite and exposure reported for November alone.
- Citazioni
Lt-Col Cyril Hughes: Yeah, We both know it, but why change everything for one father who can't stay put?
Major Hasan: Because he is the only father who came looking.
- Curiosità sui creditiThe final credit is a congratulatory well done to the South Sydney Rabbitohs Rugby League Football Club winning the NRL Premiership in 2014. Russell Crowe supports, and owns 37.5% of the South Sydney Rabbitohs, which is most likely the reason why the credit was included.
- ConnessioniFeatured in The Making of the Water Diviner (2015)
- Colonne sonoreI'm Forever Blowing Bubbles
Performed by Olga Kurylenko, Piano
Arranged by Richard Tognetti and Joseph Nizeti
Written by James Brockman, James Kendis, Nat Vincent (as Nathaniel Vincent) & John W. Kellette (as John Kellette)
Publishers: (c) 1919 Remick Music Corporation, Licensed by EMI Publishing Australia Pty Ltd / Redwood Music Ltd, Licensed courtesy of J. Albert & Son Pty Ltd
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Camino a Estambul
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 22.500.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 4.196.641 USD
- Fine settimana di apertura Stati Uniti e Canada
- 1.220.335 USD
- 26 apr 2015
- Lordo in tutto il mondo
- 35.396.641 USD
- Tempo di esecuzione1 ora 51 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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