Yahsi Bati

If Cem Yilmaz is involved, I'll watch it even if it's bad.

This movie is one of Cem Yilmaz's best movies.

Spending large amounts of money is not enough for a good movie. But in a country like Turkey where capital is really rare Cem Yilmaz was lucky. He is a great comedian, and has proved himself as a great entertainer. Thus it was not difficult for him to secure the investment for this big project. That's why we were filled with expectations more than the usual. At the end it was a big disappointment; the script was not strong. The story was weak and so were the jokes. I am sure the next movie of Cem Yilmaz will be full of lessons learned from this movie. We, the Turkish audience, are expecting the next big hit from him. Our expectations are justified when we think about his talent.

After watching this movie, you will find very hard to get rid of the image of two Ottomans in the Wild West- image that implants itself into your mind for a numerous of days after consuming the product. But despite all efforts, this movie (that was designed to be a hilarious comedy) does not live up to expectations. The main slow down and confusion is resulted by a strange and naive holes in the script during it's middle part. Almost useless scenes in the church that have no motive, intro or outro, confusing turn-overs (the sheriff is talking friendly to the lead guy in one of the scenes, the lead guy exits the scene, 10 seconds later the message-boy approaches the lead guy to tell him that the sheriff is challenging him to a death-match duel)makes you think that you missed the whole sequence in the middle. Turn-overs in the script, mainly designed just to produce the thin motive for the next (hopefully) comic scene are not very seldom. But the comic outcome IS seldom. Maybe the source of real trouble in this Sorak- Yılmaz collaboration is the gap between language-based, sitcom jokes (that are a mother- ground for Yilmaz comedy-style) and Sorak's effort to tell the story more cinematic,picture-wise. Final product is trapped somewhere in the middle - sitcom diluted with something supposed-to-be a serious cinema. Usage of more than one camera on some scenes sometimes result with a series of lined shots that have no readable sign - shots that are used just as a bridge to squeeze timing and jump over the long gaps in the scene. They look more like a "don't mind this" inserts, rather than a planned shots. Anyway, visually film looks good, story-wise looks bad, comedy-wise looks decent enough, but not hilarious - as one could expect from a master comedian Cem Yımaz definitely is.

The movie is really funny and has original jokes about Turkish - American culture combination ;)

For most cases, quite poor art work is seen in Turkish movies. But Cem Yilmaz and his team are doing a great job by designing environment with all its details. Well written scenario and lively characters are making this movie as one of landmarks of early Turkish cinema history.