Lo sconosciuto del lago

Not much to add to the other comments made here, but I'll say that this film was pretty fantastic! It offers a keen inside view of the gay community living and cruising around the lake of the title. All the characters are dead on: the cute guy, the old queens, the pervert etc. with no judgment whatsoever. The pacing can seem long to some, but I quite enjoyed the repetitive installation shots. It mirrored the compulsive visits to the lake the hero makes, in hopes of finding love, even if he himself knows it's a futile quest.

"L'inconnu du lac" screened at the FNC (Festival du Nouveau Cinema) a few weeks ago, where I saw "Interior. Leather Bar." (the James Franco and Travis Mathews doc). I couldn't help but see a connection with some of the stuff Franco discussed. Our objections to porn and graphic sex are mostly constructed by society rather than rooted in any inherently moral reasons. The sex scenes in "L'inconnu du lac" are very graphic but never gratuitous. They expose the mal de vivre of the gay men who visit this beautiful lake better than words could.

I finally saw 'Stranger by the Lake', streaming it on Netflix. The movie takes a detached look at a gay cruising area situated by an idyllic lake area in France. The film has plenty of nudity and graphic sex and some viewers denigrate the film as porn, I know porn and this is certainly not that. In fact, I found the direct and unapologetic look at the main character's desire and sexuality to be refreshing. I did have two problems with the film. First, the lack of suspense given the circumstances of the film. Second, the one dimensional characters; the hot stud who can't commit, the young twink that confuses sex and desire for love, and the older pathetic man. However, I enjoyed that the film on another level is about risk and inadvertently becomes a moral story showing the viewer that when you are unable to subsume your desire and do the right thing tragedy results.

A very explicit French gay-themed film. Sometimes it felt a bit overly so - including graphic unsimulated scenes of oral sex and even a shot of a man, erm, climaxing. But I kind of admire the movie at the same time for not shying away from showing anything. The characters are intriguing and the film is beautifully photographed in long, uninterrupted takes and panning shots of the lake setting. The setting itself is one of the best things about the movie. Everything takes place either on the lake or shore surrounding it, in the forest behind the lake, or a car park. You become so accustomed to these settings that everything else outside them seems meaningless - for instance we never see what the main character does for a living, or the supposed 'happy hour' drinks many of the cruising characters in this film attend after a day on the lake. None of that would've been necessary because the film is all about the character's interactions with one another on the beach, anything else would've felt out-of-place. It's a brilliant choice on the part of the director and has an interesting, hard-to-describe effect on the viewer. The film also has a healthy dose of humor (the police inspector is hilarious) and several very intense scenes, especially towards the ending. Recommended, but not for the squeamish or conservative!

What drives people to engage in self-destructive behavior? Why do people seek out things (people, actions) that are bad for them? These seem to be the questions at the center of "Stranger by the Lake," a quiet film that casts an unsettling spell.

Franck is a young gay man who makes daily visits to an idyllic lakefront beach that serves as a popular gay cruising spot. Men scope each other out and then with a nod of the head or wink of the eye agree to wander off into the bushes to engage in all sorts of sexual activities, safe or otherwise. Franck crushes on Michel, a studly guy who proudly struts around naked, and finally succeeds in securing a tryst with him. But then one night he witnesses Michel casually drown another man. In one of the film's most effective twists, the knowledge of Michel's murderous tendencies draws Franck closer to him, and we watch him fall more and more for this guy who we know he should be turning in.

The film is one sustained note of creeping dread. From the start we just feel like things are headed to a bad place, and we stare with morbid fascination to see just what that bad place will be. All sorts of unpleasant spectres flirt at the margins of these men's lives. There's something predatory about the act of cruising in the first place, and the loneliness of Franck's life -- never explicitly shown but always implied -- makes him that much easier a victim. And then there are the unspoken phantoms of disease and addiction that color the men's behavior. For Franck, sexually transmitted diseases are a risk worth taking for the thrill of the hookup, just as an addict sets the consideration of consequences aside until after the high has worn off. Franck is compulsively drawn to the lake again and again long past the point where better sense, not to mention an instinct for self preservation, should prevail, and he willingly puts himself in greater danger as the film progresses. It's tempting to read the Michel character as a sort of personification of the allure of self abuse -- the excitement of self-imposed danger turned into an enticing and literal bogeyman.

The ending to the film is ambiguous and supremely creepy. It's a movie that's hard to get out of your head after you've seen it.

Grade: A

There are some thriller tropes here and there, a tiny bit of suspense, but at its core, it's mostly a chronicle, we follow, for a few day, a handful of men cruising by a lac. Some will be taken aback by the highly graphical nature of the movie, but I deeply believe that the point here isn't shock value, but simply the desire to shoot that peculiar microcosm completely untethered, and that, Giraudie (the writer- director) certainly does in spades! Idiots will talked about porn, but this clearly isn't masturbation material, it truly is masterful and heartfelt filmmaking, art in the true sense of the word, but with a lot of fellatio and hand jobs between men! It should speak to all of us, because at its core is the fear of absolute loneliness, even amongst one's kin, and the character of Henri in that respect is quite fascinating. Basically the man is a clam, his mind seems unfathomable, is he looking for a friend, is he looking for a lover? What does he truly want from the protagonist Franck? Who knows? So, to sum it up, don't take your parents to see this film, trust me, but go, you'll thank me later!