Green Border

Very complicated topic treated in a masterful way. Committed film, so much so, that many purely political comments and ratings have appeared probably from ¨reviewers¨ who I doubt have even seen the film (calling it boring is simply absurd, giving 1 point in 10 is absurd).

It is difficult not to respond emotionally to the harshness of what is presented to us. Self-security, fear, comfort in the face of the insecurity and suffering of others. Some heroes without hesitation align themselves with those who suffer, others not so much out of comfort or risk and others are simply bad people who take advantage of every situation to bring out the worst in themselves. Whether they are Poles, Belarusians or Muslims is simply circumstantial. Poor people used as cannon food, this is happening in our true world and we are lucky to have people who reflect this with their artwork.

The actors are very good, the script, photography and direction are very good. It is, above all, a very complete film that keeps the viewer in tension and takes them out of their comfort zone.

I won't deny that I was prompted to watch the film right after the Polish premiere by how extremists in the government try to use it to their advantage by throwing around statements that are subject to Godwin's law in normal discourse, which at the same time obscures the message and power of the picture. The second reason was my interest in the subject matter covered - for the past two years I have been hearing about the events that have been fictionalized in this powerful and emotionally stirring film. The situation in Ukraine, Belarus, the constant information war and disinformation on the part of Belarus and Russia, the visa scandal in which the government is involved, the dying refugees in the border area between Poland and Belarus.

The visual layer of the film is flawless. The story is told in an intriguing, engaging way, and there are several memorable moments, including some dialogues that, curiously enough, show the surprising self-irony of the middle class supporting the neoliberal opposition. The script and acting were not always flawless, although this did not detract too much from the overall reception of the film, as the film defends itself primarily through its imagery. It is truly unforgettable. I recommend it from the bottom of my heart.

Polish director Agnieszka Holland's impassioned examination of the European refugee crisis from her nation's perspective. Holland's film, which she also co-wrote, is a sprawling work which begins by following a family of Syrians who are trying to the EU through Russian dominated Belarus. From there, the movie weaves it way to the Border Guards and, eventually, ia small band of mostly female Aid workers who give medical and legal assistance to the immigrants.

The structure is a bit daunting even though there are loose connections binding it all together. Cinematographer Tomasz Naumiuk shoots in an austere Black and White with Frédéric Vercheval's brooding score as accompaniment. The large cast is quite good with Maja Ostarszewska a standout as the, perhaps a bit naive Julia, one of the Polish volunteers. Behi Djanati Atai is memorable as a defiant Afghan woman who crosses the border with the Syrians. What knits it together is Holland's vision, which becomes clearer and clearer as the various strands are brought together - while simulataneously being torn assunder.

Holland never flinches from the painful and graphic details of the refugees' plight. They are literal political footballs booted from one side of the border to the other. There are times when the structure doesn't completely work and the filmmaker does dwell a bit on some seemingly extraneous details, but, there is no questioning Holland's fervor - much of it directed at Poland's leadership. It's been a highly controversial film within the nation and its government, and throughout much of Europe.

Unsurprisingly, it was NOT Poland's official submission to this past year's Academy Awards.

At 75, Holland (an Oscar nominee for EUROPA EUROPA) has made a daring - some would say angry - film. A stunning work of art that demands to be seen.

This is the second film I've seen this week with Tomasz Wlosok. Earlier, he was in Julia von Heinz's tragic-comedy "Treasure" (2024) with a far lighter and fluffier role than he has here, as a Polish border guard. He is part of a team charged with repelling refugees trying to cross into the EU from Belarus. On that front, we are introduced to travellers who have been lulled into thinking their flight from Syria and Afghanistan will be a dawdle. An expensive one, yes, but a straightforward flight to Minsk on a comfortable Turkish aircraft then a bus to Poland thence on to wherever. Sadly, they soon realise that their bought-and-paid-for journey merely inserts them into a game of human table tennis between the military on both sides of a border - only it's coiled barbed wire rather than a net. It doesn't matter what their predicament - injured, pregnant, old, vulnerable - they are systematically robbed, starved and dehydrated. There is some hope for them, though, as Polish activists try to help them and get them on the register for asylum. That, however, requires that they be reported to the police and then to the guard and so we are back with handsome Tomasz ("Jan") again. Their journey is riddled with peril and that's harrowing at times, but somehow not quite so difficult to stomach as the behaviour of the people in uniform bending or breaking the rules from above to ensure a minimum of these people ever made it past the forests of the 250-odd miles of border. Politics plays it's part too - the government of one nation accused of using these people as "live bullets", the other of sowing seeds of dissent within an EU where rising nationalism is polarising societal attitudes. In the end, it is a really rather brutal assessment of human nature at it's worst whilst also illustrating just what lengths decent folks will go to, and the risks they will take, to do what they feel is right. The intensity of the camerawork - especially in the woods, and the audio editing give this an added piquancy that makes their plight all the more terrifying, frustrating and deadly. I didn't quite get the point of the anecdote at the end. I'm not sure that concluding assertion took into consideration the historic cultural and traditional links between neighbouring Poland and Ukraine as distinct from those fleeing from Syria, but it does offer us considerable food for thought on what is the right thing to do without imposing director Holland's personal view too overwhelmingly on the issues faced by countries that might be legitimately concerned about the impact on their nation, economy and culture of large scale migration. It's not an easy film to watch, it's violent and nasty - but compelling.

Even before the premiere of this movie, there was a lot of drama going on already. Everyone was reviewing it even though all they saw was a tiny bit of trailer. Sometimes, not even that. Even polish government started to make their own propaganda to make people believe it was anti-polish movie and all of that just so they could gain more voters before election that will happen soon. In some cities, it's even banned to be played in cinemas. That's how current government's world works and will work if they win again. No free speech, full censorship of anything that may be offensive towards government and many many more. But it's not about it.

Movie itself is build on politics, so it's hard to not talk about them. Though, I don't think that Holland wanted to attack the army itself, as some of the people think she did, but rather the corruption and how government overused their power. How they forced people to act like there was no human rights, like those people on the other side of the fence were nothing. This movie isn't about letting illegal migrants into the country, but about respect and right treating. We're all humans after all, but what was happening on the border was really wrong.

It's not a documentary, but a lot of things that happened in the movie had place in real life. There was a lot of videos, photos and even articles saying about those horrible things happening. And all of it just because of the government, who wants to make their own people scare and be afraid of other nationalities. Movie was also about our own feelings, how we see the world that surrounds us. It's always hard to say about things, that are uncomfortable, but true. But they have to be said and we can't just let those high positioned people get away with it without any consequences. That's not how this world should work.

I was following the news back then and I'm really glad that such movie was made and is showing somehow the reality of what was happening on the border. But the truth is, what media were allowed to show us and what is the real truth of how it really looked like, is two different things and for people, who are open-minded those two things should matter to draw your own conclusions and based on that make your own opinion.