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Do Not Expect Too Much from the End of the World

Titolo originale: Nu astepta prea mult de la sfârsitul lumii
  • 2023
  • 6+
  • 2h 43min
VALUTAZIONE IMDb
7,4/10
5362
LA TUA VALUTAZIONE
Do Not Expect Too Much from the End of the World (2023)
Quirky ComedySatireComedyDrama

Un assistente di produzione deve filmare un video sulla sicurezza richiesto dalla multinazionale dove lavora. Ma un intervistato fa una dichiarazione che lo ha costretto a reinventare e adat... Leggi tuttoUn assistente di produzione deve filmare un video sulla sicurezza richiesto dalla multinazionale dove lavora. Ma un intervistato fa una dichiarazione che lo ha costretto a reinventare e adattare tutto alla narrativa dell'azienda.Un assistente di produzione deve filmare un video sulla sicurezza richiesto dalla multinazionale dove lavora. Ma un intervistato fa una dichiarazione che lo ha costretto a reinventare e adattare tutto alla narrativa dell'azienda.

  • Regia
    • Radu Jude
  • Sceneggiatura
    • Radu Jude
  • Star
    • Ilinca Manolache
    • Ovidiu Pîrsan
    • Nina Hoss
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,4/10
    5362
    LA TUA VALUTAZIONE
    • Regia
      • Radu Jude
    • Sceneggiatura
      • Radu Jude
    • Star
      • Ilinca Manolache
      • Ovidiu Pîrsan
      • Nina Hoss
    • 23Recensioni degli utenti
    • 82Recensioni della critica
    • 95Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 10 vittorie e 43 candidature totali

    Video1

    Trailer
    Clip 1:55
    Trailer

    Foto65

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    + 62
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    Interpreti principali50

    Modifica
    Ilinca Manolache
    Ilinca Manolache
    • Angela Raducani…
    Ovidiu Pîrsan
    • Ovidiu Pîrsan
    Nina Hoss
    Nina Hoss
    • Doris Goethe
    Dorina Lazar
    Dorina Lazar
    • Angela Coman
    László Miske
    László Miske
    • Gyuri
    Katia Pascariu
    Katia Pascariu
    • Ovidiu's Wife
    Sofia Nicolaescu
    Sofia Nicolaescu
    • Ilinca
    Costel Lepadatu
    Mariana Feraru
    Ciprian Anton
    Claudia Ieremia
    Serban Pavlu
    Serban Pavlu
    Nicodim Ungureanu
    Nicodim Ungureanu
    Alex M Dascalu
    • Dan Trofaila
    • (as Alex Dascalu)
    Ioana Iacob
    Rodica Negrea
    Rodica Negrea
    Adina Cristescu
    Adrian Nicolae
    • Regia
      • Radu Jude
    • Sceneggiatura
      • Radu Jude
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti23

    7,45.3K
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    Recensioni in evidenza

    8Goloh

    Expected Little, Got a Lot

    After deducting one star for over-the-top vulgarity, much of that from protagonist Angela's TikTok alter ego Bobita; and one more star for being way too long; this left eight stars to work with, and the film earned them all. My first impression of Angela was dim, but she was just a tough, bright cookie doing her own thing - mostly driving, apparently -- in rough circumstances. Terrific acting.

    Can't say how well the "movie within a movie" device worked. I understand it was to provide both contrast and context, but after awhile it became intrusive and repetitive, like prolonged scenes of Angela's gum-chewing during relentless drives, and a wholly gratuitous sequence of highway fatality crosses. The scene at the end filming Ovidiu and his family is especially sharp, with quite a few lessons hidden in there.

    Not exactly sure why, but the film overall reminded me of Fellini's Nights of Cabiria ... not for any obvious reasons, but a similar tone.

    The ending was abrupt but appropriate and satisfying. Closing credits are wacky, not something I often see. Major credit too goes to whomever did the English subtitles: they were spot-on, very nuanced.

    Not too sure about how it makes Bucharest look, though.
    7brentsbulletinboard

    Inventive and Ambitious But Overlong

    Some may find it discouraging to look upon the world with a robustly cynical outlook, yet, given prevailing conditions in the world today, it may sometimes be unavoidable, an attribute reflected in many contexts, including art and cinema. And that's just what Romanian writer-director Radu Jude has done in his latest feature outing, a biting, darkly satirical comedy-drama that lays bare many of the everyday frustrations that his countrymen experience in areas like politics, corruption and economic opportunities. The film tells this story through the experiences of Angela Raducani (Ilinca Manolache), an overworked, underpaid, sleep-deprived movie production assistant as she struggles to make it through her daily work routine, an unappreciated effort not unlike that thrust upon many contemporary Romanians. To compensate for the tedium of her career and to let off some considerable pent-up steam, Angela makes short videos of her own featuring a foul-mouthed, sexually provocative male alter-ego, Bobitja, who swears like a sailor and describes explicit erotic encounters that would make a porn star blush. She also wrestles with the many self-serving demands of her arrogant Austrian corporate sponsors and a bloated Romanian bureaucracy that proves ineffectual in resolving property ownership issues related to her family's cemetery plots. Moreover, the picture draws uncanny parallels in the living and working conditions experienced by the nation's present-day residents with those who lived under the Communist dictatorship of Nicolae Ceausescu in the 1980s, presented here through intercut thematically linked film clips from the 1982 Romanian melodrama "Angela merge mai departe" ("Angela Moves Forward"), the story of a taxi driver whose circumstances mirror those of the beleaguered PA. It all makes for quite an intriguing and engaging mix of story elements, one the holds viewer attention well for about two-thirds of the release, especially in its deliciously bawdy, ribald humor. However, with a 2:43:00 runtime, it becomes somewhat trying as a comedy (and as a movie overall), serving up an excess of almost everything. Unlike comparably long offerings such as "Triangle of Sadness" (2022), which manage to successfully sustain their humor for such a lengthy duration, this effort starts getting repetitive, running out of gas to keep propelling it forward, especially in the somewhat exasperating final half-hour. Like Jude's previous release, "Bad Luck Banging or Loony Porn" ("Barbardeala cu bucluc sau porno balamuc") (2021), this outing definitely could have benefitted from some judicious editing, particularly in its endless footage of the protagonist driving through heavy Bucharest traffic. To the filmmaker's credit, "End of the World" deserves kudos for its irreverence and its ambitious inventiveness and willingness to try the untried, but this is yet another example of a project where the creator fails to kill his darlings, an undertaking that could have been accomplished successfully in lobbing off about 20 minutes of extraneous material, especially in the closing moments. This one is worth a look if you're willing to be patient with it, as that's essential to make your way through all the way to the end. But, if you don't go in with that attitude, you might be expecting too much from the end of the film.
    9elsa-92654

    Cmplexities of contemporary society.

    Radu Jude's Do Not Expect Too Much from the End of the World is a blistering indictment of modern capitalism, disguised as a workplace comedy. The film follows an overworked production assistant tasked with creating a safety video for a multinational corporation, only to have the project derailed by a whistleblower's exposé.

    What follows is a chaotic, darkly humorous descent into the heart of corporate greed and societal indifference. Jude's film is a masterclass in satire, using absurd situations and deadpan delivery to expose the systemic failures that underpin our world. The pacing is relentless, mirroring the frenetic pace of modern life, and the performances are uniformly excellent.

    While the film's runtime is lengthy, it never feels indulgent. Every scene serves a purpose, contributing to the overall message. It's a challenging watch, but a deeply rewarding one. Do Not Expect Too Much from the End of the World is essential viewing for anyone interested in exploring the complexities of contemporary society.
    9jon-j-poletti

    Slow, satisfying burn that I didn't want to end

    Wow. I just finished watching this film and could not get enough. It is a slow burn to start off but as I watched I found myself getting pulled in. This is the story of an overworked woman, who travels from place to place capturing videos of the survivors of nearby, workplace accidents. The most compelling story awards the family a cash prize and commercial spot about workplace safety. In the end, the participants and the rigors of the process are skewered answering questions about capitalism, voyuerism, status, and the results of hardwork. The main character is an endurance champion. The writer and director brought to my mind Proust, capturing the day to day human condition in such a realistic way. I did not want this movie to end. Hopefully there's a 5 hour directors cut out there.
    6chong_an

    Overlong story of 1-1/2 days in the life of a P.A.

    Angela is a movie Production Assistant in Bucharest, overworked and underpaid. Romanians seem to be suffering from inflation, blamed on the Ukrainian war. In this story, she is part of the team shooting a workplace safety video for a multinational compamy.

    In day 1, she is frantically racing around (on streets where the other drivers are crazy), interviewing injured workers who are potential subjects, doing other errands, and squeezing in some personal time as well. This part is shot in black and white, to distinguish it from the color sequences, which illustrate the back story of some of the characters of the day, and also her alter ego, a sex-obsessed bald man. However, at 2-3/4 hours I find this extraneous, plus there is an overlong sequence of the crosses along a road memorializing traffic accident victims. Deduct one star for this "creativity".

    For day 2 (before lunch break), the selected subject (and selected family members) are assembled at the site of the accident for the shoot. Contrasting with the previous day, this is basically a fixed camera situation, assuming that this is the camera that is shooting the actual corporate video. Complications happen, including the "big boss" demanding his own creative idea - not prevously expressed.

    The film is a moderately interesting slice of life in Romania, and it is up to the viewer as to whether the creative touches add (according to some critics) or subtract (according to me) to its enjoyment.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      All of the car scenes were filmed in real-life Bucharest traffic.
    • Connessioni
      Features Casablanca (1942)

    I più visti

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    Domande frequenti17

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    Dettagli

    Modifica
    • Data di uscita
      • 14 novembre 2024 (Italia)
    • Paesi di origine
      • Romania
      • Lussemburgo
      • Francia
      • Croazia
      • Svizzera
      • Regno Unito
      • Canada
    • Lingue
      • Rumeno
      • Inglese
      • Tedesco
      • Ungherese
      • Italiano
    • Celebre anche come
      • No esperes demasiado del fin del mundo
    • Luoghi delle riprese
      • Bucarest, Romania
    • Aziende produttrici
      • 4 Proof Film
      • Bord Cadre Films
      • Kinorama
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 73.983 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 13.626 USD
      • 24 mar 2024
    • Lordo in tutto il mondo
      • 92.360 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      2 ore 43 minuti
    • Colore
      • Color
      • Black and White
    • Mix di suoni
      • D-Cinema 48kHz 5.1
    • Proporzioni
      • 1.85 : 1

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