Hisaab Barabar
- 2024
- 1h 52min
VALUTAZIONE IMDb
5,8/10
1977
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaRadhe Mohan, an honest TC working for Indian Railways, sets out to uncover a massive financial fraud by banker Mickey Mehta. As Mickey puts the entire system against Radhe, what lies next fo... Leggi tuttoRadhe Mohan, an honest TC working for Indian Railways, sets out to uncover a massive financial fraud by banker Mickey Mehta. As Mickey puts the entire system against Radhe, what lies next for him?Radhe Mohan, an honest TC working for Indian Railways, sets out to uncover a massive financial fraud by banker Mickey Mehta. As Mickey puts the entire system against Radhe, what lies next for him?
Foto
Prem Anand
- Rahul
- (solo nei titoli)
Jitender
- Rohit Tandon
- (as Jitender Kumar Hooda)
Recensioni in evidenza
Wached it for Madhvan, but what an absolute waste. Childish style of story telling. Madhavan's honesty is the only saving grace.
The movie stops being entertaining beyond the first half an hour till they are establishing Madhavan character and the plot unveils. The masala movie treatment of realistic plot with honest intentions of actors is absolutely cringe worthy. All the other characters beyond Madhavan are mere caricatures, specially Neil Nitin Mukesh was looking like a joker right through. Songs are just for effect too.
I only wish Madhavan and the cast were used for a more honest effort of story telling.
For Madhavan, I will rather watch The Railway Man once again.
The movie stops being entertaining beyond the first half an hour till they are establishing Madhavan character and the plot unveils. The masala movie treatment of realistic plot with honest intentions of actors is absolutely cringe worthy. All the other characters beyond Madhavan are mere caricatures, specially Neil Nitin Mukesh was looking like a joker right through. Songs are just for effect too.
I only wish Madhavan and the cast were used for a more honest effort of story telling.
For Madhavan, I will rather watch The Railway Man once again.
Some stories are written films made to recharge fading hopes of the few who uphold values niti nyay justice GreaterGood. Dead men walking may suddenly awaken join hands for shreyas overwhelming the natural self preserving preyas. Most are part of the system of injustice corruption themselves .They might join in anonymously momentarily before sinking back to quagmire of greeds and needs .Jag Utha Insaan type idealistic utopian dream we all love to watch. Nation runs because very few do live like the protagonist Ticket Collector played by Madhavan. Add another such honest face in pretty sub inspector lady travellings by train played by Kriti Kullari. Drop by drop even tank can leak away its precious water so does money .The system Truth fights against is our inactivity against the evil even anonymously. Imagine if Most of us pick up phone dial100 or support hold hand against the so called powerful for a cause? To expose smallest wrong doing ,raise a finger or more ? See how i forgot to write about film making but floated up in hope after watching the movie ? Who cares about the technical imperfections or critics awards here story telling sparks a hope against endemic corruption by one of our own.
Hisaab Barabar, directed by Ashwini Dhir, revolves around an honest Ticket Collector (TC) working for the Indian Railways who sets out to expose a massive financial fraud by a banker. While the premise seems promising on paper, the execution falters. The film struggles to find a consistent tone, failing to strike a balance between being hard- hitting or a light satirical take. Though there are a few interesting scenes, they are quickly followed by sequences that feel nonsensical. The overuse of the phrase "Hisaab Barabar" by the lead and in the background score becomes repetitive and annoying, further diminishing the film's appeal.
OVERALL RATING
R. Madhavan delivers an earnest performance as the honest TC, but even his effort cannot salvage the film, especially with the overly dramatic monologues toward the end. Neil Nitin Mukesh, Kriti Kulhari, and Manu Rishi deliver okay performances at best in their poorly written characters. The heavy use of green screen in several scenes further derails the film making the film look amateurish and distracting from the narrative. Overall, Hisaab Barabar wastes its promising premise with inconsistent execution, weak writing, and a lack of focus, offering only a few noteworthy moments and a sincere effort from its lead.
OVERALL - 7/10.
OVERALL RATING
R. Madhavan delivers an earnest performance as the honest TC, but even his effort cannot salvage the film, especially with the overly dramatic monologues toward the end. Neil Nitin Mukesh, Kriti Kulhari, and Manu Rishi deliver okay performances at best in their poorly written characters. The heavy use of green screen in several scenes further derails the film making the film look amateurish and distracting from the narrative. Overall, Hisaab Barabar wastes its promising premise with inconsistent execution, weak writing, and a lack of focus, offering only a few noteworthy moments and a sincere effort from its lead.
OVERALL - 7/10.
Hisaab Barabar movie has a simple story and has all the abilities to become an eye opener of the common man.
The movie script becomes loosened in following cases: 1. The hero character (Radhe) picks the oranges for Rs.100 from old lady and distributes them to train passengers and says 'Hisaab Barabar' (Account is settled). In this case, the account is settled between Radhe and old lady, but the account is not settled between Radhe and the passengers who took the oranges from him. Each orange may cost around Rs.10, but Radhe did not take that money from passengers.
2. In one scene, Radhe bathes his son. But the specs was still on his son's face during bathing. Nobody wears the specs while taking bath.
3. The character called Kuku Kejriwal openly holds a credit card to sell it to customers coming to the bank. None of the banks open any credit/debit cards before customers fills the application form for the card. Also, showing the credit/debit card in front of everybody is a security breach. This is not mentioned in the movie.
Other than these 3 points, the movie is great and the script is tight in every minute.
The performance of R. Madhavan is really great that too immediately after the character made in 'Shaitaan'. Coming out of that character and making a role of simple common man is impossible to any other actor.
Overall the movie is very close to real life and every citizen can get to know how his/her small amount and fraction amounts are stolen by banks.
The movie script becomes loosened in following cases: 1. The hero character (Radhe) picks the oranges for Rs.100 from old lady and distributes them to train passengers and says 'Hisaab Barabar' (Account is settled). In this case, the account is settled between Radhe and old lady, but the account is not settled between Radhe and the passengers who took the oranges from him. Each orange may cost around Rs.10, but Radhe did not take that money from passengers.
2. In one scene, Radhe bathes his son. But the specs was still on his son's face during bathing. Nobody wears the specs while taking bath.
3. The character called Kuku Kejriwal openly holds a credit card to sell it to customers coming to the bank. None of the banks open any credit/debit cards before customers fills the application form for the card. Also, showing the credit/debit card in front of everybody is a security breach. This is not mentioned in the movie.
Other than these 3 points, the movie is great and the script is tight in every minute.
The performance of R. Madhavan is really great that too immediately after the character made in 'Shaitaan'. Coming out of that character and making a role of simple common man is impossible to any other actor.
Overall the movie is very close to real life and every citizen can get to know how his/her small amount and fraction amounts are stolen by banks.
A very beautiful and amazing concept lost in poor screenplay and story telling.
Execution, music, direction, editing and almost everything in the movie was supremely low standard. I watched it only because of R. Madhvan sir, he was terrific as always. But there was little to no requirement of a female lead, and their love angle was also unnecessary. The kid was also a miscasting, he did not act well nor he fitted in the screenplay well.
Negative roles: Manu rishi was amazing as always, but Neil was simply over acting, owner/chairman of a huge bank dancing on road, arguing with a comman man on the streets was just over the board.
All in all, a very satirical concept lost due to bad story writing, screenplay and bad direction.
Watch it once for the concept and acting of Madhvan Sir.
Execution, music, direction, editing and almost everything in the movie was supremely low standard. I watched it only because of R. Madhvan sir, he was terrific as always. But there was little to no requirement of a female lead, and their love angle was also unnecessary. The kid was also a miscasting, he did not act well nor he fitted in the screenplay well.
Negative roles: Manu rishi was amazing as always, but Neil was simply over acting, owner/chairman of a huge bank dancing on road, arguing with a comman man on the streets was just over the board.
All in all, a very satirical concept lost due to bad story writing, screenplay and bad direction.
Watch it once for the concept and acting of Madhvan Sir.
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Dettagli
- Tempo di esecuzione
- 1h 52min(112 min)
- Colore
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