The Diplomat

The Diplomate movie is a breath of relief for bollywood and audiance (with brain of course).

The whole non-twisted presentation of a true story with occasional attempts of creating goosebumps is very appreciable to me.

The non- grand masala formula is justified to yield a meaning ful cinema to the viewers.

Acting is okay. Direction is also adequate.

The cinematography and Editing is approximately working for the motive of storytelling.

Thar patriotic song are good. Background music is being beautifully used giving sound experience of exact narration of intensity and sincerity of the scenes. Without torturing your ears!

I would like to recommend this movie.

This movie 'The Diplomat' is based on a real and true story occured in 2017 where an Indian girl is lured for the marriage with a Pakistani man from KPKH, Pakistan.

Since its based on real story, the real story is already available on the Internet. As far as the Direction and actings are concerned, actor have performed well and direction is superb with respect to shooting locations and screen play.

John Abraham looks good as an Indian diplomat and Sadia is a very talented and promising actress. Although we know how the story goes in the end but the movie has dramatized certain parts which includes the plots by ISI and Locals of KPKH.

SO, If you like geopolitics and do watch this movie :)

This film stands out as a fast-paced thriller that takes a nuanced approach to storytelling, avoiding over-the-top action sequences and instead delivering a more realistic cinematic experience. Unlike conventional action films that rely heavily on explosions and high-adrenaline chases throughout, this movie carefully builds tension, keeping viewers engaged with its gripping narrative, well-developed characters, and immersive atmosphere. While the action is reserved until the climax, the film does not feel lacking in intensity. Instead, it masterfully crafts a sense of anticipation, making the final moments all the more impactful.

One of the film's biggest strengths is its grounded approach. The direction focuses on realism, avoiding exaggerated stunts or implausible scenarios that are often seen in mainstream action films. The cinematography plays a significant role in achieving this effect, using tight shots, natural lighting, and carefully choreographed sequences that make the audience feel like they are witnessing events unfold in real time. This approach creates an immersive experience that keeps the audience engaged, even in moments where there is no immediate action.

John, the lead actor, delivers a powerful performance that elevates the film's impact. His portrayal is intense yet restrained, making his character feel authentic and relatable. He does not rely on dramatic gestures or overacting to make an impression. Instead, he uses subtle expressions, body language, and well-timed dialogue delivery to bring depth to his role. His performance ensures that the audience remains invested in his character's journey, feeling every moment of his struggle, determination, and emotions.

Equally impressive is the female lead, whose performance adds another layer of depth to the film. Her character is not merely a supporting role but an integral part of the story, driving the narrative forward in significant ways. The chemistry between her and John is palpable, and their dynamic adds emotional weight to the story. She plays her role with conviction, making her presence felt in every scene she appears in. Her expressions, dialogue, and emotional depth make her performance truly commendable.

What makes this film particularly compelling is its ability to hold the audience's attention without relying on excessive action or unnecessary dramatization. The screenplay is tightly written, ensuring that every scene serves a purpose. There are no unnecessary subplots or filler moments; instead, the film remains focused, maintaining a steady pace that keeps viewers engaged. The dialogues are crisp and meaningful, contributing to the overall realism of the film.

While action is an essential component of the movie, it is not its sole driving force. The film carefully balances action with storytelling, allowing the audience to connect with the characters before immersing them in high-stakes moments. The final act delivers an intense and well-executed climax, rewarding viewers for their patience and investment in the story. The action sequences in this part of the film are executed with precision, staying true to the movie's realistic approach. There are no exaggerated fight sequences or improbable escapes; instead, the action is raw, gripping, and impactful.

This film is a testament to the power of well-crafted storytelling and strong performances. It does not rely on spectacle alone but instead draws the audience in with its authenticity and emotional depth. Every element, from the cinematography to the background score, contributes to creating a compelling viewing experience.

To fully appreciate the nuances and immersive quality of this film, watching it in a movie hall is highly recommended. The big screen experience enhances the realism, making the tension, emotions, and action sequences even more impactful. The sound design, background score, and visual storytelling come together to create an engaging cinematic experience that is best enjoyed in a theater.

Overall, this movie is a must-watch for those who appreciate intelligent filmmaking that values realism over gimmicks. It is a refreshing departure from typical action films, offering a gripping story, strong performances, and a well-executed climax that leaves a lasting impression.

Shivam Nair's "The Diplomat" is a gripping cinematic retelling of Uzma Ahmed's harrowing ordeal in Pakistan. It masterfully balances drama and realism, delving deep into the tense corridors of Indo-Pak relations without succumbing to melodrama. The film's razor-sharp focus on storytelling, paired with stellar performances and meticulous direction.

From the very start, Nair sets a somber and urgent tone, avoiding unnecessary embellishments. The absence of songs and other distractions works in the film's favor, ensuring the narrative stays taut and the tension palpable. The background score is particularly commendable. The cinematography is another highlight. The second half of the film soars, culminating in a nail-biting climax that keeps viewers on the edge of their seats. The final act is both satisfying and applause-worthy.

John Abraham's portrayal of a diplomat navigating this complex web of international relations is outstanding. Sadia Khateeb, as Uzma, is the heart and soul of the film. Her pain, fear, and resilience are portrayed with raw authenticity. Revathy's portrayal of the late Sushma Swaraj, though limited in screen time, leaves a lasting impact. Kumud Mishra adds warmth and reliability, while Sharib Hashmi and Vidhatri Bandi provide solid support. Jagjeet Sandhu stands out as the abusive Tahir, delivering a chilling performance that adds to the film's tension.

Direction 4/5 Acting 3.5/5 Editing 3/5 Story 3.5/5 Screenplay 3.5/5.

One cannot question anybody's performance in the movie. Everybody does a great job. It's a tailor made role for John Abraham. Man kills it with such ease and style. He is complimented well with the antagonist who's equally talented and his performance successfully depcits the menacing nature of his character. The female lead is a hit and miss though. The supporting cast was well chosen.

Few witty one liners does hit the right spot. They are carefully sprinkled all over the movie. The dialogues are smartly written and well performed. No over dramaric patriotic or one man army, hero saves the day kind of dialogues.

Now the problem arises with the writing. The movie could've easily been a crisp - nail biting thriller but somehow it seems like the writers felt compelled to add unnecessary emotional sub plots that totally hinders the viewing experience. Instead they could have spent more time in some character building to the female lead.

The music is barley noticeble. Overall, it's still a decent try which could have been much better.