Blackfish

I saw this documentary at the Sundance film festival London. I travelled down from Manchester as i could not wait for the Uk cinema release. After Seeing The Cove in 2009 after swimming with Captive Dolphins myself in 2006 to get over a family bereavement x 2. I never knew what dolphins did in captivity - just that it was one of the things i wanted to do before i die. After seeing them entertain people again & again, eat dead fish & float in a small tank all day i needed to see the pain Orcas go through. I'm glad Blackfish has been made. YOU need to see this film if you love mammals & any other intelligent animal in captivity...My eyes were opened at The Cove....if this doesn't then you are very selfish....Money is defo the Rule of all Evil. I will be taking all my friends & family to see this. After 5 days I am still thinking about it & can't believe these parks are still open :(

In February 2010, reports of the accidental death of a killer whale trainer, Dawn Brancheau, at SeaWorld, Orlando featured in newspapers and TV bulletins across the globe. How could such a tragedy occur? What on earth was Brancheau thinking? How could she make such a silly mistake? Then the story changed and it appeared this very experienced trainer was attacked by the orca, Tilikum. Shockwaves rippled. What? A gentle giant killed a human that cared for it? Suddenly killer whales lived up to their fearsome moniker and became the villains of the moment.

Then the story changed again and the truth began to emerge…

Blackfish is a startling documentary from Gabriela Cowperthwaite that investigates the reality behind the sparkling waters and bright lights of the SeaWorld parks, not that they are alone in their mistreatment of these startling, intelligent, beautiful creatures. She trawls through the archives to reveal that Brancheau's death was neither a freak accident nor an isolated attack from a vicious animal, but just one of many examples since humans decided it was acceptable to kidnap young orcas for the pleasure and pockets of humans. Kidnap? Is such a strong word appropriate? Watch Blackfish, listen to the mother make "sounds we've never heard an orca make before" in a harrowing display of grief and then decide.

Watching Blackfish and still choosing to visit SeaWorld or another such aquatic zoo is surely on the same level as taking your kids to McDonalds even though you know you're poisoning them. If I were reviewing the subject of Blackfish, like 2009's powerfully distressing The Cove, it would surely warrant a perfect score. Upon the evidence here, even if you've chosen not to see the truth of our actions in the past, there's no contest. It's wrong, it's unacceptable, it's a despicable thing we do when we steal these creatures from their oceans and trap them in tiny prisons. But the review is not for the subject matter but for the manner in which it is presented to us.

Blackfish isn't perfect. It doesn't have quite the same profound, lasting impact as The Cove. Perhaps that is, in part, down to the lack of shocking imagery. The footage of orcas bleeding copiously into their pools, having been attacked by other killer whales, is sickening but because it is on a smaller scale than the mass slaughter of dolphins that dyed the cove scarlet there is a risk the impact will be reduced. It shouldn't be, it mustn't be, but… We shouldn't need to see it to believe it, but we've become a far more visually inspired breed in recent years.

More than that, Blackfish doesn't give a lot of time to the other side of the story. I'm intrigued to know quite how SeaWorld could possibly defend its actions but, as they declined to be interviewed, this is a very one-sided documentary. I can't help thinking this imperative cause would be even more compelling if we could hear the excuses.

Another unexplained mystery is how Cowperthwaite obtained the footage she has of SeaWorld. Presumably they didn't give it to her willingly. But these are minor quibbles with a documentary that is as sickening as it is compelling. Interviews with apologetic, horrified former SeaWorld trainers and tear-streaked 'kidnappers' impart the information we need to educate, inform, convince or perhaps even convert us.

First, Cowperthwaite teaches us about the orcas: Their brains are superior to ours in certain aspects; their emotional attachment far exceeds ours, with offspring remaining with their mother long into adulthood; each family group (or pod) has it's own culture and 'language' for communication.

She then counters that with the lies perpetuated by the SeaWorld staff that we choose to believe: Orcas live longer, up to 35 years, in captivity due to the care available – actually, in the wild, it's up to 50 for males and can be closer to a hundred for the females.

Male dorsal fin collapse is normal – absolutely, it's 100% in captivity. However, in their natural environment it occurs approximately 1% of the time.

Killer whales enjoy performing the tricks in tiny pools for us – um…

As more and more evidence of orca psychosis brought on by cruelty and captivity unfolds, Blackfish becomes increasingly difficult to watch. The sight of peeling paint in a tiny, floating warehouse into which the orcas are herded every night is saddening. Hearing that they are punished for not performing perfectly is horrifying. Watching them bleed, observing them rock in grief or cry out to their stolen offspring is heartbreaking.

The message throughout Blackfish is that faceless managers steal killer whales (along with dolphins and countless other creatures) from their natural habitats, subject them to abuse and solitary confinement in woefully cramped enclosures so that we can pay to watch them perform unnatural tricks for our cameras, and so the owners can watch their bank accounts swell. The message is, it isn't about entertainment or protection of a species, it's about money.

But what stamps the reality more indelibly than anything that comes before it, is the comment from one of the former trainers in the final scene. As they sail through the ocean, watching a pod of killer whales free and at peace in their natural environment, he comments, "We saw orcas swimming in straight lines with straight dorsal fins... it was an honour."

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Like many I guess, I've seen and considered myself entertained by the sea creatures at Sea World. I was aware of the death of one of the trainers at one of these shows from some years ago but put it down to being an occupational hazard, a tragic but accidental death. This well-made, provocative documentary takes that sad story as its starting point and digs deeper, painting up a tawdry tale of greed, deception and apparent wilful abandonment of care by the named entertainment company, which significantly declined to comment on any of the major accusations lodged here.

From the horrible death of the female trainer in 2010, caught on video, but mercifully cut before she is actually killed, the production traces back the story of the only too well named killer whale and its history of previous attacks on other trainers, caused, allegedly by years of mistreatment of the animal. Sea World's part in a similar European tragedy involving the death of a Spanish trainer only adds to the charge sheet.

A host of former trainers now recanting their previously parroted company-speak of how well the animals are treated is a particularly effective device, but there's much good detective work besides. Most of all, the film isn't afraid to point the finger at the multimillion dollar corporation Sea World and while I hesitate to come to a judgement without the accused exercising the right of reply, it's hard not to conclude that this was an accident, if that's the correct word, waiting to happen.

The film is happy to confine its aim to Sea World alone, but I'm sure I'm not alone in reconsidering my position on the capture and training of animals for our entertainment not only in water parks, but also of course in circuses and zoos.

A sad, sobering, look into an unacceptable mode of entertainment which has surely had its day.

First, that's a great documentary: it beautifully combines Herzog's "Grizzly Man" thrilling, escalating tension of how things go wrong when humans misinterpret their relation with nature with Achbar & Abbott's "The Corporation" sharp examination of modern-day companies.

Second, it is aesthetically captivating and pleasant to follow. Cowperthwaite's reconstructs the narrative leading to the final, and fatal, encounter of Tilikum and Dawn Brancheau, alternating footage, both in the wild and in aquariums, with interviews and contextual data.

Finally, it is a work that, without ever abandoning neutrality, serves a mostly noble cause: that against the confinement of animals that are intelligent, social, and set to crisscross oceans, not to be kept in tanks.

My hope is that, by being such a fine piece of art, it also helps change the industry of marine-life entertainment theme parks.

So "Blackfish" is a big splash in more than one way! Go watch it.

Greetings again from the darkness. Dogs, cats, fish, birds, hamsters, ferrets, snakes, and even pigs. We love our pets. We also love our zoos, city aquariums and SeaWorld parks. For many years, we have chosen to believe that the research and educational advances that come from these outlets outweigh any of the negatives involved with keeping wild animals in captivity. Filmmaker Gabriela Cowperthwaite shows us (by focusing on SeaWorld) that it's way past time for us to open our eyes to the cruelty involved with the capture and training of wild animals for entertainment purpose.

The points made here are not speculation. We witness numerous interviews with "former" SeaWorld trainers. It's clear these people thought they had a bond with their co-performers. Most never even mention the term "killer whale" ... the common moniker for the majestic creatures better known as Orcas. The interviews have great impact, and when combined with startling TV news clips and footage from audience members, it becomes obvious that the huge profits and entertainment offered to families, are quite frankly generated by an immoral and inexcusable business model.

Most of the story is tied together by the 2010 death of super-trainer Dawn Brancheau by Tilikum, the largest Orca in the SeaWorld group. What we soon learn is that Tilikum was captured in Iceland waters at the age of three, and has since had many incidents resulting in injuries and even three deaths. It's also stated that Tilikum is the head of the family tree for the majority of SeaWorld's performing Orcas.

Of course, no one can or should blame these incredibly intelligent and emotional and family-oriented creatures. Everything about their existence goes against their natural habitat and way of life. The real issue is ... just because we CAN capture and train these animals, does that mean we SHOULD? If the focus is profits, then the answer is apparently yes. If instead, the focus is respecting nature and valuing other species, then the answer is much different.

The Cove and Project Nim are two other documentaries that come to mind when thinking about filmmakers attempting to expose the danger in training wild animals. Watching this story had me hanging my head like the fisherman from the 1970's as he helped capture a young whale, as the family members swam nearby crying and screeching. Let's hope director Cowperthwaite's screams are heard. See this movie before deciding to visit another SeaWorld (who couldn't be bothered to comment on camera). There are better ways to teach your kids about nature and there are certainly less cruel forms of entertainment.