Belgravia: The Next Chapter

I'm a (very) latecomer to period dramas. "Downton" had long since finished before I began to tackle the 50+ episodes and what a treat that turned out to be. It would be asking a lot for any series to be its equal or even come close but one that really impressed was "The Gilded Age".

I have not seen the original "Belgravia" for the simple reason that I had never heard of it but will find it to watch.

This latest "Next Chapter" seems to be taking a lot of flak from what appear to be seasoned period drama viewers so who am I to argue?........but I will. I thoroughly enjoyed it and the final two episodes were extremely moving.

I found all of the characters to be interesting in their own way and, of course, anything with a music score by John Lunn is always worth watching.

After thoroughly enjoying the original series of 'Belgravia' (a solid 8/10 miniseries, arguably 9/10), I was hopeful that most of the negative reviews of "Belgravia: The Next Chapter" would be wrong, or at least a bit exaggerated. Alas, the negative reviews are more right than wrong, and this second season is yet another example of a great show taking a massive step down from a successful first season.

It was always going to be a tough task to match the clever, rewarding, and intelligent writing of the first season, but "The Next Chapter" falls short of even the above average level of writing of well-produced shows of the modern era of entertainment. The main plot line and the character arcs of the two leads is just not very interesting, especially from about the 3rd or 4th episode on. While season one seemed too short and had you begging for more at six episodes, this second season tests your patience at eight episodes in which little seems to happen half the time. You know a writer is completely clueless when they start portraying the 1871 Paris Commune in a positive light (the best era in Paris's history, the Belle Epoque, only happened thanks to the failing of said evil Commune, not to mention that the same ideology that the Commune spouted would go on to kill 50,000,000 to 100,000,000 more people than fascism in the 20th century). The side plots are eye-rollingly predictable at best. So how does it even earn a review this high? Mainly because of the great production, excellent cinematography, and wonderful acting, especially by Harriet Slater. While other positive reviews here credit the 'victim' plot line, the reality is that the focus on victims has created a culture in which every struggling person pretends to be a victim in every way possible, causing their mental state to deteriorate. Similarly, our main male lead sulks, acts petulant, and behaves like a prick and uses his so-called 'victim' status as an excuse. Overall, this is a very skippable season of television, although not a total disaster.

I am a fan of period dramas, and have set "Downton Abbey" as the golden standard. Naturally, that means I am very interested in titles by Julian Fellows, and have seen at least a few of them. When I watched "Belgravia", I thought it was a lightweight compared to "Downton Abbey". Whereas the characters in "Downton" are complex and well developed, the characters of "Belgravia" seemed a bit charicatured and simplified. There were the good guys on one side, and the bad ones on the other. The whole plot seemed a bit like an ordinary fairytale, and it was easy to guess where everything would end up.

Now, I started watching the spin-off show straight after finishing the original show, and was very pleasantly surprised. The characters all seem more complex than in the previous show, and there are more side plots, just like we saw in "Downton Abbey". The "downstairs" party are much more complete characters than the ones in the first part of "Belgravia", and I find myself interested in their backstories. Much more to work with for the writers, and I can easily see a continuance for this show.

I am seriously puzzled that so many hate this season compared to the original. Do most people prefer the lightweight, straight forward story with few surprises in store? I find that hard to believe. Yes, this season is much more subtle, and keep its mysteries for a longer time, but I completely disagree about the notion that the main character has the personality of a "block of wood". He is contained, troubled and melancholy. He tries to open up now and again, but struggles with himself. I think the actor is doing a clever job of a character that is hard to portray.

... of all the written-viewer-reviews to date... two are highly complimentary, all remaining run from so-so to exceptionally-poor... actually Belgravia: Next Chapter falling somewhere in-upper-between... a decent watch, yet not so good as past Julian Fellowes creations

... Belgravia had several memorable characters, in the Next Chapter it requires straining to come up with more than the show's lead... with only a couple more episodes remaining there's little time for recovery-saving of this season... being very well made, and overall acting not as terrible as some would suggest... it's just not what was expected after the original series... all those familiar, well-known-individuals setting a high benchmark for this latest cast to match-compete... they coulda-shoulda carried a couple-three of 'em into this current series, at least for a time

... will there be another 'season' in-of Belgravia ... would like to say hope-so, having reservations-doubts ... but would still try watching it once again, as many others enamored of entertaining-period-drama... and Belgravia still remaining better than host of others in this category

03.11.24 ... next to last episode far best of this season's-series.. ending episode gave more the feeling of your typical Hallmark romantic-drama ... with every storyline thread neatly being tidied-up (even her sister centering on a new prospect).. it feels as if we just might have seen the last of the Belgravia-saga.

Ignore the low scores. I thoroughly enjoyed this. The story had many elements to it and kept my attention and me entertained throughout. If there was one negative it would be the character Frederick Trenchard. I felt the actor playing him had only one expression on his face. I feel I need to see him in something else to see if he acts any different. A comedy role perhaps because to watch him on screen in this was pretty depressing. Apart from that all of the other characters were good but one really stood out for me. The actress Hannah Onslow. Her facial expressions in every scene were captivating. She doesn't have to deliver a line of script, she just expresses herself so well with her facial expressions and body movements and often had me giggling. Well worth a watch and even a binge.