Dark Match

Running a special show in a new arena, a woman hoping for a big break in her career joins several other local wrestlers in a run-down venue for a shady promoter, but when they start to become suspicious of their host they realize that there's Satanic rituals in play and must get away alive.

This was a bit underwhelming and had some issues with it. Among the main enjoyable factors with this one is the central setup of the group arriving at the venue and finding themselves at the beginning stages of the takeover. With just enough background on the different characters as to why they would go through the short-notice program just days before the supposed show, there's a lot to enjoy here with this one going for the slow-building revelation about them being duped once they get to the facility and put through the ringer during their matches. As the night goes on and they realize that the whole thing has been a setup, using the type of matches they're to go through involving special rules and stipulations as well as being fought to the death, this offers up an intriguing enough premise and some fine brutality in the action playing up to that. However, beyond that, there are some big drawbacks holding this back. The main detrimental factor here is that there's no clue what the plan for the villains really is as they introduce multiple plot threads to be an acceptable point but never settle on one. Initially brought into the venue thinking the purpose is to participate in a special show for locals only to get put off by the barbaric rituals, this sets up the idea of the show being a revenge killing against the new group arriving for the show. Then it brings up the purpose of the whole thing as a Satanic ritual used to summon their dark masters before bringing up the experience being recorded and broadcast to others who enjoy this kind of material and then finally a bit of revenge for his family. This is immensely disorganized and jarring leaving this one too scattered to be of much use. The other real detriment to this one is the rather unimpressive plot as a whole where it never really feels like much of an actual story is taking place. The idea of getting the group to the building and using them for nefarious purposes other than a wrestling card is fine, but how this one presents everything needs a lot of work. From the general lack of information on the different figures going along with the mission while also getting all the confusing information about the villains, what the purpose of the wrestling matches is supposed to accomplish, and where the throughline of the whole congregation of cultists getting what they wanted only to be turned off and frightened at it so the finale makes little sense, this has some real trouble getting some cohesion out of everything. As well as some rather obvious low-budget material found here, this one has some issues to hold it back.

Rated Unrated/R: Graphic Violence, Graphic Language, and drug use.

Rating Breakdown

Story - 1.25 :: Direction - 1.25 :: Pacing - 1.25 :: Performances - 1.25 :: Entertainment - 1.25

TOTAL - 6.25/10

I have often found that the best horror movies operate much like a well-executed wrestling match. They build suspense, mislead, and taunt you with moments of hope before dropping you face-first into despair. "Dark Match" is exactly that sort of film, a supernatural wrestling action-horror fever dream that body-slams expectations and pile-drives logic straight through the mat.

I stumbled upon this little curiosity while scavenging through Shudder's horror catalogue, and it was a choice well-made. The premise is deceptively simple: a group of wrestlers sign up for an underground event, a so-called Dark Match, only to discover that the stakes involve more than championship belts and bruised egos. Instead, their very lives hang in the balance. But this is not just standard supernatural bloodsport. This film delights in leading you down a path, only to smack you with a steel chair of narrative subversion. Every time I thought I had its angle pinned, it wriggled free and took me in another, often stranger, direction.

The writing is sharp, teasing the audience with breadcrumbs of information, throwing in enough red herrings to keep the waters murky but never descending into incoherence. The pacing ensures that the mystery remains tantalising rather than frustrating, each revelation feeling more like a natural progression than a cheap trick.

A large part of the film's success lies in its direction. The wrestling sequences are executed with a verve that suggests someone behind the camera actually respects the sport. The fights are visceral, kinetic, and filmed with an energy that captures the unique ballet of brutality that makes wrestling such an enduring spectacle.

And then, when we move into the film's more dramatic moments, something odd happens. The direction, so vibrant in the ring, suddenly slackens. Scenes stretch longer than necessary, the camera loses its spark, and the momentum stutters. It is as though the director, having exerted themselves in crafting the action, decided to take a breather.

Visually, "Dark Match" leans heavily into shadows and suffocating red lighting. It mostly works, creating an ominous atmosphere, but there are times when it crosses into frustrating murkiness. When you start questioning your screen brightness, you know the crimson rabbit hole has gone too deep.

The acting was better than expected, due especially to Michael Eklund in a starring role. The cast throws themselves into their roles and the wrestling, elevating the experience. The Masked Wrestler, however, should have been a nimble high-flyer but instead moved with all the agility of a refrigerator being tipped over. And then there is Chris Jericho, once a titan of the squared circle, now reduced to a performance so wooden I half-expected termites to start nibbling at his edges.

Despite its occasional missteps, be it the drag in pacing, the overuse of red lighting, or the odd bit of lacklustre acting, "Dark Match" is a wildly enjoyable horror brawl. It is the kind of film that will likely earn a cult following, a homage to both wrestling and horror that understands the grand theatricality of both. I may not always rewatch horror films, but this one? I could see myself stepping into the ring for another round.

Also no pun intended - the Wolfcop is back ... well the actor himself only has a small part ... blink and you'll miss him. But the director thought of this little movie to do. I really wanted to like this more by the way ... but I think I am being way too fair with my rating as it is ... the idea is fun, I reckon and the characters have their moments.

But it can't really decide where to focus on ... Wrestling (some of the actors seem to have learned more or knew more than the others) or the horror of it all. The humor is hit and misses .. and even something I really loved (a Betamax versus VHS joke) probably will go over the head of most of those watching this ... we also get to see a bit of Chris Jericho and Steven Ogg ... and some other actors you may be aware of.

There is charm, there is humor ... but there is something missing ... the X factor ... that even the matches and the effects cannot really save (or put on top ... 1 ... 2 ... 3 and all that)

Over the years, there have been a few attempts to bring film and wrestling together. While this has resulted in modern favourites such as The Wrestler or The Iron Claw, there have also been some real stinkers, such as Death From Above. There has also been a few attempts to mesh wrestling and horror together too, which yields mixed results in the world of professional wrestling and thus far has provided little entertainment on film, but Dark Match proved to be a step up from the likes of Pro Wrestlers Vs Zombies.

First and foremost, there's some decent acting in this movie, with Steven Ogg once again stealing the show. Very few actors become successful after starring in a video game, but since his infamous role as Trevor in Grand Theft Auto V, he's made the most of every opportunity he's given to display his versatility, even in roles such as this where's if anything, he's the anchor that keeps the viewer, especially wrestling fans, grounded. Elsewhere, Chris Jericho, who isn't the greatest actor in the world but always understands the assignment, does a perfect job as the villain, falling somewhere between Linus Roache's performance in Mandy and Gene Simmons in Never Too Young To Die, giving us a solid mix of cult and camp.

While it's an enjoyable film that has some Easter eggs for fans, it is nonetheless predictable and at times a little flat. In particular our heroine, Miss Behave, feels less like the badass they attempt to portray her as, and more grumpy. Ayisha Issa may also be best known for her role in a video game (namely Fliss from Man Of Medan,) but she feels more real in that role, ironically. She doesn't do a bad job here, but the character itself feels a bit cookie cutter. I won't spoil the ending, but I think I audibly said, "Oh, they're going with this?" which left me a little disappointed.

All in all, Dark Match is a fun way to spend an hour and a half, with plenty of violence for horror fans and insider terms and a good adaptation of the grappling itself to please wrestling fans. Worth a watch if you just want to be entertained.

The movie is better than expected, with many positives. I like the grainy, old-school visuals; and the movie makes the right decision in taking place in the late 1980s: the 1980s time period eliminates any cell-phones (all horror movies nowadays must either take place before cell-phones, or the characters simply have no signal in their location); and as wrestling fans know, the late 1980s was the territorial era where kayfabe lived amongst wrestling fans, which makes the premise more credible. Visually, the movie manages to get some decent kills, and nothing looks embarrassingly cartoonish or fake. Some minor scenes might tickle wrestling fans, such as when the characters talk about maintaining heel/face dynamics in public, when they load on the bus to travel to their next show like a circus act, and when they whisper instructions to each other in the ring. The movie's brisk run-time is just about perfect.

But most of all - the character Joe (played by Steven Ogg) absolutely steals the show. He's the best actor in the entire movie, and his character comes off as cool and badass at various points. There is one part where he skillfully narrates the background of Jericho's character over some creepy montage - that scene is the best moment of the entire movie; it's an A+ scene in an low-budget, made-for-TV movie

That said, many flaws remain: the plot is predictable and ultimately forgettable in the long run. The movie could have done a lot more with the character Kate, particularly with her relationships with Jericho and the main character named "Miss Behave." The villains, like Jericho and his group, needed some fleshing out. The movie at various times suggests that Jericho's character is driven by revenge against Joe and the company he works for. Then elsewhere, the movie suggests that Jericho's character and his group are just satanic whackos. Then elsewhere, the movie suggests that Jericho's character and his group are seeking money by filming the whole ordeal. Then there's stuff involving Jericho's character's daughter ... it just seems disorganized

Regardless - if this movie were a TUBI movie, it would be one of the best horror movies on that service. And among wrestling movies, it's also one of the strongest (though that might be a low bar). It's not a bad watch. If 5.0 is average, then a 5.5/10 sounds right

5.5/10.