Il libro della vita

The Book of Life is a dazzling and vibrant animated film that deserves a lot more recognition than it gets. Especially when it appears that Pixar's Coco lifted quite a lot from this film. This film is fun for kids and families alike with its exuberant colors and witty dialogue.

The music was also really a highlight. They found a great mix between fun covers of existing songs and catchy original tunes. I found this to be a highly enjoyable film that carves out a nice niche in the animated film world.

One of the best animated films of 2014 along with The Lego Movie and How to Train Your Dragon 2 and much better than the trailer suggested it to be. It's not perfect but it is very good not only as an animated film but as a film in general and it is great for children and adults alike. The best thing about The Book of Life is the animation, which is never less than outstanding and even spellbinding at its best, consisting of vivid warm colours, smooth imaginatively done background art and beautifully drawn character designs that look real. The brilliantly colourful and psychedelic imagery of Land of the Forgotten and the character designs of the two supernatural lead characters are particularly well done, the whole film is a stunner to look at and has so much depth and rich detail. The music is good and fits well, the score is robust and authentically orchestrated and the songs are a lot of fun- in the cinema you have difficulty resisting the temptation to sing along and tap your feet-, are catchy and of many moods. If there was any complaint about the soundtrack, it's that I wish there was more of a Mexican vibe to it. The script was sharp and funny, even managing to liven the darker elements a little without jarring or being over-reliant on postmodern gags, it has a good flow and is always easy to understand. The story isn't perfect but is a winner overall. does it have clichés? Of course it does. Does it handle them well? Yes. It does have its overstuffed and contrived spots but it's warm-hearted, entertaining from the get go right up to the last second and you always feel like you're being immersed in all these different worlds in the film, which aside from the animation was what was the most remarkable thing about The Book of Life. There's also some good, relevant messaging that makes its point but in a subtle way rather than preachy. The characters are engaging and most of the voice acting is great, especially from Christina Applegate, Zoe Saldana(both playing with endearing sass and spunk), Kate del Castillo and Ron Perlman. The only exceptions for me were Channing Tatum whose line delivery was awkward at times and Ice Cube who felt and sounded out of place, sounding like he was playing himself rather than the character he was voicing. All in all, hugely entertaining and visually wondrous, a very good film animated and otherwise and definitely recommended. 8/10 Bethany Cox

Many things could have gone wrong with The Book Of Life. This boisterous, big-hearted animated film is bursting with ideas and colour, stuffed to the brim with - one suspects - pretty much every idea that struck writer-director Jorge Gutierrez's fancy. Indeed, the final film plays very much like the charming but unpolished debut of a filmmaker who can't quite believe he was lucky enough to get the attention of producer Guillermo del Toro, and has no intention of wasting the opportunity in case it never comes around again. As a result, The Book Of Life practically trembles with too many ideas and influences, but remains so earnest and inventive that it's easy to forgive its predictable, overstuffed plot.

In a small Mexican town on the Day Of The Dead, we meet the protagonists of the story: steadfast, earnest Manolo (voiced by Diego Luna), who would rather strum a guitar than fight a bull in the tradition of his forefathers; brash, adventurous Joaquin (Channing Tatum), who becomes the town hero in trying to avenge the murder of his father by bandits; and spunky, intelligent Maria (Zoe Saldana), daughter of the mayor who inevitably wins the hearts of both young men. The stakes, however, are higher than they could ever imagine: the two godly rulers of the underworld, La Muerte (Kate del Castillo) and Xibalba (Ron Perlman), have gambled dominion over each other's lands on the outcome of the love triangle.

It would be an understatement to say that there's a lot going on in The Book Of Life. The film covers everything from a mystical medal that lends invulnerability to anyone who wears it, to a tantalising love-hate relationship between the two gods, while spiced up with musical interludes galore. (It's not often that the film's hero will pause to belt out a soul-searching rendition of Radiohead's Creep, but that kind of thing happens all the time in The Book Of Life.) Mix it all up with retellings of Mexican folklore, including visits to the joyously colourful Land of the Remembered and the ghostly grey Land of the Forgotten, and the film can be a somewhat frenetic viewing experience, to say the least.

But, for all that Gutierrez packs his film full of ideas and details, he also manages to make most of it work very well. The love triangle may be trite, but there's nevertheless enough heart and humour holding Manolo, Maria and Joaquin together. Manolo's relationships with his dad Carlos (Hector Elizondo) and his departed mom Carmen (Ana de la Reguera) are coloured in with surprising depth as well. It's also wonderful to see a love triangle centred around a girl who knows her own mind - and rest assured that Maria speaks it often enough to make a real impact.

The Book Of Life also doubles as a very welcome riot of imagination and tradition. Every frame of the film is beautifully and thoughtfully designed, down to the fact that Manolo seems to have been intricately crafted out of wood. Moreover, instead of shying away from its Mexican roots to increase its global marketability, the film firmly embraces them. This gives Gutierrez room to craft some delicately dark moments in a graveyard or two, reminding everyone that those who have died can still live as long as they're remembered by the ones who loved them. And yet, the film never descends into darkness, instead tapping into the giddying energy of a fiesta - most memorably in a journey through the Land of the Remembered - complete with heady bursts of colour and music.

There's no denying that Gutierrez's film can occasionally be too much to handle. It's loud and almost cheerfully silly, tossing pop songs and Mexican folklore into a mix that sometimes doesn't work. But, at its best, The Book Of Life is like a rambunctious puppy: messy, loud and insistent, but radiating so much life and charm that it becomes quite impossible to resist.

THE BOOK OF LIFE is produced by Guillermo del Toro, directed by Jorge Gutierrez, and features an outstanding voice cast to tell its story of true love (along with a generous helping of Mexican culture). The basic plot is about two boys, Joaquin (Diego Luna) and Manolo (Channing Tatum), who vie for the affections of a girl, Maria (Zoe Saldana). As people they're fairly opposite, with Manolo being a musician at heart (his family's profession is bullfighter) and Joaquin being a soldier who does great deeds of derring-do. Unbeknownst to them, however, Lady Muerte and Xibalba (Ron Perlman) have entered into a wager about which of them can win the heart of Maria and it sets Manolo on a journey that will take him to both realms of the dead. First, I should say that the character design, animation and overall look of the film was extremely creative and visually unique, befitting a Guillermo del Toro production. The colors popped and everything in the world of the film was brought to vibrant life. The voice cast was equally impressive, although there were a couple of people who took me out of it for a little bit before getting sucked back into the story. The biggest offender was probably Ice Cube, who voices the Candlemaker, although they did stick in a couple of good jokes and references for him. I also got taken a little bit out of the story by realizing that Danny Trejo and Cheech Marin also voiced characters in the film, but again, they still did great work here. Another high point was the music. The score was pretty good, but what really stood out was the use of modern pop songs in what is (mostly) a period piece set at an indeterminate time in the past. Of course, I didn't mind that one bit at all. I also thought that the first half to two-thirds of the story were excellent. It succeeded telling an emotionally moving story with plenty of interesting characters, but at a certain point it resorted to the standard climax and resolution that wrapped up everything with a nice little bow. And despite much of the humor working, at times I felt it was a little too silly for its own good. Still, at the end I was completely won over. Had I seen this last year, I'm fairly certain it would have made my top ten. As it stands, this was an incredibly charming and visually rich film that should appeal to kids and adults alike, and also serves as a valuable cultural lesson.

This is a beautiful animated film. Very unique in comparison to other animated films out there. I loved that it had funny parts - for adults as well as kids - but it isn't a silly comedy. It is a gorgeous, epic folkloric tale of family, tradition and finding your own way. I laughed and cried, and my kids loved it as much as I did. My kids (ages 3.5 and 5.5) both were entranced and never got bored or scared watching this film. For families: it wasn't scary at all. I worried maybe the "skeleton" painted Day of the Dead characters may be creepy but they weren't at all. The sets and characters were all very beautiful and unique. The Land of the Remembered was especially visually stunning. I found it especially touching as a parent of young kids with numerous generations in "our village" helping raise my kids and help carry each other through life's highs and lows. I was reminded by this film of the importance of all the generations that came before us - how we are shaped by our families. How we learn from and must respect those who came before us. That was a nice message for me and my kids. But, it also shows that, while we respect, learn from and inherit gifts from our fore-bearers, we also have a responsibility to be true to ourselves, to make our own way and find our true calling. It was also touchingly romantic. It felt very genuine and warm throughout but the sweet romantic story was especially touching. You could tell a lot of love went into making this film. I hope it does well - it should on its own merit!