L'amante dell'astronauta

Having watched all of Berger's movies I was surprised that this time around he decided to actually show what one of the character's fantasies and more importantly to let them communicate like humans.

Javier Oran is one of the best actors Berger has found not just for this movie, he obviously elevates Bettoni's performance and brings nuances to Berger's dialogues with which most actors usually struggle.

Getting these actors and obviously more financing probably forced Berger to create one of his most sanitized films to-date. For someone unafraid of full frontals, his decision of not even showing the consumation of the will-they-wont-they dynamic seems extremely out of character. It reminded me of Guadagino's decision to move the camera away instead of showing us what we would definitely see if the scene were between a straight couple.

I have complained in the past of the monotony in most of Berger's movies. However, this time I missed having some of his signature style: silence and close-ups, letting us imagine just for a little while what the characters were thinking of..I would have appreciated it at least once.

I also want to recognize that we have better actors in supporting roles, especially Pedro's cousin and his girlfriend (not Sabrina, sadly) and that Berger allowed them to state the obvious: that our two main characters spend so much time together. It's at least a cute wink given that Maxi is friends with everyone else in that house and they are constantly together only because the script needs them to.

Even if Pedro and Maxi's private exchanges become a little tiresome towards the end (and gross), I choose to stick with the better parts of the movie: the main actors and my renewed interest in this filmmaker's work. Hopefully he'll be able to create in the future something that happens in just one night (or in the span of several weeks) making more plausible the constant exchange between males that he loves to portray.

I'm familiar with Berger's works so I have no issues with the slow pace of the film.

Beautifully shot but I would not venture to call this film a "romantic film". Now, I'm willing to say some things may have gotten lost in translation (English) but romance, this is not. Why? Well, the dialogue is heavy on sexual innuendo and tension. That yells infatuation or simply a sexual fling. I was waiting for both characters to get into heavy dialogue (even for 5 minutes) instead of the incessant jocular jock/frat dialogue (considering the ending which has me a little confused).

The chemistry between both lead actors is incredible. Their interaction felt very natural which is a massive plus for the film. The sexual tension was also palpable. But there was something else missing (and the subtitles were far too quick for me). I'm just so conflicted about this film: what are the lessons? What's the objective? Is this simply a summer fling or long term? What's the attraction - beyond the physical - of these two characters? What bonds them? I'm guessing acting like teenagers?

It is difficult to describe this film, as it was excellent in its simplicity. I feel that it was very much what Berger does, and at the same time it departed from his traditional films to present something better and more positive.

Of course Berger is a filmmaker more focused on everyday life than in specific events, so people who need a plot rich in action may find it boring. For others, like myself, there is profound beauty in 'life as it is'. So the plot is really fantastic in its capacity to contribute to a great film in spite of its simplicity.

Another point is that his films are essays on sexuality and gender, and those dimensions are very much nested in local cultures, so this is much better understood by fellow urban Latin American viewers like myself.

In that sense, I think that the development of the two main characters, in their psychological complexity, was also a great accomplishment. They are a delight. Moreover, without affecting the plot's simplicity, the dialogues are charming - humorous and very intelligent, and the acting of the two leads is phenomenal. All this gets integrated into a more mature film of this author, one that, despite the sexual content of conversations, is still deeply romantic, producing a great romantic comedy delivering a message that even today is somewhat avant-garde.

There are some frustrations that this film goes nowhere, or too slow. But if you're familiar Berger's filmography, this is what his trademark is. It's subtle, quiet, grounded and conversation-heavy. But i think that's what makes his films special. It's the opposite of the stereotypical grandiose hollywood films.

And it's the same with The Astronaut Lovers. The whole film just the 2 leads talking, playing the game of chicken. It's cute, romantic and heartwarming. Bettoni and Orán did a very good job as the leads, the soundtrack is amazing and lots of beautiful shot. But i love the most is the writing, it's honest, sincere and compassionate. The characters are well developed and genuine which makes the whole story flows naturally. The writing is everything but shallow.

10/10 Berger's best film. I LOVE the easter eggs of Berger's past films.

How beautifully a summer can be spent with best friends who are totally attracted to each other. Nuances of being Gay are well portrayed in this film. Their jokes, subtle jealously, laughs and negotiating their relationship with each other all through was very well played by Javier Orán and Lautaro Bettoni. They have become my hot favourites, its like I know them up close and personal. Some of the moments in the film are so pure and basic elements of being in love are shown. Marco Berger has done a fantastic job of bringing out these actors who are so free in those scenes and have long conversations without cuts just felt so beautiful, natural and it was like watching their own personal videos. Aww..I already miss them...Lots of love.