Faan hei gong sum

This movie is a random pot of nonsense with cheap and borderline funny jokes scattered across. It has no coherent story, and one may argue this movie has no plot at all. The seismic tonal shifts are also unbearable. One second it seems to be earnestly exploring themes of family conflict and legacy, but a second later they devolve into a slow-motion fist-fight destruction montage for no reason, nothing happens afterwards and the characters still live their usual lives. The characters are still the exact same characters at the start of the movie, and the tiniest of character revelations have nothing to add to the plot at all. No idea why this movie could succeed at the box office.

Table For Six is a heart-warming comedy that has its finger firmly placed on Hong Kong's pulse, delivering many laughs and tugging the heartstrings. Writer-director Sunny Chan's precise direction of its play-like set pieces and the chemistry of the ensemble cast make Table For Six a charming crowd-pleaser and easily standup comedian Dayo Wong's best film to date.

Three half-brothers Steve, Bernard, and Lung Chan live together in a renovated industrial flat left by their deceased parents, previously used for their barbecued pork catering business. Steve, upholding the family tradition of hosting family dinners, hires Lung's girlfriend, Josephine, to move in and cook dinner daily for Bernard and Lung.

The family foundations are threatened when during one of the dinner parties, Bernard reveals he's been dating Monica, Steve's ex-girlfriend. Steve starts dating popular social media influencer Meow and invites her to the family dinners. Meanwhile, Lung and his girlfriend Josephine argue about his poor financial situation as a career esports player with no sponsors.

Writer-director Sunny Chan is precise with the comedy, uses a variety of gags, and does a great job balancing humor with the family drama.

There's a crucial plot point that hinges on a wordplay gag on Whatsapp that's done in a refreshingly clever way. Wordplay in Hong Kong comedies has been plagued by the "oh look, the actor swore, therefore ha-ha" trend that Pang Ho Cheung popularized and later beaten to the ground.

Throughout his career, Dayo Wong has struggled to balance his standup comic persona and character acting in his films. In Table For Six, it seems like he's struck that balance. Wong inhabits this lead part with a natural confidence, approaching the part dramatically first and letting his comedic sensibilities come second. I hope he will get recognized come awards season.

The cast shares genuine comedic chemistry. Ivana Wong, Louis Cheung, and Peter Chan are funny. Stephy Tang surprised me in one particular scene concerning a video where she completely stepped out of her pop idol comfort zone. Lin Min-Chen steals the show as Meow, breathing fun youthful energy and keeping things light.

The actors rehearsed the entire script before the shoot and the difference truly shows. Speaking of my own people, Hong Kong audiences are a tough crowd to make laugh out loud and there was a lot of laughter erupting in my theater.

Hopefully, Table For Six will set a new precedent for how Hong Kong comedies are produced. Perhaps we can bid farewell to the half-hearted Lunar Year comedies of the last decade with stars just messing about.

Hong Kong cinema has been identity searching for the last decade, mostly through recreating the 90s' glory days. 2022 has been a great year for Hong Kong cinema, beginning with Chilli Laugh Story, then Septet, Warriors of Future, Table For Six, Mama's Affair, and The Sparring Partner. The lineup of these six films marks the beginning of possibly a new era for Hong Kong cinema. These films tell stories that live in the now-as in 2022, not 1995.

Table For Six connecting so deeply with the local audience was a beautiful thing to have been part of. This film was released on 7th September 2020 and as of the date of this review being posted, 22nd January 2022, the film is still in theaters and an onstage theatrical production is coming in mid-February.

I doubt it will connect with an international English-speaking audience since dialogue-driven comedies are always regional by nature. That's okay. Everybody I know in Hong Kong, my family, friends, and colleagues, have all seen it. It is easily part of the Hong Kong zeitgeist in 2022.

Hong Kong has become one of the most depressed cosmopolitan cities because of political environment, unaffordable housing, and many other reasons. To be honest I really can't think of how long I haven't watched an even above-average comedy in the cinema. Most of the films in Hong Kong in the past years are either serious and depressing local films, or crime films. They may be good or bad, but sometimes, in a city like this, I want to escape from having a laugh at a comedy film. I do think Hong Kong people are so unhappy that we can't make a good comedy again like we were in 90s. Luckily, in 2022 we have Table For Six.

The script is one of the best in Hong Kong history. The dialogues brought out a very Hong Kong style but unique jokes that play Cantonese so well. The scenes are smooth and you won't find some awkward and embarrassing moments like other Hong Kong badly produced comedy film. It's a non-stoppable laughing experience for me.

And there are some touching moments and brought messages talking about the importance of families to the audiences. I guess director may want to imply the migration issues happening in Hong Kong as well. It is a comedy, the touching scenes mix with the hilarious moments, but also let you ponder.

This is not the black humor masterpiece like Parasite, that Hong Kong people can be so proudly to have an academic award, but Hong Kong people should be glad that this is an almost pure comedy, and very local one, that let you enjoy your 2 hours in a cinema, and we have long lost for. At least I enjoy this film so much. We may never have a Stephen Chow again, but we can have more unique comedies like Table For Six, to let us take a breathe from the pressure.

Had it not been for the COVID-19 pandemic, 'Table for Six' and 'Chilli Laugh Story' would have gone head to head at the box office during the lucrative Chinese New Year period. That both films decided in the end to find separate release windows is a blessing in disguise, for both are worthy and deserving of audience attention. Whereas 'Chilli' saw the filmmaking debut of Coba Cheng under the tutelage of producer Sandra Ng, 'Table' marks the sophomore film by veteran screenwriter Sunny Chan under producer Bill Kong, and it is to the credit of both producers that each of these films are warm, wise and funny in their own ways.

Unfolding largely within the confines of their father's former barbeque pork kitchen which three brothers have since converted into a spacious apartment, 'Table' weaves a coming-of-age story for the siblings Steve (Dayo Wong), Bernard (Louis Cheung) and Lung (Peter Chan). The eldest Steve is a professional photographer, who has converted part of the space in the apartment into his own studio; more importantly though, he has taken it upon himself to head the household following the death of their parents. Lung has quit his day job in the hopes of making it big as a professional e-sports player, much to the chagrin of his longtime girlfriend Josephine (Ivana Wong). Among the three, Bernard seems to be the most well-adjusted, though it is also him who throws all their lives into disarray.

The first of several reunion dinners that are the equivalent of the movie's set-pieces sees Bernard bringing home his new girlfriend Monica (Stephy Tang), who was Steve's ex-girlfriend until their break-up three years ago that he still hasn't gotten over. Despite his own feelings, Steve generously welcomes Monica to join the family, inviting her to move in with them than remain in her subdivided flat he is all too familiar with. Steve further over-compensates by asking popular internet model Meow (Lin Min Chen) to move in as well, the latter an online celebrity who happens to be his biggest fan. Together with Josephine, whom Steve and Bernard had earlier invited to move in to be their resident chef, it is as crowded and as complicated as it gets.

Eschewing the 'mo lei tau' style of comedy of the typical CNY comedy, Chan adopts a dialogue-heavy, character-driven approach to his storytelling. A subsequent dinner conversation lays bare how Bernard had been interested in Monica even when she was Steve's girlfriend and had deliberately engineered their meet-cute over a project which Monica's advertising company had tendered for. A heart-to-heart talk between Steve and Meow reveals how the latter is a lot more astute and perceptive than her cutesy image suggests, and what Steve has been suppressing all these years in order not to be a cause of worry to his brothers. And just when you think the only thing that could go right would save the family from being torn apart, Lung and Josephine's relationship unravels in unexpected ways.

That none of the characters ends up being superfluous is credit to Chan's scripting, which takes time to sculpt each character's anxieties, insecurities and motivations. It is no surprise the family will come apart before coming back together again, but the process of doing so feels authentic, heartfelt and utterly relatable. It is also to Chan's credit that the film never loses its cinematic quality despite being largely a chamber piece, with Meteor Cheung's dexterous camera work ensuring that the movie feels intimate yet expansive at the same time. And then there is the ensemble cast, whose chemistry enlivens the material and makes it a lot more than the sum of its parts; in particular, (Dayo) Wong and Tang shine as ex-lovers who have to decide how to move forward not just for their sakes but also for the sake of those they care about.

We'd even go so far as to say that 'Table' is one of the best family dramas we've seen in a while, and with 'Chilli', even more reason to have faith once again in Hong Kong cinema. Kudos to Chan for not falling back on genre tropes for a Chinese New Year movie, choosing instead to pen quite possibly one of his best films to deliver an amusing, affecting and absorbing portrait of what it means to stay together as family. So even though it is now repackaged as a Mid-Autumn Festival release, 'Table' loses none of its joys or poignancy, and amidst a resurgence of Hong Kong cinema, may very well be the best of a very good lot.

This film is about a man who lives with his two younger brother. One day, one of his brothers take a girlfriend home for dinner, and this girlfriend happens to be his ex-girlfriend.

The story of "Table for Six" is really fun and hilarious. It made the cinema viewers laughed very hard, and it created such a joyful atmosphere. Towards the end, there is a lot of emotional elements involving multiple characters, which I find understandable to give the story more depth, but ultimately slightly forced. Overall, I really enjoyed watching this comedy, and I would not hesitate to recommend this to my friends.