London Paris New York

Contrived after Before Sunrise and Before Sunset is an enjoyable movie but missed "the perfect milestone" by few miles. Movie is one of it's kind which will either be loved or hated (not for those who love run off mill Rom - Com). Surely you will notice a nagging feeling of "it could have been just a little bit better(not much, but just teeny weeny better)" to each encounter between the couple, that's because the director was racing against the clock, desperate to emulate too much of Before Sunrise and Before Sunset. The leads did justice to their roles.The breezy vibe and the crackling chemistry between the duo is splendid and the humor, isn't of the laugh-out-loud variety, but includes some clever zingers. The spontaneous outburst from Ali in a climax scene in New York is superbly written and nicely performed. Watch it for its freshness and you won't be bored.

I do not want to say much about this movie it doesn't means it don't deserve it but they say picture speak thousand words so but i like to say few thing that over all this movie is a nice good entertainer you know that when a movie make on relationship then only the audience there targeting is limited to young and intellectual people so generally such kind of movies until they have big banner name along with them or big star cast does not do well at box office so same happen with this movie.

i watched this movie with least expectation but i it came out to surprise this movies combination of good story line nice acting and good music.so if you are looking for nice descent entertainer should watch this movie as it is not a regular stuff but if you are looking for some great movie on relationship this you will definitely will be disappointed.

Romantic Love Stories are staples of the Bollywood Industry. I mean, it's like what Steven Seagal is to action. So it gets hard to continuously reinvent the same melodramatic and shitty genre over and over. However, every once in a while there will be a movie that's somewhat decent. London Paris NEW YORK falls under this category.

One of those, random meet up stories, spanning a few years, where the characters grow and learn to live each other, kind of thing is what this is, but a cool one. Ali Zafar, musician, singer and pop artist from Pakistan makes his debut as a lead actor in his own movie with London Paris NEW YORK. Seen recently in the craptastic MERE BROTHER KI DULHAN, Ali Zafar seriously flexes his acting chops in this.

The girl is another new up and comer, seen in smaller roles here and there. Aditi Rao Hydari also does a very nice portrayal of a girl who evolves over the years.

Basically the story is about how this guy and girl meet randomly in the airport. Get to talking, have to end up spending the day together due to clichéd unforeseen circumstances, and end up falling in love…. Eventually. I know, it sounds gay.

However, the entire fascination of London Paris NEW YORK lies in its dialogue and performers. The whole movie is more talking and the characters' chemistry than anything else. The entire story relies on these two characters' chemistry…. And it works pretty well.

The story has equal moments of sweet-ness, comedy, sexual tension and not to mention just pure awkwardness. Which is refreshing to see, that a movie doesn't have the polished 'filmy'ness of typical Love Stories.

London Paris NEW YORK isn't for everyone. It'll be a little cheesy, however it's incredibly witty, sometimes satirical and just plain cool to see a Bollywood story where the interaction between guy and girl is so brutally realistic. Even down to the insecurities of pre-marital relationships in South Asian culture… without being stupid and retarded.

The show stealer here has to Ali Zafar. I don't mean to gush, but his Kishore Kumar-like voice, along with his pretty boy good looks and hip urban youth attitude, probably makes him the most natural actor in this kind of role that I've seen. A lot of actors have portrayed 'cool guys', but it always seems a little forced and having to try to be so. However, Ali Zafar here seemed to be oozing this comfortable and natural ease in his performance. This is further punctuated by the amazing monologue in the third act where he goes off on the girl, in a reversed 'guy using the girl' scenario, and makes a statement regarding how some Desi girls' actions directly cause the guy to feel like there's more in their interactions then there might be. Again, very real.

This isn't an exciting film by any means. Things don't necessarily, 'happen', they just are. The characters meet up years apart, and react to the changes in each other during their time apart. Some uncomfortable silences, awesome dramatic monologues that aren't cheesy AT ALL, make for some easy viewing.

London Paris NEW YORK doesn't change the status quo of Bollywood films by any means. It's a small film, relying on both the young and inexperienced actors' performances to move the story forward in a very nice and easygoing way. It's a very real and fresh Bollywood love story with minimal cringing.

Brilliant! Brilliant! Brilliant! Cannot believe that such a movie could be made in Hindi cinema.Complete Kudos to the screenplay,director,actors and the whole team for producing such a brilliant movie.

It would be a mistake according to me not to support such movies. Reality is it is a sensible movie which talks to all walks of life.

The balance between reality and humor has been taken care off in the most spectacular manner; never making the audience feel small,blamed or negative.

The characters are very real and they do make a lot of sense.

Once again awesome job to the rang London Paris New York Team .

Romantic comedies or Rom-coms are not a new genre. Love stories have been told in the past too and will be told in the future. Every rom-com has a bit of predictability in it but still every now and then, a 'Jab We Met' comes. A film which has that special visual treatment, powerful performances, gratifying moments and a good feel to them. London Paris New York (LPNY) is one of those special films.

Set in three lovely cities of the world and spread over more than half a decade, LPNY is a story of Nikhil (Ali Zafar) a happy-go-lucky charming boy and Lalitha (Aditi Rao Hyderi) a simple, nerdy Madrasi girl falling in love with each other thrice in six years.

And that's it.

That's all LPNY is. No impediments, no pretentiousness, no preaching, no 'zaalim samaaj' and even no supporting cast. The only third person with a line to say is Dilip Tahil who appears in the last ten minutes of the film.

The first few looks of the film give an impression that it has shades of 'When Harry Met Sally' which has already been done in Bollywood (Hum Tum), however, LPNY is a different story with a different treatment. In fact, it's closer to '500 Days of Summer' and also has a peculiar similarity with 'Rodger Dodger' because of its heavy dependence on dialogue between only two main characters. Nonetheless, LPNY is a lot simpler than any of these movies. Instead of relying on twists and complications of the plot, it thrives on performances and the affability of the lead characters.

It's a short film of less than two hours, one of the strongest points of the film because of which it does not drag at any point and is fairly gripping for a simple story. The first story of London is a bit tacky and one takes some time to get comfy with the characters specially the extrovert Nikhil. As the story moves forward, the entertainment and audience engagement bars go up. Paris story is better than London and then New York wins from Paris hands down. The climax is beautiful. Watch out for the penultimate sequence at Hudson River; best scene of the movie. The film could have finished at that point and it would have ended at a high second to no other love story of recent times. No complains though.

Ali Zafar is dynamite. 5,000 tons of talent. Besides being the lead actor in the film, he is the music director, singer and lyricist as well. While he has done well on all the fronts; acting still takes the cake. In Tere Bin Laden, you were convinced on his comic timing but needed convincing on his ability to handle emotional scenes as TBL had none. LPNY has shown the audience his flexibility, range and ability to carry the film on his shoulders. He shows his emotional side and what a show this has been. His comic timing in London segment, impatience in Paris and outburst at the climax in New York… fantastic performance. Amazing screen presence and charm.

Aditi Rao Hyderi is not far behind either. Her portrayal of Lalitha and transformation the character goes through are extremely natural hence authentic. Her adorably shy demeanor in the first story, sultry looks and heartbreak in the second and mature conduct in the third are absolutely brilliant. Her best performance after smaller roles in 'Yeh Saali Zindagi' and 'Rockstar'. She looks gorgeous in rain sequence in London and steals the hotel room scene in Paris which of course is a defining moment in the story too.

The third star of the film is Anu Menon. Anu too has worn multiple hats for the film. She has written the script, directed it and has also written the dialogues. Had I not known, I would have thought LPNY is an Imtiaz Ali film and that's a huge compliment for Anu. Her aesthetic senses deserve applause for the way he has handled intimate scenes between the lead pair. The story has been kept simple, narration even simpler while dialogues put soul in the film. They do get cheesy at times but that is the requirement for Nikhil's character build-up. Anu hasn't gone over the top and has kept the film as close to reality as possible. If there is a term 'Unrealistically Realistic', it fits LPNY. I can swear several guys have gone through what Nikhil goes through on the bench in London. Yes, it's that real. She also deserves credit for keeping the film short, not going beyond two hours by dragging the film needlessly. The credit for this should also go to the debutant editor Sally Salgoanker.

LPNY is exactly the way love stories should be made. Trendy, Urban and fairly realistic. It takes great courage to make an entire film for only two characters, played by new comers and that too a talkie one. Even if it does not win bumper opening at the box office, it will increase the audience size for Ali, Aditi and Anu significantly. A beautifully made artsy commercial film which deserves a successful run.