Hit Man - Killer per caso

Glen Powell was blah in his last "big" movie, "Anyone But You". Here, things don't improve, although this time his female costar is just as extravangantly luscious as Sydney Sweeney, only brunette. His character, Gary Johnson dresses up in wigs and hats and costumes and assumes accents and personas to convince qould-be criminals that's he's a real hit man, but only they believe him - the audience certainly doesn't. One critic, Jason Fraley, describes the rom-com arc of the plot as "Fifty Shades Of Gary". The film is emotionless and gutless and packs zero punches. I kept waiting to laugh or be intrigued or moved or something... but nope, nothing/

This was billed as a quirky, clever Rom-Com by both its trailers and critics. The trailers looked fantastic, like a spirited passion project between Linklater and Powell that would parody the whole Rom-Com genre in witty fashion. The reality is this is just another Rom-Com film with critics falling head-over-heels with Linklater (as they always do). The most interesting part of the film is actually the first act, when Glen Powell gets to shine in a diverse portfolio of characters, including a long, gritty dialogue exchange. By the time the love interest appears in the second act, the film has already fallen into just another collage of good cop/good person/bad circumstance entanglement. Unfortunately the film never really redeems itself, nor its characters in unforgiveable acts. Its story feels mundane and outcome certain. While I had hoped for more, it was at least an easy viewing.

In a world of Hollywood formulas and studio safe bets, there's something refreshing about Hit Man and it's quirky out of the box story.

It follows Glen Powell as the eponymous Hit Man who gets into a complicated relationship with one of his clients. I won't go into any more detail as there's lots of fun layers to unravel with this film which are best discovered in the moment, but as mentioned it feels quite fresh and unique. It has really solid comedy, drama and romance, and will keep you on your toes throughout.

Rising to occasion of the great story is Glen Powell who shines once again in a leading role. His charisma always shines through and there's an instant connection to him and his character that never wanes. Matching him perfectly is Adria Arjona, the chemistry between them absolutely electric.

My only real complaints with this film are that it took too long to get going and was over far too quickly. Aside from these pacing issues there really isn't much to complain about with this film.

So if you are in the mood for a funny, sexy and dramatic film that will draw you in to it's weird and mysterious story then look no further than Hit Man.

If you enjoy quirky movies, director Richard Linklater is your guy. His latest is HIT MAN, which is a romantic comedy that's very loosely based on an article about a real guy, Gary Johnson. Gary (Glen Powell) is a college professor and part-time staffer at the New Orleans Police Department. He stumbles into a new role as an undercover hitman, arresting people who try hiring him to kill someone. It turns out he's very good at it. Powell really showcases his talents here, playing different characters for each arrest. When he meets Madison (Adria Arjona) though, he breaks protocol. I guess Powell has great chemistry with whoever he works with. He has an undeniable charm that seems like it spreads to the whole cast. I could tell they had fun filming this. It also has a very smart script, playing with ideas of identity and being your true self. The strong sense of humour actually changes as the movie progresses, which was fun for me, but might not work for some. I find it hilarious that they must've asked the real Gary Johnson for permission to go as far as they do here. The movie makes it clear what actually happened during the end credits. HIT MAN is quirky, unconventional, and very enjoyable. If you can't see it in theaters, don't worry! It'll be on Netflix June 7th. Make sure the algorithm doesn't bury it. Enjoy!

First thing's first: Glen Powell is incredible in this movie. He transforms across the spectrum of characters incredibly well. He's dynamic and believable in this role that boarders on absurdity and keeps it in bounds.

The premise of the story was entertaining and engaging, with an enjoyable secondary cast.

Adria Arjona was also fun, but her character could've better developed. The high octane romance tag transpires feels entirely too surface for how emotionally involved it becomes in the end. There were no flashes of actual connection beyond sexual intensity and discussion about murder. It would've been nice to see them have at least one "get to know you" interaction outside of the sex-murder dichotomy.

The ending is also.... Unnecessary. Maybe for laughs amongst the people who knew the real Gary Johnson, but for storytelling purposes it was a little too campy.

An entertaining watch, one of Netflix's better recent films. But it does fall a little flat in a couple places.