Un marinaio ingegnoso deve affrontare la sua mortalità nonostante tutti gli sforzi dopo una collisione con un container.Un marinaio ingegnoso deve affrontare la sua mortalità nonostante tutti gli sforzi dopo una collisione con un container.Un marinaio ingegnoso deve affrontare la sua mortalità nonostante tutti gli sforzi dopo una collisione con un container.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 3 vittorie e 48 candidature totali
Recensioni in evidenza
From a technical standpoint and for an independent film, it's rather unmatched. It may not be wide in scale, but it's convincing in the details of its design. Whereas sea-bound films such as Life Of Pi have been distracting for the moments where its pool sets are clearly apparent, All Is Lost is thoroughly convincing that we are forever in the middle of the ocean through its cinematography and special effects. I wish the editing didn't jump around as much, it was impossible to truly get immersed in the situations and the weight of the challenges. But most importantly besides the visuals, it's a soundscape. With much of the sources of the sounds coming offscreen, the conviction of the sound editing and mixing are astonishing and often frightening. The one dip out of the fly-on-the-wall approach is the score which appropriately highlights the films best and most poignant moments. But in a one-man band, it all hinges on our lead. Our Man, Robert Redford.
I've only seen him in a collection of 60s and 70s classics and I know at the very least he is a confident and often charming lead. I know him more for his direction work with his Oscar winning Ordinary People and Oscar deserving Quiz Show. All Is Lost was quickly pronounced his opus so I was intrigued given his reputation. With no dialogue to work with, his performance is in his overwhelmed but quiet expressions that try to grasp what little soul he has left. Surprisingly, it's not a showy performance but one that perfectly blends into the texture of the film. However, it doesn't achieve what Gravity achieves when faced with the risk of mortality. We don't know enough about Our Man, his story doesn't mean enough to us. Instead, we're left with a strong melancholy. As like Margin Call, the film simply deflates from its tragedy, and while they may try, characters can't do anything against the obstacles Chandor puts in front of them. At least this was a little more believable.
7/10
For sailing enthusiasts this film does have a few reality checks. But for the most part I felt very much the same as Our Man, the character in this film. This is a credit to the director and his ability to make the audience feel vested in the main character's survival. This movie, while very good, does move slow at times. And while I am not a sailor I did notice a few of the reality checks in this film too.
What really makes the movie for me is that there are actual ocean disasters that are eerily similar in how they play out for the main character in this film. If know of some of these you will understand why this movie and its portrayal of the main character are so well done.
The ending is something left entirely to the viewer to interpret. But even that I found to be very realistic and probably the best part of the movie. This movie does a great job of trying to show the viewer how even when you seemingly do things right, bad things can still happen. It follows the old adage of "when it rains, it pours" or "one thing after another".
All is lost or is it?
You do not need to be a sailor to enjoy this movie. And indeed if you are a sailor, apparently you won't enjoy it, as shown by the numerous wealthy reviewers lambasting the film because of the technical sailing details. Apparently a lot of rich old guys think they could have done better than the character in this film.
If you're not much of a sailor (like me), you'll spend a good deal of time wondering what he's doing and marveling at his self reliance. I don't know whether the sailing part was realistic. To enjoy the movie, it doesn't matter. It all seemed bone-crunchingly realistic, although at one point I did wonder whether an exhausted 77-year-old has the strength to haul himself up the side of a sailboat like that.
This is an unusual film for several reasons.
First, there is almost no dialogue. You can watch it with the sound off.
Second, it is set completely on two vessels in the Indian Ocean, but the camera almost never scans the horizon. We rarely actually see the sea or the entire boat. Sometimes there are several astonishing shots of the boat from underneath. All this gives the film a strangely claustrophobic feel, despite its maritime setting.
Third, the protagonist is a taciturn, very competent sailor who also happens to be a man in his late 70s. The movie has nothing to say, but yet much to say, about old age.
This movie is like "Gravity" in that it depicts a human being in extremis. The main character is not the sailor, but Fate. The sea represents a brutal and uncaring universe. Like "Gravity", the ultimate message is: when sh*t happens you can lie down and give up, or you can deal with it. The choice is up to you. Most of us have a hard time with that because it's easier to curse Fate and condemn the universe as unfair.
"All Is Lost" tells the story of a skilled sailor fighting to survive stranded in the high sea. Robert Redford has stunning performance, the cinematography is impressive but the writer is lazy and should have researched more about navigation and lifesaving procedures. In addition, there is no character development and the viewer never knows what the man is doing in the Indian Ocean.
Vessels have bilge pumps and EPIRB and pleasure yachts usually have also portable bilge pumps. Robert Redford is shaved all the time and never wears lifejacket or immersion suit or even a hat to protect from the sun, maybe because he is the star of the movie and needs to show his face. The inflatable liferaft does not seem to have the usual survival equipment and the sailor does not have a survival kit ready on board for emergency situations. But despite the flaws, "All Is Lost" is not a bad movie. My vote is seven.
Title (Brazil): "Até o Fim" ("Till the End")
Lo sapevi?
- QuizThe film's script is nearly dialogue-free and only 32 pages long.
- BlooperNot even the most inexperienced sailor would not wear a life vest during the storms or when he was afloat. The life vest is one of the most basic items that sailors use on those situations.
- Citazioni
Our Man: 13th of July, 4:50 pm. I'm sorry. I know that means little at this point, but I am. I tried, I think you would all agree that I tried. To be true, to be strong, to be kind, to love, to be right. But I wasn't. And I know you knew this. In each of your ways. And I am sorry. All is lost here, except for soul and body, that is, what's left of them, and a half day's ration. It's inexcusable really, I know that now. How it could have taken this long to admit that I'm not sure, but it did. I fought till the end. I'm not sure what that is worth, but know that I did. I have always hoped for more for you all. I will miss you. I'm sorry.
- Curiosità sui creditiAccording to the credits "All is Lost was shot on three 1978 Cal 39 sailboats purchased from their owners in Southern California. These three boats generously gave themselves up for art: Tahoe, Tenacious, and Orion. They took their final sails in the Pacific Ocean and performed beautifully in the film as Our Mans's boat, the Virginia Jean. Rest in peace."
- ConnessioniFeatured in At the Movies: Episodio #10.23 (2013)
- Colonne sonoreAmen
Performed by Alex Ebert
Produced by Alex Ebert
Engineered and mixed by Alex Ebert and Matt Linesch
Courtesy of Community Music & Caravan Touchdown (ASCAP)
Administered by BMG Chrysalis
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- All Is Lost
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- Budget
- 9.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 6.263.670 USD
- Fine settimana di apertura Stati Uniti e Canada
- 93.583 USD
- 20 ott 2013
- Lordo in tutto il mondo
- 13.627.519 USD
- Tempo di esecuzione1 ora 46 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1