Kon-Tiki

Legendary explorer Thor Heyerdal's (Pal Hagen who gives a fabulous acting) epic 4,300-mile crossing of the Pacific on a Balsawood raft in 1947, in an effort prove that it was possible for South Americans to settle in Polynesia in pre-Columbian times . Heyerdal and his brave crew (Anders Baasmo Christiansen as Herman Watzinger , Tobias Santelmann as Knut Haugland , Odd Magnus Williamson as Erik Hesselberg , Jakob Oftebro as Torstein Raaby and Gustaf Skarsgård son of Stellan and brother of Alexander) carry out an incredible adventure en route Polynesia .

Awesome retelling about the dangerous adventure starred by Thor and a valiant group of heroes . Big budget production with gorgeous scenarios , colorful images , thrills , emotion and sense of style . Large parts of the film were filmed in two versions at the same time, one in Norwegian, the other in English, in order to secure international funding. Including wide participation from several nations , as there take part Sweden, Bulgaria , Norway , Malta , Maldives crews . Glamorous and glimmer cinematography by Geir Hartly Andreassen . Special mention to sensitive as well as evocative original Music by Johan Söderqvist . Lavishly produced among several countries such as UK | Norway | Denmark | Germany | Sweden with important financing by great producer Jeremy Thomas . The film's producer, Jeremy Thomas, had wanted to make the film since 1996 and was granted the rights to the story by Thor Heyerdahl before the latter's death in 2002 . The motion picture was compellingly directed by Joachim Rønning (Bandidas , Max Manus) and Espen Sandberg and it was the official submission of Norway to the Best Foreign Language Film of the 85th Academy Awards 2013.

The film was well based on real events , these are the followings : Kon-Tiki was the raft used by Norwegian explorer and writer Thor Heyerdahl in his 1947 expedition across the Pacific Ocean from South America to the Polynesian islands. It was named after the Inca sun god, Viracocha, for whom "Kon-Tiki" was said to be an old name. Kon-Tiki is also the name of Heyerdahl's book; the Academy Award-winning documentary film chronicling his adventures; and the 2012 dramatised feature film nominated for the Academy Award for Best Foreign Language Film.Heyerdahl believed that people from South America could have settled Polynesia in pre-Columbian times. Although most anthropologists as of 2010 had come to the conclusion they did not, in 2011, new genetic evidence was uncovered by Erik Thorsby that Easter Island inhabitants do have some South American DNA, lending credence to at least some of Heyerdahl's theses. His aim in mounting the Kon-Tiki expedition was to show, by using only the materials and technologies available to those people at the time, that there were no technical reasons to prevent them from having done so. Although the expedition carried some modern equipment, such as a radio, watches, charts, sextant, and metal knives, Heyerdahl argued they were incidental to the purpose of proving that the raft itself could make the journey.The Kon-Tiki expedition was funded by private loans, along with donations of equipment from the United States Army. Heyerdahl and a small team went to Peru, where, with the help of dockyard facilities provided by the Peruvian authorities, they constructed the raft out of balsa logs and other native materials in an indigenous style as recorded in illustrations by Spanish conquerers. The trip began on April 28, 1947. Heyerdahl and five companions sailed the raft for 101 days over 6900 km (4,300 miles) across the Pacific Ocean before smashing into a reef at Raroia in the Tuamotu Islands on August 7, 1947. The crew made successful landfall and all returned safely.Thor Heyerdahl's book about his experience became a bestseller. It was published in Norwegian in 1948 as The Kon-Tiki Expedition: By Raft Across the South Seas, later reprinted as Kon-Tiki: Across the Pacific in a Raft. It appeared with great success in English in 1950, also in many other languages. A documentary motion picture about the expedition, also called Kon-Tiki was produced from a write-up and expansion of the crew's filmstrip notes and won an Academy Award in 1951. It was directed by Thor Heyerdahl and edited by Olle Nordemar. The voyage was also chronicled in the documentary TV-series The Kon-Tiki Man: The Life and Adventures of Thor Heyerdahl, directed by Bengt Jonson.The original Kon-Tiki raft is now on display in the Kon-Tiki Museum in Oslo.

The plot is about the greatest Norwegian explorer, Thor Heyerdahl who changed the course of history about the origin of Polynesians. Thor, along with 5 desperate fellows, set out an 101 day-voyage on a raft across the Pacific ocean to prove his scientific analysis before the world. They avoided all sorts of modern mechanical equipment and crossed almost 8000 kilometers in the vast sea just like primitive people having only the faith of Kon-Tiki, the Inca Sun-God. Acting seems so realistic and engaging to depict this true adventurous history :))) Some camera shots appear aesthetic while score sounds great. However, only flaw to me is the lack of crisis in the script___7/10___

NB: now willing to watch the original Kon-Tiki documentary film, that won Oscar in 1950, directed by Thor Heyerdahl himself during their expedition___:))))

KON-TIKI (2012)

During the 20th century some individual achievements so captured the popular attention as to become iconic: Lindberg's flight across the Atlantic, Hillary and Norgay's conquest of Everest, Roger Bannister's four minute mile. Thor Heyerdahl's 1947 voyage across the Pacific was one of these events. His book, Kon-Tiki, sold tens of millions of copies, and his 1950 documentary won an Academy Award, as much a recognition of the feat as the film.

Norwegian directors Joachim Rønning and Espen Sandberg have now decided to put on the screen a dramatized account of Heyerdahl's expedition. But the obvious question is how can you make interesting the story of six men confined to a small wooden raft for 101 days? In fact by comparison to the exploit it recorded, the original documentary came across as rather bland, precisely because of such limitations. But this new film is anything but tame, and succeeds in combining striking photography of the adventure itself with a compelling look at one man's quest to show that "it can be done."

The strength of the picture is that it situates the voyage within the context of Heyerdahl's struggle to get the scientific and financial support to try out his theories. He had speculated that Polynesia was settled by Inca voyagers who had used the prevailing currents to drift across the Pacific on rafts similar to the one he would build. (He proved this possible, although DNA testing suggests that Polynesians share a predominantly Asian heritage.)

Heyerdahl had developed this premise much earlier, but after World War II, he made serious attempts to secure the backing for a voyage that would test his theories. Not only did he encounter opposition from those who felt that he was wrong, but even more often he was dismissed as a fanatic with a suicidal plan.

Eventually he did manage to scrounge some backing, including private loans, help from the Peruvian authorities and supplies from the U.S. Navy. Perhaps more importantly, he found five companions who had confidence enough to put their lives in his hands. All were Norwegian except Bengt Danielsson, a Swede with an interest in migration. Erik Hesselberg was the navigator. Knut Haugland and Torstein Raaby, both heroes of the Norwegian resistance, were the radio experts. Herman Watzinger was an engineer who helped design the raft, and who recorded much of the voyage's scientific data.

Although he took along modern equipment, Heyerdahl was concerned that the raft itself should be constructed only from materials that were available in ancient times. Accordingly the raft was constructed from logs tied together with rope, surmounted by a thatched cabin and a large cloth sail. The raft itself was about 45 by 18 feet (13.7 by 5.5 m), and the cabin about 14 by 8 (4.2 by 2.4 m). The crew sailed from Callao, Peru, on April 28, 1947 and arrived in Raroia in the Tuamotu Islands on August 7.

The film succeeds by contextualizing these 101 days at sea against Heyerdahl's struggles to get the expedition underway. Although the inevitable storm and the equally foreseeable shark attack have their moments, the movie similarly attends to the relationships among the expedition's six members, their level of bonding to Heyerdahl as leader, and his own relationship with a wife who wanted to be supportive, but who found the risks unacceptable. It establishes the overall context by its early sequence dealing with Thor's honeymoon stay in the Marquesas, where he began to discover the apparent Inca connections that led to his theories.

In the central role of Thor Heyerdahl, Pål Sverre Valheim Hagen must carry the story, and he does. His re-creation of the historical character is convincing as the embodiment of determination, not quite obsessive but coming close, as he plans, argues and cajoles to try to turn his project into a reality. As his fellow Norwegian crew members Odd Magnus Williamson as Hesselberg, Tobias Santlemann as Haugland, and Jacob Oftebro as Raaby are equally credible figures: young, heroic, and willing to give Heyerdahl their trust. Playing the only non-Norwegian in the group, Gustaf Skarsgård as Bengt Danielsson is a little detached, but perhaps even more intellectually committed than the others to what they are about. For contrast and drama, the filmmakers apparently took liberties with the character of Herman Watzinger, played by Anders Baasmo Christensen. Christensen does well with the part given him, although the real-life Watzinger was almost certainly stronger and more competent than the movie shows him. Given that she must play an ambivalent role, Agnes Kittelsen as Liv gives a very effective performance as Thor's wife and the film's only prominent female character.

Gorgeous photography and great production values set Kon-Tiki off. The Pacific Ocean scenes were actually shot in the waters off Malta, the tropical ones in the Maldives and Thailand, with other locations in Norway and the U.S. used as appropriate. It is a real accomplishment that even with the limited space of the raft cinematographer Geir Hartly Andreassen never lets it become visually boring. Going from the micro to the macro, he manages to keep interesting also the vast empty spaces of the ocean, which emerges as a living character in its own right, often peaceful, sometimes petrifying, always powerful.

It must have been a temptation for the directors and principal screenwriter Petter Skavlan to fictionalize Heyerdahl's exploits and to create a stunning action/adventure tale on the lines of A Perfect Storm or White Squall. Thankfully they recognized that Heyerdahl himself was a character larger than life whose daring voyage became an extension of himself and his ambitions. In doing that they keep alive the iconic figure that he was, and give audiences some appreciation of how the sheer willpower of one individual can produce deeds that capture the imagination of the world.

As of 1/4/13, Kon Tiki is on the shortlist of 9 for Academy Award Foreign Language film; list of the 5 final nominees is expected next week.

Beautiful cinematography...including magnificent scenes of whales & sharks circling the raft.

Character studies of Thor Heyerdahl & his companions on the journey are intelligent subtle portrayals. Thor is one driven man, from almost drowning in childhood to landing on the beach on Roraia, Indonesia. Thor spent ten years with his theory that Polynesia was settled from Peru; not from Asia, the settled hypothesis at the time. Final proof came via the 1947 voyage on a raft using the same 1500 year old techniques of navigation and raft construction. While this may sound a bit dry, it is not. The passion of the participants is palpable. Each has their own reason for going on the journey; most simply falling under Heyerdahl's charisma. (Heyerdahl's 1950 documentary won the Academy Award, and remains the only Norwegian winner of an Academy Award to date.)

Though not cast based simply on physical looks (per the co-directors), several are magnificent specimens of blond 1940s fit men...and their bonding.

Every scene was filmed first in Norwegian, then in English; (US release of the English version seen is expected by the Weinstein group later in 2013.) Filming was 59 days in six countries. Audience reaction of the PSIFF screening was loudly appreciated followed with Q&A with the co-directors.

This movie is seriously good.

I'm not saying this just because I'm Norwegian and extremely proud that my country managed to produce this amazing adventure. Kon-Tiki is definitely one of the most original, well- written and fun films I've seen this year.

It's the 1940s. Without spoiling the story (which is real by the way), we are invited to follow Thor Heyerdahl as he gathers a crew of overly confident Scandinavians attempting to cross the Pacific on a balsa wood raft. All in the name of science and a boyish thirst for adventure! This attitude is understandable; after enduring the misery of WW2, little seemed more tempting than escaping to faraway exotic lands. Bravery or stupidity? In either case, viewers can look forward to one hell of a boat ride.

What I adore about Kon-Tiki is the presentation of the raft's surroundings. The Pacific Ocean is just as magnificent and beautiful as it is dangerous and merciless, and this dynamic is perfectly balanced. Peaceful waters and clear skies suddenly give way for dangerous sea- creatures and storms mighty enough to tear the old-fashioned raft apart. Kon-Tiki is simply grand. At times my adrenaline rose, my heart started pumping, and I started lusting for adventure myself - just by watching.

Another strong point is the cast. The actors do a brilliant job at depicting the slightly eccentric yet adventurous Scandinavians far away from their Nordic comfort zone. Thor Heyerdahl is particularly well portrayed with his dreamer-like attitude and awkward English skills. Although I would prefer more emphasis on character development, Kon-Tiki make them just interesting enough for viewers to care for them.

Kon-Tiki is such a delight to watch, because it's original, different and not your typical Hollywood adventure flick. No, the plot is not complex. It has no twists or turns, and Kon-Tiki certainly doesn't contain the amount of drama you'd expect. And this is what makes it good - the film is all about the sheer excitement of the adventure. Of course it isn't perfect, but for a Norwegian film, I'd say it holds its ground rather strongly.

I honestly haven't had this much fun with a film for a long while. If you're lucky, Kon-Tiki might show up on a festival or international cinema near you. In that case, do watch it.