Un ladro con un codice etico professionale unico viene ingannato dalla sua squadra e lasciato per morto. Usando un travestimento e stringendo un'alleanza incongrua con una donna, cerca di co... Leggi tuttoUn ladro con un codice etico professionale unico viene ingannato dalla sua squadra e lasciato per morto. Usando un travestimento e stringendo un'alleanza incongrua con una donna, cerca di cogliere l'ultima rapina della sua ex banda.Un ladro con un codice etico professionale unico viene ingannato dalla sua squadra e lasciato per morto. Usando un travestimento e stringendo un'alleanza incongrua con una donna, cerca di cogliere l'ultima rapina della sua ex banda.
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Carl J. Walker
- Ohio State Fair Accounts Manager
- (as Carl Walker)
Recensioni in evidenza
While I wasn't aware there was already a "Parker" character (in books that is), I was more drawn to the movie because of the director. Taylor Hackford has done some extraordinary work. Be it "Officer and Gentleman", "Devil's Advocate" or my personal favorite "Blood in Blood out". But you can't compare this to any of those movies of course. I was however surprised seeing him working with Jason Statham. A man more known for his action filled roles.
And while this might not be one of the better works of Hackford, it still is good action cinema. Michael Chiklis has been better though, although he doesn't get much to play with here. Jennifer Lopez gets to play in a good movie too for once (after U-Turn and Out of Sight), but don't expect to see too much of her here. This is the Statham show and that is pretty obvious.
And while this might not be one of the better works of Hackford, it still is good action cinema. Michael Chiklis has been better though, although he doesn't get much to play with here. Jennifer Lopez gets to play in a good movie too for once (after U-Turn and Out of Sight), but don't expect to see too much of her here. This is the Statham show and that is pretty obvious.
As a fan of Donald Westlake's writing -- he did the Parker books under the pseudonym of Richard Stark -- I have long been bemused by the inability of film makers to adapt his work for the screen. Westlake wrote for the screen himself, and the Parker books are nothing but action and plot. Yes, there's character, but you figure it out from what Parker and his associates do.
With this, the fourth attempt to film a Parker novel, the film makers have found a practical if surprising choice for the title role. Jason Statham is not an actor of great oratorical powers, but he is a great physical actor, and he moves constantly like an angry tiger in a cage. The choice of a caper which is set largely in Palm Beach, with its artificial, pointless display of wealth and no other reason for existence is the perfect backdrop for the ferocity of Parker in his battle with Michael Chiklis' Melander; Jennifer Lopez' clueless Leslie, who gets caught up without understanding what is going on, gives the audience a good point of view.
Director Taylor Hackford is not a great director, but he is a highly competent one. Sixty years ago he would have been a major director for a studio, setting and working in the house style. Give him a story he can work with and he will hit all the notes, efficiently and effectively, and he has done so here. If the Parker of this movie is different from the Parker of the books, a bit more philosophical (although it comes down, in the end, to the tigerish "Do what I tell you and I will devour you last") we need to remember that a movie is not a book. This is not Donald Westlake's Parker, nor even the Parker I see when I read the books. However, it's still a very good one and worth your attention.
With this, the fourth attempt to film a Parker novel, the film makers have found a practical if surprising choice for the title role. Jason Statham is not an actor of great oratorical powers, but he is a great physical actor, and he moves constantly like an angry tiger in a cage. The choice of a caper which is set largely in Palm Beach, with its artificial, pointless display of wealth and no other reason for existence is the perfect backdrop for the ferocity of Parker in his battle with Michael Chiklis' Melander; Jennifer Lopez' clueless Leslie, who gets caught up without understanding what is going on, gives the audience a good point of view.
Director Taylor Hackford is not a great director, but he is a highly competent one. Sixty years ago he would have been a major director for a studio, setting and working in the house style. Give him a story he can work with and he will hit all the notes, efficiently and effectively, and he has done so here. If the Parker of this movie is different from the Parker of the books, a bit more philosophical (although it comes down, in the end, to the tigerish "Do what I tell you and I will devour you last") we need to remember that a movie is not a book. This is not Donald Westlake's Parker, nor even the Parker I see when I read the books. However, it's still a very good one and worth your attention.
Of course, similar events - revenge after double-crossing - have been depicted several times and will definitely be depicted in the future as well - but it is the direction and choice of actors that counts. As for Parker, everything is at least okay with those: the director Taylor Hackford is an accredited creator and names like Jason Statham, Nick Nolte, Jennifer Lopez are certain signs of quality and non-boredom. They are pleasant to follow even in less interesting and less veracious scenes.
Well, the script is probably the weakest part of the movie: too much predictability, excessive sections (e.g. Parker-Claire, prolonging the duration to almost 2 hour 15 minutes) and trivial ending (unlike in movies by Guy Ritchie, for example).
Nevertheless, Parker is still an above-average A-movie, qualifying well for a sociable entertainment.
Well, the script is probably the weakest part of the movie: too much predictability, excessive sections (e.g. Parker-Claire, prolonging the duration to almost 2 hour 15 minutes) and trivial ending (unlike in movies by Guy Ritchie, for example).
Nevertheless, Parker is still an above-average A-movie, qualifying well for a sociable entertainment.
A Taylor Hackford film, starring Jason Statham and Jennifer Lopez. The story revolves around Statham's character, the eponymous Parker, who's a high level thief, much sought after in the criminal underworld for his cool demeanour and ability to think on his feet. But then a job goes sideways and he's betrayed by his supposed partners in crime. He survives and vows revenge.
It's not the most complicated plot ever, but it has its basic building blocks in a neat row and knows what it's doing. A film like this is pretty much destined to the B movie pin, but there's something to be said about the charisma of Jason Statham. And J.Lo, for that matter.
What's most enjoyable about this film is its heist hijinks. Whenever Parker is smooth talking his way through red tape or conning people into doing whatever he wants, the film soars. Whenever it's doing anything else, it's pretty banal. J.Lo's character is admiringly grounded and you get her blight. But at the same time, she's perhaps too grounded for the film's style. If you catch my drift. I'd much rather see this type of character in a psychological crime drama or something like that.
Nevertheless, I enjoyed watching the film. A good film to check out if you're a fan of Statham or lighthearted heist films. And if you're not, it's still a pretty slick experience.
It's not the most complicated plot ever, but it has its basic building blocks in a neat row and knows what it's doing. A film like this is pretty much destined to the B movie pin, but there's something to be said about the charisma of Jason Statham. And J.Lo, for that matter.
What's most enjoyable about this film is its heist hijinks. Whenever Parker is smooth talking his way through red tape or conning people into doing whatever he wants, the film soars. Whenever it's doing anything else, it's pretty banal. J.Lo's character is admiringly grounded and you get her blight. But at the same time, she's perhaps too grounded for the film's style. If you catch my drift. I'd much rather see this type of character in a psychological crime drama or something like that.
Nevertheless, I enjoyed watching the film. A good film to check out if you're a fan of Statham or lighthearted heist films. And if you're not, it's still a pretty slick experience.
Many people say the same things about Jason Statham, He's a typecast or he doesn't do anything different. Which is partly true, but he is good as an action star and in my opinion hes a better actor than what some say. I don't think he does get enough credit seeing how he got into movies almost by accident.
Anyways Parker has a good revenge/crime story its about a professional thief who lives by a simple code, don't steal from people who can't afford it and don't hurt people who don't deserve it. After a successful heist our man is left for dead by his partners. The movie has good action throughout. lots of hand to hand combat, and violent ones at that. It also has a better than usual cast and director for a statham action movie (Good villains + hot leading lady).
Overall, I got what I was expecting for $10 as a fan of Jason Statham and would recommend it for a good popcorn flick.
7/10
Anyways Parker has a good revenge/crime story its about a professional thief who lives by a simple code, don't steal from people who can't afford it and don't hurt people who don't deserve it. After a successful heist our man is left for dead by his partners. The movie has good action throughout. lots of hand to hand combat, and violent ones at that. It also has a better than usual cast and director for a statham action movie (Good villains + hot leading lady).
Overall, I got what I was expecting for $10 as a fan of Jason Statham and would recommend it for a good popcorn flick.
7/10
Lo sapevi?
- QuizThis is the first adaptation of a Richard Stark/Parker novel to use the character name Parker, the name from the novels. Although the following movies are based on the "Parker" novels, the name was always changed: Senza un attimo di tregua (1967) (Walker); I 6 della grande rapina (1968) (McClain); Organizzazione crimini (1973) (Macklin); Slayground (1983) (Stone); and Payback - La rivincita di Porter (1999) (Porter).
- BlooperWhen the fireworks at the auction go off, a woman in a black dress runs down the center aisle twice.
- Citazioni
Leslie Rodgers: How do you sleep at night?
Parker: I don't drink coffee after 7.
- ConnessioniFeatured in Bringing the Hunter to Life: The Making of 'Parker' (2013)
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Tay Trộm Chuyên Nghiệp
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 35.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 17.616.641 USD
- Fine settimana di apertura Stati Uniti e Canada
- 7.008.222 USD
- 27 gen 2013
- Lordo in tutto il mondo
- 46.922.566 USD
- Tempo di esecuzione
- 1h 58min(118 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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