boblipton
Iscritto in data feb 2002
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Valutazioni42.210
Valutazione di boblipton
Recensioni17.819
Valutazione di boblipton
The mice in the toy department are having a rough time with Kat Nip on the job. There's no fun to be had. But here comes sergeant Herman on a three-day furlough. He remembers Kat Nip was in the arm y -- Private 3rd Class, and the two of them go at it in a combination of military routine and toy soldiers and tanks.
It's certainly not the best of the Herman and Kat Nip cartoons, but the gags are appropriately violent for the series -- although they are rendered bloodless through the post-UPA style of animation -- and the balance between Herman and Kat Nip is fairly even through the end. Of course we know that Herman will win in the end, but Kat Nip puts up a fight and amusing fight.
It's certainly not the best of the Herman and Kat Nip cartoons, but the gags are appropriately violent for the series -- although they are rendered bloodless through the post-UPA style of animation -- and the balance between Herman and Kat Nip is fairly even through the end. Of course we know that Herman will win in the end, but Kat Nip puts up a fight and amusing fight.
J. G. is a dignified man with a major job, a handsome wife, and a compulsion to play with toys. He's tricked into seeing a psychiatrist, who diagnoses him with toyphobia.
It's a fun little story animated in the modern fashion. Were it a live-action short, I would heartily approve of it. But there's nothing in it that requires animation.
It's a fun little story animated in the modern fashion. Were it a live-action short, I would heartily approve of it. But there's nothing in it that requires animation.
Just when you thought the old days were gone, all the Famous Studios properties sold off to Harvey, all the budgets and ambitions and Noveltoons gone, boom! Famous Studios offers this as a new cartoon, showing a series of blackout gags followed by a long battle between classical and modern music..
In large part it's because they took old cartoons, broke them down, and put them back together in this form. But in the midst of the weak, repetitive stories, the post-UPA art, and the reduced orchestra they had to work with, what a throwback!
In large part it's because they took old cartoons, broke them down, and put them back together in this form. But in the midst of the weak, repetitive stories, the post-UPA art, and the reduced orchestra they had to work with, what a throwback!
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