Carnifex

CARNIFEX follows three passionate conservationists, Grace (Sisi Stringer), Bailey (Alexandra Park) and Ben (Harry Greenwood), as they venture deep into the Australian outback in hopes of recording evidence of devastation caused by the wildfires. The trio soon discovers a terrifying species - the Carnifex - that has been previously undocumented, and they quickly realize that they are now the ones being tracked.

CARNIFEX is a missed opportunity. Despite a talented cast, the story fails to take off. After a cliched opening of someone being attacked by something unseen, the first half of the movie plods on with boring and stilted dialogue and where little happens apart from the characters peering up into the trees. The documentary maker in the story hardly ever has her camera running and never does when any documentary maker would do so. The acting is unconvincing (although the dog does a decent job), and the story did not have enough suspense to keep me engaged.

The second half of the movie picks up with a couple of intense action sequences, but even then, it feels too formulaic and predictable. The effects work is satisfactory, but nothing stands out.

The bush setting is beautiful but underutilised and left me with little more than a couple of jump scares. The soundtrack also fails to engage, being sparse and lacking in tension.

CARNIFEX is a forgettable horror flick that won't leave you too traumatized or thrilled. It's an adequate timewaster, but uninspiring. If you're looking for a true horror experience, you'd be better off checking out something else.

CARNIFEX is simply a shallow and forgettable movie that doesn't live up to its potential. It boasts beautiful cinematography of the Australian bush but fails to offer anything unique or interesting. It's not worth your time or money.

Not that bad, fairly well filmed and with pretty nice sight of the Australian bush, but it suffers from the modern need to preach you to death, to the point that it just get insufferable.

So first you have to go through literally half the movie getting preach mercilessly about ecology and the evil of human, 45 minutes of characters walking in the forest giving you life lessons and guilting you to oblivion. Without counting the also very modern need of writing every male character as a goofy caricature unable to do anything but be a joke (it could have passed fairly in this movie if not every male character were not just simply useless without exception).

Then comes the usual bad writing of lazy horror, with the final 30 minutes, where every character becomes dumb for no reason, running around in the dark and forgetting they are professional who should know how to handle a situation involving a predator. And of course the predator himself which literally a scene after being describe as an ambush and stalker predator (and behaving like one), suddenly decide to become stupid and pursue the main characters like any dumb generic predator.

In the end, like I said, nicely filmed, but lazy writing suffering from the modern tropes of having to preach you instead of entertaining you.

I enjoyed this movie, even though eventually it seems like it falls flat.

First of all, I enjoyed the scenery, forest trip, campfire, nature views, light conversations - I liked that part, it seemed happy and easy, and entertaining to me.

I liked the actors and the characters, they played well.

The suspense build up was good, felt some "Predator" vibes there, you know, at some point the pressure grew like characters were being stalked and in danger, while being unaware of it. That was executed well as per my opinion.

The ending is really when the movie should've risen to its peak, but instead it fallen flat. Some bad decisions have been made during this movie creation, I guess. So, characters suddenly became silly even though as biologists they should've probably known better how to act around predators and kept safe.

Moreover, as the creature is in the center of this movie, it should've been well written and thought throw, etc.

But instead, we get this creature with overall bad design. I'm not talking about the CGI (although they were pretty lackluster in half of the scenes), but mostly its behavior, motivation and history. There is no justification in movie itself about how this could've all be possible.

So, yes, I enjoyed this one.

Still, I was a bit disappointed, because I really saw the potential for it to be so much better in the end with just a little more work.

I liked this old fashioned horror film, that reminds me the seventies, eighties very easily. It's never boring, using though the same methods for scaring the audiences, so many clichés, but we are in a horror film, not a comedy,and the director took no risks in trying something different. It's spooky and that's all. The producers were sure to obtain what they wanted, to receive money from their investments, and the best receipe is not to take risks and give the audiences what they want. They want sh...give em sh...They want predictable plots, give em predictable plots and that's it. Formatted tastes from the audiences and fomatted results on screen. The audiences will provoke the collapse of creativity. That makes me puke, sorry.... I am in such distress.

Neither awfully bad nor fantastically good, Carnifex has the misfortune of being okay at best. That said, it is largely unmemorable when compared to other, similar films (Animal, Sasquatch, Exists, Bear Country), some of which may be more worthy of your time.

Grounding itself in a real-world tragedy (the 2020 bushfires that engulfed much of Australia), two biologists; Grace (Sisi Stringer) and Ben (Harry Greenwood), accompany a director, Bailey (Alexandra Park) into the bush, with the intention of raising awareness about endangered fauna.

Little do they realise, human interference has forced the Carnifex - a supposedly long-extinct animal - to move closer to civilization in search of food, with the three travelers wandering into its territory.

It should be said the film's locations look superb - the Australian wilderness looking especially beautiful. This tranquillity, along with the revelation that most Australian animals are nocturnal, means the film's first half, most of which is set during the day, does little to create tension or ambiance; two things almost entirely absent from the movie.

The film's editorial decisions - like cutting between two characters, revealing an almost mirror image of their conflict, is effective. Though characters are provided some minor development, at least to the extent we feel confident in their professionalism, they also suffer the brain-dead disease many in horror movies do.

The worst example of this is when an ultra-violet camera is used; one person is covering another, to make sure the creature is not around, and after using the camera for a second, they decide that using their eyes, in the pitch blackness of the night, is the better option.

Another major issue with the film is the monster itself. On one hand, I'll give credit to the filmmakers for creating something that not only looks quite amazing, but also appears like it could genuinely be part of the Australian ecosystem. That said, we never see the Carnifex until the last few minutes, and by that moment, it is too little too late.

Despite seeing a couple glimpses of shadow and silhouette during the introduction and the second act, it is difficult to create stakes when we don't know what we're meant to be afraid of. Many may recall the 'bigger boat' scene in Jaws, which happened around the movie's half-way mark; I think Carnifex needed something similar, because it is impossible to fear something that may be little bigger than a squirrel. It is not helped that the creature has a habit of changing its vocals on a whim, reducing its authenticity.

As a film that addresses the state of the Australian environment, Carnifex may be seen as a half decent project - however, a horror movie, this is surely not. Carnifex isn't so bad that it should remain extinct; but it is also unable to compete with other films that can genuinely make us afraid of entering the woods.