VALUTAZIONE IMDb
6,3/10
53.752
LA TUA VALUTAZIONE
Un gruppo di investigatori ed il loro supervisore viene sconvolto dalla rivelazione che la figlia teenager di uno di loro è stata brutalmente assassinata.Un gruppo di investigatori ed il loro supervisore viene sconvolto dalla rivelazione che la figlia teenager di uno di loro è stata brutalmente assassinata.Un gruppo di investigatori ed il loro supervisore viene sconvolto dalla rivelazione che la figlia teenager di uno di loro è stata brutalmente assassinata.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 3 candidature totali
Patrick Davis Alarcón
- Luis
- (as Patrick Davis)
Recensioni in evidenza
A murder case is reopened after 13 years by an obsessive investigator. No character development and a lack of chemistry between the two leads leaves it feeling two dimensional. The subtlety that the films title suggests is no where to be found. Add to that, a narrative that repeatedly chops and changes between the present (2015) and 2002 leaves you constantly checking for grey hair on Chiwetel Ejiofor's head. It leaves a clumsy mess of a movie. The one saving grace perhaps is the performance from Julia Roberts. Worth a watch, but if you want a masterpiece then watch the original version.
Hollywood has done it again! They have taken a successful and well made foreign film and produced a second rate theatrical release that has failed to create an impact that would be considered worthy of being mentioned in the same breathe as the original. The only thing that has saved Director Billy Ray's remake is the wealth of talent that he has been able to bring along for the ride. With a cast of prominent Oscar winners involved, 'Secret in their Eyes' should have been much more than what it ended up being - a struggling thriller that failed to boil.
I must admit that I am not familiar with the 2009 release of the Argentinian Oscar winning film, 'El secreto de sus ojos' so it would be unfair of me to directly compare the two but by all reports it is a thoroughly recommended thriller worthy of the accolades that it received at the time of its release. Because of its undoubted success, the wise and powerful elite from Movieland, felt compelled to make an English version that has been rewritten for the mass market but has forgotten one important lesson; big names doesn't mean great chemistry. In saying this though, the names of Roberts and Kidman do get the average punter to the box office and into the cinema. With very little time spent on marketing, a film like this is going to rely on the talent at hand but also must live up to expectations put upon it. Sadly it just lacked the atmosphere that puts the audience into a suspended trance whilst being on the edge of their seat.
'Secret in their Eyes' centres around a trio of characters that have their lives changed forever following a harrowing crime. Ray (Chiwetel Ejiofor) and Jess (Julia Roberts) are young investigators attached to an FBI task force based in Los Angeles not long after the tragic events of 9/11. Their main purpose is to weed out any threats of terrorism that might have a detrimental effect on the citizens of the city. Ray and Jess along with the rest of the task force have been focusing on a mosque that could be harbouring such extremist cells. The new assistant to the District Attorney, Claire (Nicole Kidman) has caught the eye of Ray and a very confusing courtship follows until an unforgettable incident happens in a garage next to the mosque that they have all been investigating. Thirteen years pass and the trio of Ray, Jess and Claire are reunited. Ray is now in private security, Jess is still with the Fed's and Claire is now the District Attorney of L.A. The events of the past have haunted all three but with Ray's determination, he relentlessly pursues the case that had such a disastrous affect on him personally, hoping for justice and to right the wrongs of the past.
'Secret in their Eyes' had such potential but it was let down by a story that cannot keep a constant flow. The narrative keeps moving back and forth from the past to the present without building any real tension. Billy Ray gives the audience too much credit in thinking that they are following the events presented to them and on many occasions you could be forgiven for being confused about which time line the film is actually in.
Roberts and Ejiofor are quite brilliant in their delivery of characters that are torn apart by a tragic event. Both are thoroughly convincing in their roles, fully engaged and manage to give the film some aspect of authenticity. It just goes to show how good these two actors really are. They are able to bring a solid performance to a narrative that lacks any evidence of a 'wow factor'. Unfortunately, Nicole Kidman cannot enjoy the same positive review for her performance. This is an actor that for too long has been over rated and her lack of skill and emotion comes to the surface alongside two outstanding craftspeople. Kidman struggles to look real. Her presence doesn't have any genuine warmth about it, and because of this, many scenes involving her character do seem a little overworked. Her relationship with Ejiofor's character, Ray, was supposed to create an atmosphere that would compliment the film on a whole. Instead, Ray and Claire seemed lifeless together and the courtship quickly became unrealistic.
All in all, 'Secret in their Eyes' is average without being anything special. Argentina's 'El secreto de sus ojos' will feel safe in knowing that it is by far the more superior version. Billy Ray's film simply is void of thrills and chemistry and without them the film suffers to find a pulse. At 111 minutes, viewers will be glad that it doesn't drag on more than it has to but if you want to see how brilliant actors are able to deliver rousing performances on a less than thrilling script then 'Secret in their Eyes' could be a fine example.
I must admit that I am not familiar with the 2009 release of the Argentinian Oscar winning film, 'El secreto de sus ojos' so it would be unfair of me to directly compare the two but by all reports it is a thoroughly recommended thriller worthy of the accolades that it received at the time of its release. Because of its undoubted success, the wise and powerful elite from Movieland, felt compelled to make an English version that has been rewritten for the mass market but has forgotten one important lesson; big names doesn't mean great chemistry. In saying this though, the names of Roberts and Kidman do get the average punter to the box office and into the cinema. With very little time spent on marketing, a film like this is going to rely on the talent at hand but also must live up to expectations put upon it. Sadly it just lacked the atmosphere that puts the audience into a suspended trance whilst being on the edge of their seat.
'Secret in their Eyes' centres around a trio of characters that have their lives changed forever following a harrowing crime. Ray (Chiwetel Ejiofor) and Jess (Julia Roberts) are young investigators attached to an FBI task force based in Los Angeles not long after the tragic events of 9/11. Their main purpose is to weed out any threats of terrorism that might have a detrimental effect on the citizens of the city. Ray and Jess along with the rest of the task force have been focusing on a mosque that could be harbouring such extremist cells. The new assistant to the District Attorney, Claire (Nicole Kidman) has caught the eye of Ray and a very confusing courtship follows until an unforgettable incident happens in a garage next to the mosque that they have all been investigating. Thirteen years pass and the trio of Ray, Jess and Claire are reunited. Ray is now in private security, Jess is still with the Fed's and Claire is now the District Attorney of L.A. The events of the past have haunted all three but with Ray's determination, he relentlessly pursues the case that had such a disastrous affect on him personally, hoping for justice and to right the wrongs of the past.
'Secret in their Eyes' had such potential but it was let down by a story that cannot keep a constant flow. The narrative keeps moving back and forth from the past to the present without building any real tension. Billy Ray gives the audience too much credit in thinking that they are following the events presented to them and on many occasions you could be forgiven for being confused about which time line the film is actually in.
Roberts and Ejiofor are quite brilliant in their delivery of characters that are torn apart by a tragic event. Both are thoroughly convincing in their roles, fully engaged and manage to give the film some aspect of authenticity. It just goes to show how good these two actors really are. They are able to bring a solid performance to a narrative that lacks any evidence of a 'wow factor'. Unfortunately, Nicole Kidman cannot enjoy the same positive review for her performance. This is an actor that for too long has been over rated and her lack of skill and emotion comes to the surface alongside two outstanding craftspeople. Kidman struggles to look real. Her presence doesn't have any genuine warmth about it, and because of this, many scenes involving her character do seem a little overworked. Her relationship with Ejiofor's character, Ray, was supposed to create an atmosphere that would compliment the film on a whole. Instead, Ray and Claire seemed lifeless together and the courtship quickly became unrealistic.
All in all, 'Secret in their Eyes' is average without being anything special. Argentina's 'El secreto de sus ojos' will feel safe in knowing that it is by far the more superior version. Billy Ray's film simply is void of thrills and chemistry and without them the film suffers to find a pulse. At 111 minutes, viewers will be glad that it doesn't drag on more than it has to but if you want to see how brilliant actors are able to deliver rousing performances on a less than thrilling script then 'Secret in their Eyes' could be a fine example.
Having read all the negative and Luke warm reviews, it was with some trepidation that I we went to see this film, now I haven't seen the Argentine original, but I did enjoy this one! Kept my interest the whole time, all the leads were strong and believable, never a big Julia Roberts fan, she was outstanding in this, I certainly don't agree with the reviewers that said Nicole Kidman was miscast, I thought she was excellent, you don't get to be an A grade Academy Award winner by being a bad actress! Perhaps it's not as good as the original are they ever? But it stands on it's own, and would be in my top ten for this year ,not that it has a lot to beat? Far as I could tell, everyone in the theater enjoyed it! Hey! It's a movie, not brain surgery!
If you haven't seen "El Segreto de sus ojos" I beg you to stop reading and go check it out, it is, in my opinion, one of those rare and pure thrillers that keeps you glued to the screen for two hours. Yet, despite loving the original, I wasn't going into this one ready to bitch about it. I am someone who is very sniffy about remakes, but hey if you have an fascinating premise that can be explored through various styles and dynamics I am all for it. Especially in this case, I think that keeping some of the core material and turning other parts completely around could have made for a fascinating narrative, unfortunately the American remake, with the exception of maybe two or three ides, doesn't improve, explore or further the original in anyway and sometimes even edges the shot-by-shot remake treatment.
Look, this isn't a terrible thriller, but the emotional beats you are carried through are just the same of the original, it really seemed to be watching a cheap version of it. It is way too reminiscent of the original and at some moments I really felt exactly when I saw it. Whilst at other moments I kind of felt sorry for the remake because it doesn't manage to replicate some of the amazing photography the first one had and actually miserably fails: this film has some really, noticeably cheap cinematography and editing.
The performances are all kind of off beat. Julia Roberts is definitely the best one, even though she also has some low points. The rest of the cast is just flat honestly. Nobody even tries to come in and give it some palpable passion. The film is also inconsistent with tone and I am not sure they understood the fascination of the original because a lot of the focus points are just sidelined or shoehorned in.
That's also a real bummer, because the film does have just a couple of good ideas that aren't simply built on. They tread too much of the same ground and do it in a way that is simply too familiar. I can maybe think of one thing that was improved upon and that is mainly thanks to Julia Roberts' talent. The score is something that positively sticks out and probably the purest good thing to come out of the film.
In the end we are treated to a fine thriller that doesn't live up to its potential and only manages to justify its length thanks to memories of the original and the same emotions instead of relevant improvement and originality.
Look, this isn't a terrible thriller, but the emotional beats you are carried through are just the same of the original, it really seemed to be watching a cheap version of it. It is way too reminiscent of the original and at some moments I really felt exactly when I saw it. Whilst at other moments I kind of felt sorry for the remake because it doesn't manage to replicate some of the amazing photography the first one had and actually miserably fails: this film has some really, noticeably cheap cinematography and editing.
The performances are all kind of off beat. Julia Roberts is definitely the best one, even though she also has some low points. The rest of the cast is just flat honestly. Nobody even tries to come in and give it some palpable passion. The film is also inconsistent with tone and I am not sure they understood the fascination of the original because a lot of the focus points are just sidelined or shoehorned in.
That's also a real bummer, because the film does have just a couple of good ideas that aren't simply built on. They tread too much of the same ground and do it in a way that is simply too familiar. I can maybe think of one thing that was improved upon and that is mainly thanks to Julia Roberts' talent. The score is something that positively sticks out and probably the purest good thing to come out of the film.
In the end we are treated to a fine thriller that doesn't live up to its potential and only manages to justify its length thanks to memories of the original and the same emotions instead of relevant improvement and originality.
This is a rare beast a remake that is actually pretty good. Although it it isn't as good as the original, lacking the slow burn nature of it, it's still a well made and entertaining film.
It's pretty similar to the original but the shorter running time means it's faster paced which does diminish it's substance.
What makes this worth watching even for those who have seen the original is the acting. It boasts a top rate cast with Chiwetel Ejiofor and Julia Roberts particularly good.
For those who have seen the original this will hold no surprises but for those who haven't seen it, it is well worth watching with a great ending.
It's pretty similar to the original but the shorter running time means it's faster paced which does diminish it's substance.
What makes this worth watching even for those who have seen the original is the acting. It boasts a top rate cast with Chiwetel Ejiofor and Julia Roberts particularly good.
For those who have seen the original this will hold no surprises but for those who haven't seen it, it is well worth watching with a great ending.
Lo sapevi?
- QuizThe film's cinematographer Daniel Moder is the husband of Julia Roberts. This marks their third collaboration.
- BlooperIn both scenes where Ray and Bumpy spot Pac-Man, first in the horse stable and again at the baseball game, Ray calls out to him, giving him the heads-up and thus causing him to get away. Why on earth would a seasoned cop give the suspect a warning before he could subdue him?
- Citazioni
Jess: Life sentence, right?
Ray Kasten: For you, too.
- ConnessioniFeatured in Conan: Chiwetel Ejiofor/Phil Rosenthal/Sean Donnelly (2015)
- Colonne sonoreHaunted
Performed by Maty Noyes
Written by Stephan Moccio, Maty Noyes and Billy Ray
Engineered by Jay Paul Bicknell
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Secretos de una obsesión
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 19.500.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 20.180.155 USD
- Fine settimana di apertura Stati Uniti e Canada
- 6.652.996 USD
- 22 nov 2015
- Lordo in tutto il mondo
- 34.854.990 USD
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