La meravigliosa storia di Henry Sugar

The Wonderful Story of Henry Sugar is a great short film that doesn't waste a second of its shorter run time and definitely works as a short film in a way a feature length film simply cannot. The energy, the pace and the complexity comes together so well in an exhilarating, immaculate story of kindness.

Unusually, this is a cast who are mostly new to the world of Wes but Benedict Cumberbatch, Dev Patel and Ben Kingsley are note perfect here in a way that hopefully results in many more future collaborations. Richard Ayoade on the other hand, feels surprisingly underutilised.

Wes Anderson has never had more control of the frame or everything inside it. It's standard issue that it's going to be gorgeous to look at and rife with detail but the real strength of his direction here is the way it's able to feel so theatrical in its construction yet still be inherently cinematic.

As much as this is pure Uncut 1100% pure white as the driven snow Wes Anderson, including one of his most thrilling tracking shots and rear-screen projection that made me laugh hard enough for the neighbors to sit up and probably want to check it out for themselves, it is also a perfect distillation of Roald Dahl's perfectly eccentric and wildly over-elaborate storytelling and construction of one plot into another.

Maybe you haven't read Dahl in a while if you were one of those kids who read him a lot (I know he has a reputation today, but he could objectively write comedy and quirk like nobody's business), but even if that's so the recognition of his voice will come back to you like a long dormant dream. It's also fascinating to see the clockwork-theatrical staging from Asteroid City taken even further. I'd ask him why he doesn't direct theater, but then he would look at me like I was a fool - why do that when he has the overwhelming power of control of the Frame of Cinema at his disposal?

The thing about this Henry Sugar film that I like on top of the perfectly calibrated balancing act between very human comedy and quixotic and deadpan fantasy that we know Anderson can do in his sleep (though I imagine as easy as it looks it takes a lot of concentration to get right with DP Yeoman), the performances are just right and add to the flavor of the piece. Call it shallow, but I just enjoy how soothing the voices of Cumberbatch, Dev Patel, Kingsley and even to an extent Fiennes are, like they could almost be ASMR-ing you with the Dahl words that get spun like a marathon sprinter who is running in this precision that dazzles you because it almost is inexplicable (just like, I might posit for comparison, what the men can see with their eyes closed after concentrating hard for days and years on end).

Last but not least: Benedict Cumberbatch in a dress = most unlikely kind of attractive walking cartoon in a dress since Bugs Bunny.

This is exactly Wes Anderson style! Same colors, angles, another Wes Anderson film star in a side role.. I enjoyed it and never get bored. The story was unbelievable and quite fluent. Also see Benedict in a Wes Anderson movie just wonderfull. So far, so good but i think the director should try new methods because everything was same. Think like a Grand Budapest Hotel but shorter this time! If even one thing changes, the films will be more distinctive and unique in themselves. Still, that doesn't mean the movie shouldn't be given a chance. If you like Wes Anderson's style, you must give a chance.

"This is a terrific piece of book-to-film adaptation", I cried. "I read the book in preparation for the film and I can say with utmost certainty that...", I drank a cup of water to catch my breath, "...that almost every piece of dialogue in the film, not counting the name changes, are almost word for word from the book", I stood up from my chair and slowly applauded for the film, "Indubitably Anderson's most loquacious and experimental work to date. The way he plays with the medium of storytelling is admirable at least. Unfortunately this unorthodox storytelling style is not for every sophisticated individual in the planet", I sat down and happily sighed. "I hope to see this marvelous short film again in the future"

If Wes Anderson decided to pen a bedtime story, it might just look like "The Wonderful Story of Henry Sugar." This 38-minute marvel weaves a tapestry of mystery and whimsy that leaves you both tickled and intrigued.

This isn't a full-blown comedy, but it certainly doesn't shy away from its share of wry humor. The script sprinkles witty quips and playful moments throughout the tale, giving the audience some delightful chuckles. It's a nod to Anderson's signature style - a dash of quirkiness that keeps you grinning.

Benedict, in his first foray into Anderson's cinematic world, shines as Henry Sugar. His portrayal adds depth to this peculiar character, and he's complemented by a stellar supporting cast who bring their own unique flair to the story.

"The Wonderful Story of Henry Sugar" exudes a distinct theatrical vibe. The set design and the way the scenes are presented feel like a live theater performance. It's a refreshing departure from the conventional cinematic experience, adding a layer of whimsical charm.

This film doesn't aim to tug at your heartstrings or deliver profound messages; it's here to entertain. It's a bedtime story for the child in all of us, a light-hearted adventure that captivates without overwhelming.

In true Wes Anderson fashion, "The Wonderful Story of Henry Sugar" dances to its own whimsical tune, making it a delightful short film that transports you to a world where the ordinary becomes extraordinary.