Gli eccentrici membri di una famiglia non convenzionale si riuniscono malvolentieri sotto lo stesso tetto per varie ragioni.Gli eccentrici membri di una famiglia non convenzionale si riuniscono malvolentieri sotto lo stesso tetto per varie ragioni.Gli eccentrici membri di una famiglia non convenzionale si riuniscono malvolentieri sotto lo stesso tetto per varie ragioni.
- Candidato a 1 Oscar
- 11 vittorie e 46 candidature totali
Alec Baldwin
- Narrator
- (voce)
Irina Gorovaia
- Young Margot Tenenbaum
- (as Irene Gorovaia)
Arianna Turturro
- Young Richie Tenenbaum
- (as Amedeo Turturro)
Recensioni in evidenza
Movies like this don't get made anymore. A full cast of expert actors, a director with complete artistic license. Usually the artistic nature of a film is controlled when the cast is this packed full of talent.
Anderson usually has problems meshing the pacing and rhythms of his stories with his specific style, but not in this one. This one works like a charm. One of my top 10 favorite movies.
Anderson usually has problems meshing the pacing and rhythms of his stories with his specific style, but not in this one. This one works like a charm. One of my top 10 favorite movies.
Royal Tenenbaum (Gene Hackman) left his family. Etheline (Anjelica Huston) raised their three children as oddball geniuses. Twenty two years later, their early successes are now old memories. Chas (Ben Stiller) is a death-obsessed widowed father to Ari and Uzi. Richie (Luke Wilson) is a former tennis champ in love with his adopted sister Margot (Gwyneth Paltrow). Their neighbor childhood friend Eli Cash (Owen Wilson) is now a successful writer and professor. Margot is married to neurologist Raleigh St. Clair (Bill Murray). Etheline is asked by her friend Henry Sherman (Danny Glover) to get marry. Royal is broke. After finding out about the proposal, he tries to inject himself into the family by telling them that he's dying.
Director Wes Anderson starts his journey to discover his unique style. I love the visual concept of what he's doing. I don't particularly like the characters or their story. I don't find it funny but I do like the unique style. This is a wacky dysfunctional family that doesn't make me laugh.
Director Wes Anderson starts his journey to discover his unique style. I love the visual concept of what he's doing. I don't particularly like the characters or their story. I don't find it funny but I do like the unique style. This is a wacky dysfunctional family that doesn't make me laugh.
I loved this film.
The Tenenbaum's dysfunction (while amplified for the screen) is quite an accurate portrayal of family life. Families are, essentially, groups of people living in each other's pockets, and, invariably, those people who love you and hate you the most.
Don't get me wrong, Royal and his (thermo)nuclear family of brilliant buffoons do not represent my family (or any other in the world I think!) but the family united against a miscreant father is a motif a lot of people can understand. It is this common humanity that really appeals to me as a film watcher, and what, ultimately made this film so very memorable to me.
The ensemble cast is astonishingly proficient. They all lend a perfect quirkiness to the roles. Anjelica Houston is the perfect former Mrs Royal Tenenbaum, down to the smallest nuance, Ben Stiller and Luke Wilson turn in wonderful performances, and this is the only role I've seen Gwenyth Paltrow in where I actually thought she was someone other than Gwenyth Paltrow (this is not an insult, it's just that people don't always do it for everyone, you know...?). Bill Murray, Gene Hackman, Owen Wilson, all excellent, all the time.
The black comedy counterbalanced with the drama of the issues raised in this film left me feeling like I'd witnessed a film event, rather than just another film. I loved every frame of it, from the Baldwin narrated opening, to the final tying up of ends. It never dwelled on melodrama, or the more potentially unsavoury elements, and it didn't sink into the schmaltzy "We all love each other" end it could well have. It began perfectly, and it ended perfectly.
I can't recommend this movie more highly. It's a must see for anyone who loves quirky and emotive storytelling, great characters and beautiful dialogue.
10/10
The Tenenbaum's dysfunction (while amplified for the screen) is quite an accurate portrayal of family life. Families are, essentially, groups of people living in each other's pockets, and, invariably, those people who love you and hate you the most.
Don't get me wrong, Royal and his (thermo)nuclear family of brilliant buffoons do not represent my family (or any other in the world I think!) but the family united against a miscreant father is a motif a lot of people can understand. It is this common humanity that really appeals to me as a film watcher, and what, ultimately made this film so very memorable to me.
The ensemble cast is astonishingly proficient. They all lend a perfect quirkiness to the roles. Anjelica Houston is the perfect former Mrs Royal Tenenbaum, down to the smallest nuance, Ben Stiller and Luke Wilson turn in wonderful performances, and this is the only role I've seen Gwenyth Paltrow in where I actually thought she was someone other than Gwenyth Paltrow (this is not an insult, it's just that people don't always do it for everyone, you know...?). Bill Murray, Gene Hackman, Owen Wilson, all excellent, all the time.
The black comedy counterbalanced with the drama of the issues raised in this film left me feeling like I'd witnessed a film event, rather than just another film. I loved every frame of it, from the Baldwin narrated opening, to the final tying up of ends. It never dwelled on melodrama, or the more potentially unsavoury elements, and it didn't sink into the schmaltzy "We all love each other" end it could well have. It began perfectly, and it ended perfectly.
I can't recommend this movie more highly. It's a must see for anyone who loves quirky and emotive storytelling, great characters and beautiful dialogue.
10/10
I think if someone tries to watch a Wes Anderson film, they have to have a certain kind mind to understand the real meaning of them. After being awed by the Royal Tenenbaums, I left with a certain kind of joy that only a great film can give me. It's like flying an electric kite, it's that hard of a buzz. As I began my travel down the stairs of the theater, I heard this couple talking about how stupid the movie was, and how they are going to ask for a refund. I suddenly smiled, because I hoped that they would get one. I think that I got something out of the film that they didn't. That inside the frames of the movie I felt like I was in good company and had a understanding for the material that they didn't. What is so good about the Royal Tenenbaums? The great detail in every frame, from the costumes (and they really are costumes)to the design of Chas, Margot, and Richie rooms and the house. This is brilliant film on every level, a delight for the senses and for the mind. This movie makes you think, and without giving too much away there is a lot of surprises that come from the characters dialogue and their past. High kudos go to Luke Wilson, I loved his performance as the suffering Richie. If you loved Rushmore, there is no doubt that you will love this film because it is at par with it, except that its a bit darker in tone. I think its funny that way that people look at film, we each love or hate a film based on our own perception(and mind there are people who just watch film for entertainment). So if you have a complicated mind and you enjoy watching a challenging film, then the Royal Tenenbaums is for you. As for me, I plan on watching it again so I find more things to love about it. Thank you Wes Anderson, so much. You made laugh, you made me smile and I cried. A thousand times, thank you!
10dafoat
I loved this movie the first time I saw it. And it grows on me a little bit every time I rewatch it. It's like going to visit an old friend's house. Anderson did such a marvelous job building this odd little world. It's just one indelible image after another. Gene Hackman is just marvelous. And that shot of Margot getting off the bus.
Wes Anderson Films as Ranked by IMDb Rating
Lo sapevi?
- QuizThe hand that is seen with the BB lodged between its knuckles is not Ben Stiller's, but Andrew Wilson's, brother of Owen Wilson and Luke Wilson. When they were children, Owen fired a BB gun at Andrew's hand and the BB has been there ever since.
- BlooperArtist Elliott Puckette's name is badly misspelled in the credits (her paintings appear in the film).
- Curiosità sui creditiThe film title first appears on a library book being checked out, then several of the books are seen, and finally the book cover becomes a title card.
- Versioni alternativeThe version shown at the New York Film Festival and some other pre-release screenings used the original Beatles version of "Hey Jude" for the opening introduction. The final version used a new instrumental recording of the song arranged by Mark Mothersbaugh and performed by his Mutato Muzika Orchestra.
- Colonne sonoreHey Jude
Written by John Lennon and Paul McCartney
Published by Sony/ATV Tunes LLC
Produced by Mark Mothersbaugh
Performed by The Mutato Muzika Orchestra
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
24 Frames From Wes Anderson Films
24 Frames From Wes Anderson Films
Explore the memorable career of Wes Anderson through 24 stills from his movies.
Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Los excéntricos Tenenbaums
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 21.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 52.364.010 USD
- Fine settimana di apertura Stati Uniti e Canada
- 276.981 USD
- 16 dic 2001
- Lordo in tutto il mondo
- 71.446.091 USD
- Tempo di esecuzione
- 1h 50min(110 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti