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6,4/10
89.539
LA TUA VALUTAZIONE
Quando un pazzo inizia a commettere orribili omicidi ispirati alle opere di Edgar Allan Poe, un giovane detective di Baltimora collabora con Poe per impedirgli di trasformare le sue storie i... Leggi tuttoQuando un pazzo inizia a commettere orribili omicidi ispirati alle opere di Edgar Allan Poe, un giovane detective di Baltimora collabora con Poe per impedirgli di trasformare le sue storie in realtà.Quando un pazzo inizia a commettere orribili omicidi ispirati alle opere di Edgar Allan Poe, un giovane detective di Baltimora collabora con Poe per impedirgli di trasformare le sue storie in realtà.
- Premi
- 5 candidature totali
Kevin McNally
- Maddux
- (as Kevin R. McNally)
Recensioni in evidenza
On October 3, 1849 Edgar Allan Poe was found wandering the streets of Baltimore, delirious, calling out the name Reynolds. There have been lots of theories as to what Poe died of, from tuberculosis, rabies or to a drunken bender. "The Raven" puts forth a more romantic theory and a detective story for the man who invented the modern detective novel.
"The Raven" as a movie demonstrates that you can make a movie that bridges the biographical facts of Poe's life and its own artistic vision and still make an interesting movie. The movie is driven by the premise, a serial killer starts a series of killings in Baltimore that emulate some of the more gruesome murders in Poe's stories. When the first murder is done inside a locked room, police detective Fields (Luke Evans) recognizes it as the setting of an Edgar Allan Poe story. Fields brings in Poe (John Cusack) at first as suspect, but when another murder occurs Poe quickly becomes the first criminal profiler and consultant. Poe helps Fields both in what kind of mind the killer may have and of course in the details from his stories. The killer kidnaps Poe's girlfriend Emily (Alice Eve) with the killer promising clues as to Emily's whereabouts with each new murder he commits.
The filmmakers, director James McTeigue and writers Ben Livingstone and Hannah Shakespeare don't try to recast Poe's character as a superhero or give the movie Poe attributes that the real Poe didn't or couldn't possess. As mentioned before, the filmmakers stick fairly accurately to the known elements of Poe's last few days, although there are some artistic liberties taken, and they still present an entertaining movie with a few twists and turns as to who the murderer is.
Cusack is spot on as Poe from his look, thin with a black mustache and goatee, to (more importantly) Poe's character. Poe was a writer who had the ultimate confidence in his own abilities as a writer and was dismissive of his contemporaries, especially if they were more successful. Cusack is supported by a cast that hits every note right.
If you think a movie about Edgar Allan Poe won't have enough action for you, this is a movie for you. If you're more literary minded and think this movie will have too many inaccuracies or violate Poe's character or will throw in too much action, you won't be disappointed.
"The Raven" as a movie demonstrates that you can make a movie that bridges the biographical facts of Poe's life and its own artistic vision and still make an interesting movie. The movie is driven by the premise, a serial killer starts a series of killings in Baltimore that emulate some of the more gruesome murders in Poe's stories. When the first murder is done inside a locked room, police detective Fields (Luke Evans) recognizes it as the setting of an Edgar Allan Poe story. Fields brings in Poe (John Cusack) at first as suspect, but when another murder occurs Poe quickly becomes the first criminal profiler and consultant. Poe helps Fields both in what kind of mind the killer may have and of course in the details from his stories. The killer kidnaps Poe's girlfriend Emily (Alice Eve) with the killer promising clues as to Emily's whereabouts with each new murder he commits.
The filmmakers, director James McTeigue and writers Ben Livingstone and Hannah Shakespeare don't try to recast Poe's character as a superhero or give the movie Poe attributes that the real Poe didn't or couldn't possess. As mentioned before, the filmmakers stick fairly accurately to the known elements of Poe's last few days, although there are some artistic liberties taken, and they still present an entertaining movie with a few twists and turns as to who the murderer is.
Cusack is spot on as Poe from his look, thin with a black mustache and goatee, to (more importantly) Poe's character. Poe was a writer who had the ultimate confidence in his own abilities as a writer and was dismissive of his contemporaries, especially if they were more successful. Cusack is supported by a cast that hits every note right.
If you think a movie about Edgar Allan Poe won't have enough action for you, this is a movie for you. If you're more literary minded and think this movie will have too many inaccuracies or violate Poe's character or will throw in too much action, you won't be disappointed.
This is a clever, well-made movie, but I think there are a couple of things that stop it from being better than it is.
The story is not dissimilar to David Fincher's "Seven", in that case it was killings inspired by the seven deadly sins while in "The Raven", a serial killer creates gory scenarios based on the stories of Edgar Allen Poe.
Inspector Emmett Fields, played by Luke Evans, while investigating a bizarre double murder, realises that it has a connection to a story by Edgar Allen Poe. He engages the author to help him find the killer. Poe, played by John Cusack, is hesitant at first, but soon throws himself into the hunt, forming an alliance with Fields.
The killer's true intentions become a little clearer when Poe's Fiancée, Emily, played by Alice Eve, is kidnapped. Kept in a coffin, she is tormented by her captor. Eventually, Poe works out who the killer is, and strikes a deadly deal in exchange for Emily's life.
I think John Cusack struggles to find the right balance for Poe. Admittedly, he is more settled in the role by the end of the movie, but he knocks it off balance with some early drunk scenes with lots of yelling; actors portraying people who are drunk are almost as annoying as people who are drunk. His performance is uneven, especially in his affection for Emily - he seems oddly unconvincing in some scenes although he says he would sacrifice his life for her. Luke Evans, with a far more understated performance, steals the show as Inspector Fields.
Visually brilliant, the film features ever more elaborate techniques to dispose of the killer's victims, The ingenuity and the amount of work involved would have required a crew the size of the one that built the Panama Canal, however, with a movie such as this, suspension of disbelief definitely helps with the enjoyment level.
For a while, I thought the identity of murderer was going to be either a disappointment or far too obvious, simply because not too many characters are introduced into the story; an unwritten rule of crime movies is that no one is introduced into a plot without reason. My fears were groundless; the ending works brilliantly, and is far more satisfying than is often the case.
Although "The Raven" has similarities to "Seven", it doesn't have the darkness or the hide-behind-your-finger's tension of that masterpiece of horror. With that said however, as serial killer movies go, "The Raven" is definitely a 'cut' above the average.
The story is not dissimilar to David Fincher's "Seven", in that case it was killings inspired by the seven deadly sins while in "The Raven", a serial killer creates gory scenarios based on the stories of Edgar Allen Poe.
Inspector Emmett Fields, played by Luke Evans, while investigating a bizarre double murder, realises that it has a connection to a story by Edgar Allen Poe. He engages the author to help him find the killer. Poe, played by John Cusack, is hesitant at first, but soon throws himself into the hunt, forming an alliance with Fields.
The killer's true intentions become a little clearer when Poe's Fiancée, Emily, played by Alice Eve, is kidnapped. Kept in a coffin, she is tormented by her captor. Eventually, Poe works out who the killer is, and strikes a deadly deal in exchange for Emily's life.
I think John Cusack struggles to find the right balance for Poe. Admittedly, he is more settled in the role by the end of the movie, but he knocks it off balance with some early drunk scenes with lots of yelling; actors portraying people who are drunk are almost as annoying as people who are drunk. His performance is uneven, especially in his affection for Emily - he seems oddly unconvincing in some scenes although he says he would sacrifice his life for her. Luke Evans, with a far more understated performance, steals the show as Inspector Fields.
Visually brilliant, the film features ever more elaborate techniques to dispose of the killer's victims, The ingenuity and the amount of work involved would have required a crew the size of the one that built the Panama Canal, however, with a movie such as this, suspension of disbelief definitely helps with the enjoyment level.
For a while, I thought the identity of murderer was going to be either a disappointment or far too obvious, simply because not too many characters are introduced into the story; an unwritten rule of crime movies is that no one is introduced into a plot without reason. My fears were groundless; the ending works brilliantly, and is far more satisfying than is often the case.
Although "The Raven" has similarities to "Seven", it doesn't have the darkness or the hide-behind-your-finger's tension of that masterpiece of horror. With that said however, as serial killer movies go, "The Raven" is definitely a 'cut' above the average.
It's a 6 for me. If you are going to make a fictional movie about a real character I think you should really just go for it, make it original, and use some imagination. Edgar Allen Poe seems like a great character to use as inspiration for a very dark, evil, twisted movie. This wasn't one of those.
Cusack as Poe, was OK, not great, not horrible but just OK. The story is one I have seen a few times before. The whole author writes something, serial killer uses it as a blueprint, suddenly the writer is called in and that was the killers plan all along and it becomes personal. Yawn. There was so much potential for this movie, and they turned it in to a played out old story line.
It wasn't bad. After the first ten minutes I figured the rest was going to be a torture to watch. It did get somewhat better, but never rose above OK.
Cusack as Poe, was OK, not great, not horrible but just OK. The story is one I have seen a few times before. The whole author writes something, serial killer uses it as a blueprint, suddenly the writer is called in and that was the killers plan all along and it becomes personal. Yawn. There was so much potential for this movie, and they turned it in to a played out old story line.
It wasn't bad. After the first ten minutes I figured the rest was going to be a torture to watch. It did get somewhat better, but never rose above OK.
Well, not much to say about this movie really. It's not bad but it's definitely nothing memorable or impressive to watch either. It's all being good and entertaining enough to keep watching but by the end of it you won't feel like you got an awful lot out of the movie.
I think that the biggest problem of the movie is that it's being a very straightforward mystery/thriller, which at the same time also makes it a very standard and formulaic one. Normally I would complain when a movie has too many distractions in it but in this case it most likely wouldn't had harmed this movie. Some more character, or some more different story lines would had perhaps made this movie a more interesting one.
The movie now becomes a bit tiresome after a while. There is not enough variation and the movie just never really manages to become a tense one, with any of its mystery or thriller elements. Who knows, maybe it also was the movie its low budget that prevented it from ever making a real impact and the reason why the movie seems to be lacking the right required type of atmosphere.
A problem of the movie also lies with its main character. No, I'm not saying that John Cusack is a poor actor in this movie but his character simply isn't being a good or interesting enough. There was so much they could had done, after all he plays Edgar Allan Poe in this movie but it feels as if the film-makers were holding back with just about everything and decided to play things safe, making this a very standard and therefore also predictable little movie.
No it's not a horrible movie to watch but just a movie that offers far too little to its viewers.
6/10
http://bobafett1138.blogspot.com/
I think that the biggest problem of the movie is that it's being a very straightforward mystery/thriller, which at the same time also makes it a very standard and formulaic one. Normally I would complain when a movie has too many distractions in it but in this case it most likely wouldn't had harmed this movie. Some more character, or some more different story lines would had perhaps made this movie a more interesting one.
The movie now becomes a bit tiresome after a while. There is not enough variation and the movie just never really manages to become a tense one, with any of its mystery or thriller elements. Who knows, maybe it also was the movie its low budget that prevented it from ever making a real impact and the reason why the movie seems to be lacking the right required type of atmosphere.
A problem of the movie also lies with its main character. No, I'm not saying that John Cusack is a poor actor in this movie but his character simply isn't being a good or interesting enough. There was so much they could had done, after all he plays Edgar Allan Poe in this movie but it feels as if the film-makers were holding back with just about everything and decided to play things safe, making this a very standard and therefore also predictable little movie.
No it's not a horrible movie to watch but just a movie that offers far too little to its viewers.
6/10
http://bobafett1138.blogspot.com/
I was not sure what to expect from this film, but seeing as how I could borrow it for free I would watch it. Turns out it was a really good movie as it featured a fine performance from John Cusack as Edgar Allen Poe, a nice kill here and there and a nice mystery to try and unravel. I am surprised that it did not perform better at the theaters as it was a nice change of pace from all the comic book films I usually watch.
The story has Edgar returning to Baltimore at a time a gruesome murder is taking place. One that seems to be a copy of his work "Murders in the Rue Morgue". Other heinous crimes occur, all seeming to be based off Poe's work. Poe becomes the prime suspect, but the investigator on the case soon realizes it is not the troubled author so he soon enlists Poe's help to try and find the person responsible. Unfortunately for Poe, this killer soon brings Poe in directly by kidnapping Poe's beloved and challenges Poe to find her before she dies.
I liked the cat and mouse of the game as the investigator and Poe try to solve the killer's bizarre and twisted clues to learn his identity before it is too late. I was not sure what to expect from the film, but it turned out to be a very dark and a bit of a sad film. John Cusack did great as Poe, but all of the cast did a fine job. They also did a nice job of recreating Baltimore in the time period this film takes place. I am sure if I really looked I could find a mistake or two, but I never really try to look for anachronisms when watching a movie unless it is like totally obvious or the movie is not good.
So all in all a good mystery type movie with some horror elements in it. The best death was a bit early in the film, it being the one that copied the Poe story "The Pit and the Pendulum". None of the other deaths were quite as graphic as it. However, the film's story was good enough that I did not need to see a bunch of over the top brutality.
The story has Edgar returning to Baltimore at a time a gruesome murder is taking place. One that seems to be a copy of his work "Murders in the Rue Morgue". Other heinous crimes occur, all seeming to be based off Poe's work. Poe becomes the prime suspect, but the investigator on the case soon realizes it is not the troubled author so he soon enlists Poe's help to try and find the person responsible. Unfortunately for Poe, this killer soon brings Poe in directly by kidnapping Poe's beloved and challenges Poe to find her before she dies.
I liked the cat and mouse of the game as the investigator and Poe try to solve the killer's bizarre and twisted clues to learn his identity before it is too late. I was not sure what to expect from the film, but it turned out to be a very dark and a bit of a sad film. John Cusack did great as Poe, but all of the cast did a fine job. They also did a nice job of recreating Baltimore in the time period this film takes place. I am sure if I really looked I could find a mistake or two, but I never really try to look for anachronisms when watching a movie unless it is like totally obvious or the movie is not good.
So all in all a good mystery type movie with some horror elements in it. The best death was a bit early in the film, it being the one that copied the Poe story "The Pit and the Pendulum". None of the other deaths were quite as graphic as it. However, the film's story was good enough that I did not need to see a bunch of over the top brutality.
Lo sapevi?
- QuizThe film posits a fictional representation of the last days in the life of Edgar Allan Poe. In reality, no one actually knows how Poe spent his last days, his death being shrouded in mystery. He was found, delirious, on the streets of Baltimore on October 3, 1849, wearing clothes that were not his own. On the night before his death, he was reported to have repeatedly called out the name "Reynolds." He died on October 7, 1849, as depicted in the film. All medical records, including his death certificate, have been lost.
- BlooperIvan, the typesetter, tells Poe that he is the writer's biggest fan. The word "fan" (short for "fanatic") would not be used in this sense until the late 1880s.
- ConnessioniFeatured in Projector: The Raven (2012)
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Dettagli
Botteghino
- Budget
- 26.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 16.008.272 USD
- Fine settimana di apertura Stati Uniti e Canada
- 7.289.642 USD
- 29 apr 2012
- Lordo in tutto il mondo
- 29.699.345 USD
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