The High Cost of Living
- 2010
- 1h 32min
Aggiungi una trama nella tua linguaZach Braff and Isabelle Blais star in this thought-provoking drama about two lives that randomly collide with tragic consequences forcing them to confront loss; love and life and decide if t... Leggi tuttoZach Braff and Isabelle Blais star in this thought-provoking drama about two lives that randomly collide with tragic consequences forcing them to confront loss; love and life and decide if the high cost of living is worth the price.Zach Braff and Isabelle Blais star in this thought-provoking drama about two lives that randomly collide with tragic consequences forcing them to confront loss; love and life and decide if the high cost of living is worth the price.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria in totale
- Student
- (as Victor Andres Trelles Turgeon)
Recensioni in evidenza
There is something about this kind of slice-of-life movie with a major hook--in this case a car accident and an injury--that makes you want to watch. And here we have a rather realistic depiction of working class Montreal which is interesting as a backdrop, unromanticized.
The two leading characters, a Francophone Canadian and an Anglophone New Yorker transplanted to the city, are equally realistic. They find themselves needing, and helping, each other to get through the crisis. You grow gradually to like them just as they slowly learn to like each other, though whether a romance comes out of it is always in doubt.
But this isn't quite enough to sustain a full length movie. There is no significant secondary plot, there is no terrific surprise or second phase after the first problem gets resolves. Instead, the main problem (which I'm trying not to give away) is stretched to cover the whole extent and so it gets slow. Often.
It's interesting enough you stick with it, but you'll wish for me. I think it's probably true a different pair of leads--including the more famous Zach Braff--could energize or give depth to the role in a way that would fulfill us all better. And the situation they find themselves in is actually fascinating--a little dramatic and unlikely, yes, but leading to an inevitable climax. The relationship grows with delicacy but little emotional complexity.
Until the last scene, which is a beautiful way to bring it all to a close.
The story makes us remember of 21 grams without a so specific direction. I would say, its a good movie but nothing in ordinary about it even though the main idea was unique ( I personally never heard about it ), it seems that Deborah didn't show anything specific about her way to direct, but she's maybe too young for that..
Lots of cliché , the direction don't give us any chance to be surprise, in contrary it's pretty sad how much everything we expect to happen, happens.. I was pretty disappointed about some scene which were too neutral, without any emotion contrary of what we could expected.
Isabelle Blais' performance is amazing. My heart was breaking watching her, she was so good. I really felt her pain. I really wanted to hate Braff's character, he's not necessarily the most stellar human being – but he's oddly likable.
I loved the quietness of the film. Its character driven, and reminded me of the Hal Hartley films I loved when I was younger.
I'll be looking out for Deborah Chow's next offering. This has gone into my favourite all-time films.
Second, the narration of the story was well done and I think there was nothing else to ad, of course the ending leave me hanging because I wanted to know what was going to happen next but nevertheless was a terrific ending. I just wish the movie could show all of that on the rating, the current one doesn't make it justice. I highly recommend it!
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Henry Welles: You think I'd be willing to spend the rest of my life in jail because of an accident? Don't give me that much credit, I'm not that big of a man. I came back because of you, I came back because I knew if I didn't stand in front of you and apologize I wouldn't ever be able to live with myself. Now I don't know if that's conscience or love, but I do know that I'm not going to jail for my conscience. I'm going to jail for you.
Nathalie: That's not what I want. I don't want that.
Henry Welles: I know, but... it's the only thing I can give you.
- ConnessioniFeatured in Conan: The Awkward Product Placement. Swiffer (2011)
- Colonne sonoreHead On
(uncredited)
Written by Jim Reid (as James Mcleish Reid) and William Reid (as William Adam Reid)
Performed by The Jesus & Mary Chain (as The Jesus and Mary Chain)
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- Tempo di esecuzione1 ora 32 minuti
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