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7,1/10
1562
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA man's life falls apart as a result of his affliction with Obsessive Compulsive Disorder and Tourette's Syndrome in this touching and funny tale.A man's life falls apart as a result of his affliction with Obsessive Compulsive Disorder and Tourette's Syndrome in this touching and funny tale.A man's life falls apart as a result of his affliction with Obsessive Compulsive Disorder and Tourette's Syndrome in this touching and funny tale.
- Regia
- Sceneggiatura
- Star
- Nominato ai 5 BAFTA Award
- 1 vittoria e 9 candidature totali
Recensioni in evidenza
This unusual movie was very well done, but overlong. The story arc is predictable, but the journey is worth the ride.
The odd camera angles do indeed help us feel Mark's discomfort. Even in casual conversations we alternate between overly tight head shots and very long shots; the camera never allows us to become comfortable with the situation.
I disagree with Missipecac in one area only. This film does indeed directly laugh at, and allow us to laugh at, the traits of OCD. I noticed, however, that this only happened between OCD sufferers. The outsiders in the film never laughed. They were always uncomfortable, frightened, distant, or confused. And the viewer was never given the opportunity to laugh in these situations.
It was only when the OCD sufferers could let their guard down and laugh (instead of crying) that the viewer could laugh along with them.
The predictableness of the plot did make for a movie that was too long. It could have been a good 10-15 minutes shorter. Even so, there was one obvious reference to a scene that was cut that I found quite jarring.
I was a spouse of a person with a major mental illness (not OCD). I would have liked to see the wife drawn a bit more fully. There were hints at her underlying sadness, regret, and guilt, but only the tiniest of hints.
I think this movie is a MUCH better examination of OCD than As Good As It Gets with Jack Nicholson. That movie was insufferably cute. In Dirty Filthy Love, even when you laugh at OCD, you never, ever find it cute or quirky.
The odd camera angles do indeed help us feel Mark's discomfort. Even in casual conversations we alternate between overly tight head shots and very long shots; the camera never allows us to become comfortable with the situation.
I disagree with Missipecac in one area only. This film does indeed directly laugh at, and allow us to laugh at, the traits of OCD. I noticed, however, that this only happened between OCD sufferers. The outsiders in the film never laughed. They were always uncomfortable, frightened, distant, or confused. And the viewer was never given the opportunity to laugh in these situations.
It was only when the OCD sufferers could let their guard down and laugh (instead of crying) that the viewer could laugh along with them.
The predictableness of the plot did make for a movie that was too long. It could have been a good 10-15 minutes shorter. Even so, there was one obvious reference to a scene that was cut that I found quite jarring.
I was a spouse of a person with a major mental illness (not OCD). I would have liked to see the wife drawn a bit more fully. There were hints at her underlying sadness, regret, and guilt, but only the tiniest of hints.
I think this movie is a MUCH better examination of OCD than As Good As It Gets with Jack Nicholson. That movie was insufferably cute. In Dirty Filthy Love, even when you laugh at OCD, you never, ever find it cute or quirky.
Beginning with a smart script by Jeff Pope and Ian Puleston-Davies (the latter a fine actor who happens to be afflicted with Obsessive Compulsive Disorder) and under the inordinately delicate direction of Adrian Shergold, DIRTY FILTHY LOVE is one of the more sensitive examinations of two challenges that affect the lives of many people throughout the world: Tourette's Syndrome (complete with tics and uncontrollable inappropriate outbursts of foul language, noises, shouts), and Obsessive Compulsive Disorder (lives complicated by the need for order imposed by the patient's mind as a series of repeated behaviors that protect the person from the terror of living in a chaotic world). Wrongly titled (a title that probably prevents many people from seeing this little miracle of a film) and incorrectly billed as a comedy (which is most certainly not), DIRTY FILTH LOVE is one of those films that slipped by us all without a theatrical release but now is thankfully available on DVD. It deserves full attention.
Mark Furness (played with superlative skill by Michael Sheen) is an architect on leave due to his progressive illnesses (see above) and who is first seen in the throes of beginning a trial separation from his beloved wife Stevie (Anastasia Griffith) who can no longer live under the same roof with Mark's 'inexplicable' behavior patterns. Left alone with the anxiety over his surfacing deterioration from his physical challenges, Mark finds solace with his close friends who also tire of his behavior and insist he seek medical help. In the waiting room of a deaf-eared doctor Mark 'meets' Charlotte (the astonishingly fine character actor Shirley Henderson) and Charlotte, who happens to suffer from both Obsessive Compulsive Disorder as well as trichotillomania (uncontrolled pulling out hair strands to the point of baldness), senses a man who needs help. Charlotte tells Mark of a group therapy session for people with similar problems and Mark, out of desperation, joins the group (a fascinating group of actors imbuing their disease states without the least sign of parody).
It is obvious rather early on that Charlotte is attracted to Mark, but Mark's life is one directed toward making himself acceptable to Stevie. With a powerful confrontation at a very social party Mark realizes he suffers from a disease state he has had since birth and the only one who really cares about his dilemma and understands his turmoil is Charlotte: a strange love affair is finally recognized.
Scripts such as this are all too rare and when brought to the screen with the exceptional acting and direction rendered by this crew they become films that should be required viewing. In every way these are brilliant performances by Michael Sheen and by Shirley Henderson, yet because the film never received a theatrical release in this country (probably due to the factors mentioned above) it will be ignored by the Oscars. But awards are only momentary returns for art pieces of this caliber and this one is destined for a long shelf life. Highly recommended. Grady Harp
Mark Furness (played with superlative skill by Michael Sheen) is an architect on leave due to his progressive illnesses (see above) and who is first seen in the throes of beginning a trial separation from his beloved wife Stevie (Anastasia Griffith) who can no longer live under the same roof with Mark's 'inexplicable' behavior patterns. Left alone with the anxiety over his surfacing deterioration from his physical challenges, Mark finds solace with his close friends who also tire of his behavior and insist he seek medical help. In the waiting room of a deaf-eared doctor Mark 'meets' Charlotte (the astonishingly fine character actor Shirley Henderson) and Charlotte, who happens to suffer from both Obsessive Compulsive Disorder as well as trichotillomania (uncontrolled pulling out hair strands to the point of baldness), senses a man who needs help. Charlotte tells Mark of a group therapy session for people with similar problems and Mark, out of desperation, joins the group (a fascinating group of actors imbuing their disease states without the least sign of parody).
It is obvious rather early on that Charlotte is attracted to Mark, but Mark's life is one directed toward making himself acceptable to Stevie. With a powerful confrontation at a very social party Mark realizes he suffers from a disease state he has had since birth and the only one who really cares about his dilemma and understands his turmoil is Charlotte: a strange love affair is finally recognized.
Scripts such as this are all too rare and when brought to the screen with the exceptional acting and direction rendered by this crew they become films that should be required viewing. In every way these are brilliant performances by Michael Sheen and by Shirley Henderson, yet because the film never received a theatrical release in this country (probably due to the factors mentioned above) it will be ignored by the Oscars. But awards are only momentary returns for art pieces of this caliber and this one is destined for a long shelf life. Highly recommended. Grady Harp
"Dirty, Filthy Love" certainly serves the OCD and Tourettes suffering community well. It may be exaggerated with the coprolalia (ie, spontaneous swearing), but most people think that is what Tourettes is, anyway. I recommend this film. Other films that also help include: "The Tic Code", "Maze" and "Matchstick Men". In each case, the actors provide some dimension of reality to the afflictions. More humorous renditions include Jack Nicholson ("As Good as it Gets") and the television show "Monk" (Tony Shaloub). A primary value is helping the sufferer to explain the condition to others (read: family), which is hard for many people to understand. The educational value alone makes all these efforts worth while. I applaud the actors, directors, cast and crew of all these films.
Dirty Filthy Love is one of the best films produced for British TV in 2004. Michael Sheen is a simply wonderful actor who will be BIG if he gets the breaks. As a man suffering from a marriage bust up compounded by Compulsive Obsessive Disorder and Tourette's, he injects a huge amount of pathos and humour into the role. Long after the film is over you will still be seeing Michael barking like a dog and swearing uncontrollably at complete strangers. It's a brave, touching and very funny film about a difficult subject told without artificial sentimentality, thoroughly recommended. When you've seen this, rush off to get Sheen in another little British gem 'Heartlands'.
At one level this is drama about self discovery and true love, which has been done a million times before. However, by giving the main character both Tourette's Syndrome and Obsessive Compulsive Disorder, it adds a twist which is enough to hold interest.
It would be interesting to hear the views of people with real experience of these conditions, to see if the portrayal is accurate. One scene is on a farm where a self-help group of OCD sufferers plunge their hands in manure to see if they can stand it. This surprised me because I thought this would be completely inconceivable for anyone who was a genuine sufferer. Also I couldn't help wondering if the script writers were mixing up different disorders. Maybe I am wrong, in any case it remains a well told story which is worth watching.
It would be interesting to hear the views of people with real experience of these conditions, to see if the portrayal is accurate. One scene is on a farm where a self-help group of OCD sufferers plunge their hands in manure to see if they can stand it. This surprised me because I thought this would be completely inconceivable for anyone who was a genuine sufferer. Also I couldn't help wondering if the script writers were mixing up different disorders. Maybe I am wrong, in any case it remains a well told story which is worth watching.
Lo sapevi?
- QuizOne of the writers of this screenplay, Ian Puleston-Davies, drew on his own experiences as a sufferer of Obsessive Compulsive Disorder.
- ConnessioniFeatured in WatchMojo: Top 10 Characters with OCD in Film and TV (2015)
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By what name was Dirty Filthy Love (2004) officially released in Canada in English?
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