Paul è un camionista statunitense che lavora in Iraq. Dopo un attacco da parte di un gruppo di iracheni si sveglia per scoprire che è stato sepolto vivo in una bara. Avrà solo un accendino e... Leggi tuttoPaul è un camionista statunitense che lavora in Iraq. Dopo un attacco da parte di un gruppo di iracheni si sveglia per scoprire che è stato sepolto vivo in una bara. Avrà solo un accendino e un telefono cellulare.Paul è un camionista statunitense che lavora in Iraq. Dopo un attacco da parte di un gruppo di iracheni si sveglia per scoprire che è stato sepolto vivo in una bara. Avrà solo un accendino e un telefono cellulare.
- Regia
- Sceneggiatura
- Star
- Premi
- 16 vittorie e 33 candidature totali
Ivana Miño
- Pamela Lutti
- (voce)
Kali Rocha
- 911 Operator
- (voce)
Cade Dundish
- Shane Conroy
- (voce)
Mary Birdsong
- 411 Female Operator
- (voce)
- (as Mary Songbird)
Juan Hidalgo
- Kidnapper
- (voce)
Recensioni in evidenza
Buried is easily one of the interesting movie experiments I have seen in recent times. Spanish director Rodrigo Cortes takes minimalist cinema-making to new heights by telling a story with just only one character trapped in one location in what is almost dogma 95esque settings, and far more importantly he manages to do so by keeping it interesting throughout the 90 minutes.
Buried opens with a man trapped in what appears to be a wooden box buried underground. As the movie progresses we find out he is Paul Conroy (Ryan Reynolds) an American truck driver employed by an American firm - Creston Roland and Thomas (CRT) in Iraq. His last memory is that of his convoy being ambushed by people (as Conroy puts it- terrorists, insurgents who the f**k cares?). As he tries to piece it all together he finds out that he has lost his special contact number ( that apparently every American in Iraq has been given in case of an emergency) but discovers a mobile phone ( in Arabic settings) and a Zippo lighter alongside a pencil, a pocket knife, and supply of anti-anxiety pills ( we later learn that Conroy suffers from anxiety)
The rest of the movie is about his frenetic attempts to establish contact with outside world - his family, friends, employers, the state department to seek assistance to 'get him out'. But things start to get complicated when he is contacted on the phone by his abductor who requests him to arrange ransom from the American Embassy. Running out of both phone battery and air to breathe, Conroy soon finds out that the threats are not hollow; he is forced to make a video of himself which finds its way to the you tube. As things deliberate, Conroy starts to realise he is just a small, helpless insect caught in a web spun by devious and meaner players
+++
I missed Cortes' interview on BBC Radio 4 yesterday so I'm not really sure the actual intention behind the movie but there are enough, unmissable, Geo-political subtexts in the script - "I never thought I will find myself here". "I don't think any of us thought we would find ourselves here". I read the movie as Conroy being symbolic of America trapped in a situation which he couldn't get out of despite all the technology and the capitalism abound - multinationals ( admit it, doesn't Creston Roland and Thomas sound impressive? especially, if you say it where the outside temperature is 50 degree centigrade?), answering machines ( that great trickster of a machine that promises to callback but doesn't), robot call operators ( Sir, I can connect you to the FBI field office in Boston, New York, Chicago ), the protocols (Crisis Steering Committee, Hostage Negotiation Team ) etc, all of which somewhat seem hopelessly trivial in the face of more existential needs.
Buried is a intelligent 21st century cinematic marriage of Kafka and Beckett. Philosophically, it is a wonderful screen portrayal of a nervous breakdown in the wake of continuing threat. I found how Cortes had guided Conroy's character through a sequence of emotions - anger, pain, fear, disdain, dread, calm and finally acceptance very beautiful, though in a sense beautiful is not the correct word here. The camera work, especially the use of different angles to emphasise different emotions within the limited setting of the movie is commendable. Last but not the least, I always remembered Ryan Reynolds as that lanky guy wearing a maroon sweatshirt in Two guys , a girl and a pizza place. It is fair to say not anymore. To be frank, he is a bit of surprise here; he lives up to the demands of the role - a lesser effort would have easily made the Buried a 90 minute closeup photo-shoot in dark light settings. Ryan should be proud of his efforts in the Buried.
In light of how the idea of cinema is recast lately, movies such as Buried ought to be encouraged, because, amongst million other reasons it defines what cinema is more than how a 3D movie would. I would prefer watching Buried again than writing a review of James Cameron's next big computer generated manipulation that is assured to collectively sweep the humanity into his bank account.
Buried opens with a man trapped in what appears to be a wooden box buried underground. As the movie progresses we find out he is Paul Conroy (Ryan Reynolds) an American truck driver employed by an American firm - Creston Roland and Thomas (CRT) in Iraq. His last memory is that of his convoy being ambushed by people (as Conroy puts it- terrorists, insurgents who the f**k cares?). As he tries to piece it all together he finds out that he has lost his special contact number ( that apparently every American in Iraq has been given in case of an emergency) but discovers a mobile phone ( in Arabic settings) and a Zippo lighter alongside a pencil, a pocket knife, and supply of anti-anxiety pills ( we later learn that Conroy suffers from anxiety)
The rest of the movie is about his frenetic attempts to establish contact with outside world - his family, friends, employers, the state department to seek assistance to 'get him out'. But things start to get complicated when he is contacted on the phone by his abductor who requests him to arrange ransom from the American Embassy. Running out of both phone battery and air to breathe, Conroy soon finds out that the threats are not hollow; he is forced to make a video of himself which finds its way to the you tube. As things deliberate, Conroy starts to realise he is just a small, helpless insect caught in a web spun by devious and meaner players
+++
I missed Cortes' interview on BBC Radio 4 yesterday so I'm not really sure the actual intention behind the movie but there are enough, unmissable, Geo-political subtexts in the script - "I never thought I will find myself here". "I don't think any of us thought we would find ourselves here". I read the movie as Conroy being symbolic of America trapped in a situation which he couldn't get out of despite all the technology and the capitalism abound - multinationals ( admit it, doesn't Creston Roland and Thomas sound impressive? especially, if you say it where the outside temperature is 50 degree centigrade?), answering machines ( that great trickster of a machine that promises to callback but doesn't), robot call operators ( Sir, I can connect you to the FBI field office in Boston, New York, Chicago ), the protocols (Crisis Steering Committee, Hostage Negotiation Team ) etc, all of which somewhat seem hopelessly trivial in the face of more existential needs.
Buried is a intelligent 21st century cinematic marriage of Kafka and Beckett. Philosophically, it is a wonderful screen portrayal of a nervous breakdown in the wake of continuing threat. I found how Cortes had guided Conroy's character through a sequence of emotions - anger, pain, fear, disdain, dread, calm and finally acceptance very beautiful, though in a sense beautiful is not the correct word here. The camera work, especially the use of different angles to emphasise different emotions within the limited setting of the movie is commendable. Last but not the least, I always remembered Ryan Reynolds as that lanky guy wearing a maroon sweatshirt in Two guys , a girl and a pizza place. It is fair to say not anymore. To be frank, he is a bit of surprise here; he lives up to the demands of the role - a lesser effort would have easily made the Buried a 90 minute closeup photo-shoot in dark light settings. Ryan should be proud of his efforts in the Buried.
In light of how the idea of cinema is recast lately, movies such as Buried ought to be encouraged, because, amongst million other reasons it defines what cinema is more than how a 3D movie would. I would prefer watching Buried again than writing a review of James Cameron's next big computer generated manipulation that is assured to collectively sweep the humanity into his bank account.
It's a bit hard to review this special movie. You can't go into special effects because there were non. You can't say anything about the cast because it's just one person you see. And the set is simple too, just a coffin. Yes, indeed, it all takes place in a coffin. So that's already tricky to watch because I know a lot of people who didn't liked it because there was nothing to see or watch and I must agree with them. It takes indeed almost an hour before the suspense comes in. The first hour you will learn everything about the character, perfectly played by Ryan Reynolds. But it's all done on phone. Of course, being buried you can't do anything else than phone but for me it was a bit too long, an hour as I said. But from then on it goes faster and things go from worse to terribly wrong. The ending was a surprise for me. I won't spoil it just watch it. Still, I won't state it as a horror either a suspense or thriller. But you have to experience the coffin setting to sit it through. Simple story, excellent camera tricks.
I don't think I've seen a film quite like Buried before. It had me hooked from the onset, and built towards a really shocking and thrilling conclusion. I really enjoyed the story and thought that it maintained a great pace, which is vital for a film of this genre. There were maybe a few moments where things drifted off course, but for the most part it was solid.
Ryan Reynolds was great, which is handy considering he was essentially the sole performer in the film. For large parts of the film he had no dialogue, so he brought his A game in terms of his physical performance.
The camera work was very accomplished, managing to capture the claustrophobic environment without limiting the way the film looked.
A very solid and enjoyable thriller. Nothing truly amazing, but very entertaining and intriguing!
Ryan Reynolds was great, which is handy considering he was essentially the sole performer in the film. For large parts of the film he had no dialogue, so he brought his A game in terms of his physical performance.
The camera work was very accomplished, managing to capture the claustrophobic environment without limiting the way the film looked.
A very solid and enjoyable thriller. Nothing truly amazing, but very entertaining and intriguing!
Here is the proof that an intelligent movie can also be done with a low budget. The Spanish director Rodrigo Cortes mixed every element with a good balance into an interesting, never boring tense thriller. The end was very surprising and unexpected. I don't want to give more details here. Just watch it. I bought the DVD very cheap. Ryan Reynolds delivered a very respectable performance. The running time with 91 minutes was perfect. Buried is not based on true events but it is not far away from the reality.
My expectations have been met. Even my wife had her doubts before but then she looked it with high attention.
At the end we gave both a solid rating of 7/10.
My expectations have been met. Even my wife had her doubts before but then she looked it with high attention.
At the end we gave both a solid rating of 7/10.
When this movie started and the opening credits began, it was in parallel with Hitchcock movies, almost a replica of the Psycho opening sequence. It was fairly obvious that the director has been inspired by the Master of Macabre.
I was intrigued for the entire 90 minutes of the movie, and although there were a couple of scenes that I was unsure about, it was still well worth watching. Ryan Reynolds is believable as a man buried alive in a coffin, and you can really feel the emotions he experiences during the movie. There is some wonderful conversations he has on the phone, in particular when he speaks to his mother.
Just as you think that nothing more can happen, a surprise twist occurs which makes you want to stay and see if he will or will not survive. The ending was a surprise to me.
Like Phone Booth and Man On A Ledge, both I have only seen recently, I had to watch this to it's full conclusion, and I did enjoy it.
I was intrigued for the entire 90 minutes of the movie, and although there were a couple of scenes that I was unsure about, it was still well worth watching. Ryan Reynolds is believable as a man buried alive in a coffin, and you can really feel the emotions he experiences during the movie. There is some wonderful conversations he has on the phone, in particular when he speaks to his mother.
Just as you think that nothing more can happen, a surprise twist occurs which makes you want to stay and see if he will or will not survive. The ending was a surprise to me.
Like Phone Booth and Man On A Ledge, both I have only seen recently, I had to watch this to it's full conclusion, and I did enjoy it.
Lo sapevi?
- QuizRyan Reynolds stated that he suffered from claustrophobia towards the end of filming (much like the character he is playing). This was mainly due to the fact the coffin he was in was gradually filled with more and more sand as filming went on. He describes the last day of shooting as "unlike anything I experienced in my life, and I never ever want to experience that again."
- BlooperThe phone in close ups is shown to have multiple bars for the battery life. However, from a distance, the phone is shown to have one battery bar that just slowly decreases as a whole. It's actually 2 different phones he uses.
- Curiosità sui creditiAfter the end credits, we're shown a shot of the top of the inside of the coffin, the camera panning down slightly, but it stops soon after. So, the ending remains the same.
- Colonne sonoreIn the Lap of the Mountain
Written by Rodrigo Cortés and Víctor Reyes
Performed by Garrett Wall & The Breath-No-Breathers
Guitars and Banjo: Diego García
Drums: David Hyman
Bass: Francisco López
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Dettagli
Botteghino
- Budget
- 3.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 1.044.143 USD
- Fine settimana di apertura Stati Uniti e Canada
- 100.268 USD
- 26 set 2010
- Lordo in tutto il mondo
- 19.439.764 USD
- Tempo di esecuzione
- 1h 35min(95 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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