Le otto montagne

These days, when the emphasis in so many independent films is (for completely understandable reasons of prior neglect) on the feelings and relationships of women, here is a film that strides unapologetically into unusual territory - the complex emotional ties of two straight men who (with sometimes lengthy absences) have been close friends since boyhood. This is not to be confused with banal bromance films, with their pat tropes and (in too many cases) their uneasy joking about (yuk!) gayness. This is about two guys who sincerely, deeply love each other, even as they seek out and experience sexual intimacy with women. Could it be that the subtlety with which their relationship is portrayed was made possible by the many fine woman-centric films we have seen of late and that explore similar themes? Whatever, because it avoids clichés and cheap high-emotion plot twists (there are so many sequences when I braced for these and then, blessedly, they don't come), the film is deeply moving, and this avoidance of the explicit and the obvious places it, for me at least, on a higher plane than other recent efforts that cover similar territory (the recent, and in its own way excellent, Belgian film "Close", for example, in which the sexual pull between two early-adolescent boys is more fully developed, or the comparatively overblown "Banshees of Inisherin", which hammers away at you with cheaper, plot-driven superficiality).

The story is made all the more powerful by its examination of the complex relationships of the two boys, and later young men, with their respective fathers, and particularly with the father of Pietro, the narrator, (masterfully played by Filippo Timi) who, we eventually understand, became a central influence in the lives of both. The father of Bruno, the other protagonist, remains an unseen, malign presence -- though he does seem to have appeared in earlier cuts, since IMDB lists a credit for him. (Though the film in its present form clocks in at 2h27min, one does get the sense that there's a lot that ended up on the cutting room floor, which possibly accounts for how the later Nepal-located episodes seem somewhat underdeveloped and undermotivated. I would love to see a director's cut - I imagine it would be even richer and more rewarding.)

The acting throughout is on the highest level, including in the roles of the two protagonists as boys and as grown men. Luca Marinelli, in particular, who plays Pietro as a young adult, gives a stunning, understated, totally credible and moving performance. (He bears a striking resemblance to the young Gael Garcia Bernal, although, on the evidence of this film, his gifts as an actor may be greater.) The majesty of the mountain scenery (in the alpine Aosta valley) is stunningly portrayed and acts a glue to the film, grounding it in a specific reality and binding the characters to each other.

The one false note (if you will pardon the pun) lies in the soundtrack, which unaccountably draws on the English-language bleatings of a Swedish singer/songwriter named Daniel Norgren, who makes great, and to my mind cheesy, use of the organ. When the latter swells up at key moments, some of the air gets sucked out of the film's emotions. In a film of such delicacy and acuteness of observation, these moments seem like intrusions. This is one of those films that doesn't need music to make its impact, and the directors should perhaps have had the courage to leave well enough alone, as demonstrated by a few, hugely powerful shots that occur in near-total silence. But, with something this fine overall, that is a quibble.

This is a very special film about a lifelong friendship between Bruno (Alessandro Borghi) and Pietro (Luca Marinelli). Bruno was born and raised in the mountain, while Pietro learned to love the mountain through his father (Filippo Timi) but he is from the big city, Turin.

Felix Groeningen and are people from flatlands, but sincerely fascinated by the book and learned to love high mountain. This is a film about this friendship, often silent and distant, but very deep ubreakable. It's also a film about the few Europeans who still love places of great beauty but distant from social interaction and the comfort of technology. As at one point Bruno says he is good at one thing: to live alone on the mountain. This is a quality that is more and more rare and the directors have made a great film.

As children (during summer holidays in the Italian Alps) two young boys become acquainted, with a purity and innocence that's well painted, bonding as brothers in a way, having great fun the days they play, quite different backgrounds, but that affect, is far from tainted. As they get older their own journeys change direction, until one loses a father, then reconnection, and a project is established, to realise the one that's passed wish, and from the rubble and old wood, there's introspection. As time passes they move on to different glades, one travels, one a family does raise, but like the land with all those highs, there are some lows that can capsize, as life can be transformed, by where you graze.

Saw this at the 2023 Sundance Film Festival

"The Eight Mountains" is a story about two young Italian boys spend their childhoods together in a secluded alpine village roaming the surrounding peaks and valleys before their paths diverge. Felix van Groeningen is a filmmaker I have seen previously and I haven't been too big with his works as his works were mainly a bit cheesy for my taste. This being a collaborated project with Charlotte Vandermeersch, this took a different shift.

The film has extremely beautiful camerawork, visual presentation, and sound designs as the film does a pretty good job showing the beautiful landscapes of Italy and the environment. The countryside presentation remained me of aspects from "Brokeback Mountain" or any films from Terrence Malick. The costumes and visual aspects of the film were the selling points of this film. With the characters explored, the film does explore themes of friendship, loss and social conflicts between society and while the film does have good moments, the themes felt a little dull as they felt unevenly explored. Many of the performances from the cast members were pretty good. Even the child actors were really good as well.

However, I wasn't able to fully connect with this film as I was hoping for. There are many great elements that could have been better like some of the characters relationships and conflicts could have been explored a little more and the pacing could have been improved as it did drag a little. Some dialogue moments were really bad. Overall, this isn't a bad film and there are a lot to appreciate, but it was a bit underwhelming since this was one of my anticipated films from Sundance.

Rating: B-

It took me some weeks to properly put my thoughts about this movie into words. I haven't read the book, although I am definitely planning to. For what I've heard, the movie is mostly true to the original story by Paola Cognetti.

The movie was filmed and produced during the Covid-pandemic. Felix Van Groeningen, Charlotte Vandermeersch and the film crew stayed near the mountains during the shoot. This embodies in a way the self-sought isolation in the mountains of one of the main characters Bruno.

The music nicely complements the documentary-like, authentic images of the breath-taking nature - a term clearly only used by city people.

This is not your average "wanderlust" movie. Le Otto Montagne is about a difficult father-son relationship which could have been totally different if they knew each other at different times. It is a movie about the quest to finding yourself which everyone strays or should stray by themselves. Most of all, it is about the strong relationship based on the mutual love for the mountains between two life-long friends, who do not have to hear or see each other every week or month to maintain it. A relationship strong enough to easily overcome disputes, misfortunes and most importantly time is something rare and special and something I wish for everybody.

I saw the movie at the end of 2022 and it easily became my top movie of that year. 10/10.