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These days, when the emphasis in so many independent films is (for completely understandable reasons of prior neglect) on the feelings and relationships of women, here is a film that strides unapologetically into unusual territory - the complex emotional ties of two straight men who (with sometimes lengthy absences) have been close friends since boyhood. This is not to be confused with banal bromance films, with their pat tropes and (in too many cases) their uneasy joking about (yuk!) gayness. This is about two guys who sincerely, deeply love each other, even as they seek out and experience sexual intimacy with women. Could it be that the subtlety with which their relationship is portrayed was made possible by the many fine woman-centric films we have seen of late and that explore similar themes? Whatever, because it avoids clichés and cheap high-emotion plot twists (there are so many sequences when I braced for these and then, blessedly, they don't come), the film is deeply moving, and this avoidance of the explicit and the obvious places it, for me at least, on a higher plane than other recent efforts that cover similar territory (the recent, and in its own way excellent, Belgian film "Close", for example, in which the sexual pull between two early-adolescent boys is more fully developed, or the comparatively overblown "Banshees of Inisherin", which hammers away at you with cheaper, plot-driven superficiality).

The story is made all the more powerful by its examination of the complex relationships of the two boys, and later young men, with their respective fathers, and particularly with the father of Pietro, the narrator, (masterfully played by Filippo Timi) who, we eventually understand, became a central influence in the lives of both. The father of Bruno, the other protagonist, remains an unseen, malign presence -- though he does seem to have appeared in earlier cuts, since IMDB lists a credit for him. (Though the film in its present form clocks in at 2h27min, one does get the sense that there's a lot that ended up on the cutting room floor, which possibly accounts for how the later Nepal-located episodes seem somewhat underdeveloped and undermotivated. I would love to see a director's cut - I imagine it would be even richer and more rewarding.)

The acting throughout is on the highest level, including in the roles of the two protagonists as boys and as grown men. Luca Marinelli, in particular, who plays Pietro as a young adult, gives a stunning, understated, totally credible and moving performance. (He bears a striking resemblance to the young Gael Garcia Bernal, although, on the evidence of this film, his gifts as an actor may be greater.) The majesty of the mountain scenery (in the alpine Aosta valley) is stunningly portrayed and acts a glue to the film, grounding it in a specific reality and binding the characters to each other.

The one false note (if you will pardon the pun) lies in the soundtrack, which unaccountably draws on the English-language bleatings of a Swedish singer/songwriter named Daniel Norgren, who makes great, and to my mind cheesy, use of the organ. When the latter swells up at key moments, some of the air gets sucked out of the film's emotions. In a film of such delicacy and acuteness of observation, these moments seem like intrusions. This is one of those films that doesn't need music to make its impact, and the directors should perhaps have had the courage to leave well enough alone, as demonstrated by a few, hugely powerful shots that occur in near-total silence. But, with something this fine overall, that is a quibble.

Felix Van Groeningen, the director of The Eight Mountains, was born and raised in an area that's as flat as a pancake. I know, because I live there. There are no mountains in Flanders.

Maybe it takes a flatlander like Van Groeningen to really appreciate the beauty of mountains. His film starts with magnificent images of the Italian Alps, the area where The Eight Mountains takes place. In fact, the whole movie seems to be an ode to the beauty of the mountains. The vistas from the highest summits and the calm of a mountain lake: the images are magnificent.

And so is the story of the two friends, who both love those mountains. As a child, city dweller Pietro befriends Bruno, who lives in a small mountain village. Their friendship continues when they are adults. The film shows how they both try to shape their lives, each in their own way. Both are drawn to the mountains, but in different ways.

Van Groeningen, together with his wife Charlotte Vandermeersch, has made a beautiful and poetic movie about the friendship between Bruno and Pietro. The two men don't show their emotions easily, and the film doesn't aim for easy effects either. In an understated, subtle way, the movie shows how their lives divert, but remain connected through their mutual love for the mountains. It's well directed, well acted and beautifully filmed. This film will find a natural audience: the readers of Paolo Cognetti's bestseller it's based on. But those who haven't read the book might also be fascinated by the friendship between Pietro and Bruno.

This is a very special film about a lifelong friendship between Bruno (Alessandro Borghi) and Pietro (Luca Marinelli). Bruno was born and raised in the mountain, while Pietro learned to love the mountain through his father (Filippo Timi) but he is from the big city, Turin.

Felix Groeningen and are people from flatlands, but sincerely fascinated by the book and learned to love high mountain. This is a film about this friendship, often silent and distant, but very deep ubreakable. It's also a film about the few Europeans who still love places of great beauty but distant from social interaction and the comfort of technology. As at one point Bruno says he is good at one thing: to live alone on the mountain. This is a quality that is more and more rare and the directors have made a great film.

This movie is beautiful. It's about life, childhood, living the life, death, existential crisis and friendship. It's a slow burner but never boring - on the contrary - you want to know the whole story about the two main characters and how they end up in life.

The scenery is stunning - from the alps to the Himalayas.

This is not pure entertainment- more like reading a book with pure wisdom and plenty of life experience. I suspect the story will stay with me for days or weeks. The acting is top notch.

However, this is the very opposite to the pure entertaining Hollywood movie, and is maybe not optimal for a Friday night after a long workweek.

I was completely seduced from start to finish by the atmosphere, by the tenderness and the love that emerges from the fantastic story of this friendship.

The images are sublime and authentic. We can very well feel the influences of Sean Penn's "Into The Wild" in this film.

The music is also superb. I recommend to all movie buffs. For this me, this movie has it all.

The images of nature are breathtaking and remind us of the difficulties of living in the mountains. This film exudes authenticity and true relationships between humans.

The Italian actors are incredibly accurate.

It reminded me of the 70's.

I warmly recommend.

It took me some weeks to properly put my thoughts about this movie into words. I haven't read the book, although I am definitely planning to. For what I've heard, the movie is mostly true to the original story by Paola Cognetti.

The movie was filmed and produced during the Covid-pandemic. Felix Van Groeningen, Charlotte Vandermeersch and the film crew stayed near the mountains during the shoot. This embodies in a way the self-sought isolation in the mountains of one of the main characters Bruno.

The music nicely complements the documentary-like, authentic images of the breath-taking nature - a term clearly only used by city people.

This is not your average "wanderlust" movie. Le Otto Montagne is about a difficult father-son relationship which could have been totally different if they knew each other at different times. It is a movie about the quest to finding yourself which everyone strays or should stray by themselves. Most of all, it is about the strong relationship based on the mutual love for the mountains between two life-long friends, who do not have to hear or see each other every week or month to maintain it. A relationship strong enough to easily overcome disputes, misfortunes and most importantly time is something rare and special and something I wish for everybody.

I saw the movie at the end of 2022 and it easily became my top movie of that year. 10/10.

Saw this at the 2023 Sundance Film Festival

"The Eight Mountains" is a story about two young Italian boys spend their childhoods together in a secluded alpine village roaming the surrounding peaks and valleys before their paths diverge. Felix van Groeningen is a filmmaker I have seen previously and I haven't been too big with his works as his works were mainly a bit cheesy for my taste. This being a collaborated project with Charlotte Vandermeersch, this took a different shift.

The film has extremely beautiful camerawork, visual presentation, and sound designs as the film does a pretty good job showing the beautiful landscapes of Italy and the environment. The countryside presentation remained me of aspects from "Brokeback Mountain" or any films from Terrence Malick. The costumes and visual aspects of the film were the selling points of this film. With the characters explored, the film does explore themes of friendship, loss and social conflicts between society and while the film does have good moments, the themes felt a little dull as they felt unevenly explored. Many of the performances from the cast members were pretty good. Even the child actors were really good as well.

However, I wasn't able to fully connect with this film as I was hoping for. There are many great elements that could have been better like some of the characters relationships and conflicts could have been explored a little more and the pacing could have been improved as it did drag a little. Some dialogue moments were really bad. Overall, this isn't a bad film and there are a lot to appreciate, but it was a bit underwhelming since this was one of my anticipated films from Sundance.

Rating: B-

There are certain movies in modern cinema that have an abstract length and tempo. They're often hard to describe and sometimes even tougher to sit through. At the same time, they work somewhat like a time travel machine. Suddenly, everything stops and life flashes before your eyes. Before you even realize it, you're contemplating the sense of your life and are forced to evaluate the decisions you made and the person you've become. You either love it or you hate it.

In 2021, Drive My Car by Ryusuke Hamaguchi was a pitch-perfect example of such cinema. Now, it's almost impossible not to feel similarly about The Eight Mountains by Felix Van Groeningen and Charlotte Vandermeersch.

The film follows a simple yet complex story of Pietro, who visits an almost abandoned mountain village as a child with his mother during summer. There, he meets Bruno, a boy his age who's one of the 14 citizens who have stayed following an "industrial revolution." Their lives vary on every possible level.

Pietro is a city-raised boy, with all the flashy clothes and fancy Adidas on his feet, while Bruno wears the same dirty bags and has to take care of cattle. The former is successful in school, while the second struggles to read. Yet, they form a connection that, to much of their surprise, would hold them together until the end of their lives.

At first sight, The Eight Mountains feels like an ordinary story of friendship that was lost in time, yet marks its return in an unexpected fashion as both Bruno and Pietro (now adults) find themselves building a house together. A house, that was a dream of Pietro's father, who doesn't really have a significant relationship with his son but has found an oddly, though, understandably, strong bond with Bruno instead.

The friendship between Pietro and Bruno is a feat so incredibly acted and written, with its subtlety telling us more emotions than any words could have, that it's definitely a perfect choice to have it as a main story. What does true friendship mean? And how much can it take? Does it have boundaries, and if so, can they ever be crossed? You'll find answers to these questions here. But The Eight Mountains is much more than that.

It's a tale about stepping out of your parents' shadow, yet struggling to cut away the same (often toxic) habits they had. It's about searching for your own purpose, while also trying to fulfill your parents' wishes and dreams. It's about looking for your own place in the world in light of always being the second choice among the people you know, but still coming back and finding happiness and solace with them. It's about crossing your own limits in your head but failing plenty of times along the way.

The list of themes in The Eight Mountains is definitely a lengthy one. Such cases are often a recipe for messy productions that struggle to keep viewers' attention. This time around, it's also not perfect. There are moments when you start crying, only to wipe your tears and focus again on the short but important conversations, with dramatic, almost thriller-like music suddenly playing in the background. Then you're back to crying but also holding your breath.

Yes, The Eight Mountains can be sometimes hard to keep track of. With all its emotional themes and rhythmical rollercoaster, you will find yourself confused, just like I did. Still, it does an even better job of gluing you back into the screen, not only due to the story but the monumental views it shows.

The majority of the movie takes place somewhere in Italian Alps. While I've never personally seen this part of the world, I don't need any convincing anymore to do so. The film is shot masterfully, with the camera often zooming out and transforming the main characters into a small element of the background, while the astonishing mountains take the main stage.

There aren't many moments like these in The Eight Mountains, but when they strike, they do so with full force. With an inspiration surely taken from a movie like Into the Wild (2007), it feels somewhat familiar, but it doesn't take away the pleasure and with its unusual narrow camera angle, it's certainly special.

On top of that, these mountains, cliffs, edges, and so on aren't only there to take your breath away. They're a perfect metaphor for the story. "The mountain is a way of living life. One step in front of the other, silence, time and measure," says Bruno throughout the film.

The Eight Mountains is an incredibly ambitious project which tells numerous stories, all connected to each other. Pietro's journey to self-discovery is one that won't grab everyone's attention at first sight, but those who give it a try and have some patience will certainly be rewarded with a mix of emotions. Emotions, that take your heart by storm and won't let go.

You either love or hate this kind of cinema, and I unquestionably belong to the first group. After watching The Eight Mountains, you will love it as well.

Considering the importance of friendship in our lives, it's somewhat surprising that there aren't more movies devoted to this subject. But perhaps that's because it's difficult to make truly engaging films that effectively address this topic. Such is the case with this would-be grand sweeping epic set against the mountain landscapes of Italy and Nepal. In this tale of life-long friendship and self-discovery, directors Felix van Groeningen and Charlotte Vandermeersch attempt to examine these issues through the complex relationship of two boyhood chums (Luca Martinelli, Alessandro Borghi) over the course of four subsequent decades. Unfortunately, the film seeks to cover so much ground (and lacks the kind of clarity required to do so) that much of the narrative seems muddled, meandering and just plain dull. The filmmakers try to paper over this central shortcoming with its visually stunning cinematography, which is so impressive in itself that it almost makes the picture worth watching. However, given the overall lack of focus, snail-like pacing and inclusion of too much easily removed extraneous material, the visuals are not enough to overcome a script that's not as profound as it likes to think it is. Moreover, the chemistry between the two protagonists is often unconvincing and unclear as to what the true nature of their connection is supposed to be, making it hard to believe that they're genuinely the good friends that the directors are attempting to claim they are (or, strangely enough at times, that they're perhaps more than just the friends that they allegedly are). In the picture's defense, it improves somewhat the further one gets into the story, but so much narrative clutter has preceded this that it's difficult to muster much enthusiasm for how events play out. And, despite a supposedly uplifting message, this offering has a profound level of sadness attached to it that the filmmakers try to deflect with a sense of overblown phony nobility that, even if widely held, fails to muster the empathy it tries to generate with audience members. Friendship is indeed something that deserves wider attention in the cinematic landscape, but this release is not the way to go about it.

Felix Van Groeningen and Charlotte Vandermeersch succeeded magnificently in bringing the epic tale of Paolo Cognetti about relationships between people and people and mountains to the big screen.

With Luca Marinelli and Alessandro Borghi the main characters were brought alive by probably two of the biggest talents in acting Italy has to offer at the moment.

The mountain scenery is simply stunning and the stuff that every mountain enthusiast's dreams are made of. However, you want to keep your eyes wide open for this picture. Neither flashy nor slow, this movie takes the time to tell a story, without it getting tedious at any point. It gives you the space to take it all in and it allows one's emotions to come into their own.

I watched "The Eight Mountains"(Italian: Le otto montagne) which is a 2022 Italian drama film co-directed by Felix van Groeningen and Charlotte Vandermeersch on the Criterion Channel. The film depicts a friendship between two men (Luca Marinelli and Alessandro Borghi) who spend their childhood together in a remote Alpine village and reconnect later as adults. Beautifully filmed on location in the Italian Alps (although the cinematographer used a strange aspect ratio of 1.33:1 - why use a SD TV ratio?) it is also very well acted by the two leads. I was also impressed with the performances of the actors (Andrea Palma and Francesco Palombelli) who play the younger versions of the two leads. However, the story itself is slow-moving, disjointed, and to me, not very involving. The director and writer need to realize that there is more to filmmaking other than cinematic beauty - one can see the Alps in a Natgeo special in High definition - there is no real "meat" to the story. So, I cannot give this film my highest recommendation, but I would suggest you try to find it and make up your own mind. 6/10.

I haven't read the book but based on the movie alone I must say the characters and storyline didn't engage me at all. The movie doesn't do much to make the audience get involved in the characters' psyche nor does it attempt to make you interested through the plot. You basically listen to the narrator explaining (with little success) how the author sees things topped by sparsely distributed conversation between the two main characters. On the plus side, the scenery was visually appealing but I must say there are tons of such clips available on the internet these days, you don't need to go to a movie to see that. The Eight Mountains was a disappointment.

As children (during summer holidays in the Italian Alps) two young boys become acquainted, with a purity and innocence that's well painted, bonding as brothers in a way, having great fun the days they play, quite different backgrounds, but that affect, is far from tainted. As they get older their own journeys change direction, until one loses a father, then reconnection, and a project is established, to realise the one that's passed wish, and from the rubble and old wood, there's introspection. As time passes they move on to different glades, one travels, one a family does raise, but like the land with all those highs, there are some lows that can capsize, as life can be transformed, by where you graze.

"I felt like I had missed out on the most important things, while I was busy with other things so futile I couldn't even remember them."

Breathtaking scenery, emotional story. It touches on so many things: childhood friendship extended into adulthood, parental estrangement and regret, finding one's path in life, be it more or less travelled, and cycles repeating themselves, sometimes in good ways, sometimes bad. In some ways the film moves slowly, allowing the viewer to soak in the quiet lifestyle and contemplate along with the characters, and in other ways, quickly, not finishing every conversation or connecting all the dots. I loved this approach, and the power in the story. This one is a gem.

"Pietro" (a scene stealing Lupo Barbiero) is a young boy taken by his mother from their home in Turin to a small mountain village where amongst the dozen or so residents he befriends "Bruno" (Cristiano Sassella). The latter boy lives with his cheese-making uncle, content to follow in his footsteps. After a few trips, the visiting family decide to offer "Bruno" an opportunity for education in the city, but when that comes a cropper the two boys become a bit estranged not just from each other, but "Pietro" from his dad (Filippo Timi) too. It is only when his father dies that "Pietro" (now Luca Marinelli) returns to the mountain where he is reintroduced to "Bruno" (Alessandro Borghi) and advised that his father has left him a ramshackle cottage high above the snow line. The two set about restoring this ruin and simultaneously rediscover their friendship. What now ensues is a throughly engaging story of two men reconciling their similarities and their differences. The one content to live as his predecessors had, the other restless and ill-focussed. The treacherous mountain is but one of the challenges the men face as they grow older and world-wearier. The narrative also illustrates just how tough subsistence living - especially in any traditional sense - can be, and at times the despair is palpable. That said, there is plenty of understated joy here, too. This isn't a depressing watch, it's actually quite an illuminating and uplifting one that I really did enjoy for just shy of the 2½ hours running time. The acting is good, the writing is plausible and the photography: the drones are put to great effect bringing us the beauty and hostility of this enthralling environment. It's a film about friendship and integrity, this - warts and all - and it also warns us of the dangers to rural livelihoods if left unsupported and neglected by society at large - especially those urban amongst us, safely ensconced behind our double gazing. Thought-provoking with a characterful richness - well worth settling down to watch.

Having been living near mountain in Iceland and inspired by a visit to the Dolomites, I love to read books and watch films about live in mountains.

Eight Mountains is an enthralling cinematic experience that immerses audiences in the awe-inspiring beauty of the Alps and Himalaya. Based on Paolo Cognetti's acclaimed novel, the film delves into the profound themes of friendship, isolation, and the complex dynamics between fathers and sons.

Eight Mountains shares thematic similarities with the critically acclaimed film Into the Wild. Both films encapsulate the search for personal meaning and the longing to break free from societal constraints.

Eight Mountains struck a personal chord. The film beautifully captures the allure and transformative power of these natural wonders. The breathtaking visuals transported me back to the mountains, reminding me of the profound impact they had on my own life.

I love the book and mz gratitude to Paolo Cognetti is far to be a reduced one. Reading the novel, I hoped - and figured - be adaptated. But the reserves about manner to use the pure cinematographyc images from book were not so small.

The film... The basic virtue defining it remains its correctness. Few powerful, touching scenes are smart adaptated< few others, ignored with grace. And , sure, the steps from the age to other of Pietro and Bruno remains an essential virtue.

The image , indeed, it can be the essential good point. But , obvious, it is the expected one. So, a beautiful film, a correct adaptation and precious gift for reader first .

To see when: You are longing to disappear on a hiking holiday into the mountains, away from it all, thinking that thàt is what is going to fix your directionlessness in life.

Maybe my expectations were too high?

After getting a minute long standing ovation at Cannes (after some research a lot of films get standing ovations there?), snatching the Jury prize, and being directed by Belgian couple Van Groeningen & Vermeersch (Van Groeningen has a catalog of bangers only), I expected nothing less than a rollercoaster of emotions tearing me apart.

Especially from a movie that is right up my alley, my alley being: Stunning mountain landscapes, Italian sentences, and a story about real people going through the rough motions of the sea of life..

The movie takes us along the trials and tribulations of two boys from different backgrounds growing into men, united by their love for the mountains, searching for their paths in life, and how to navigate it.

It missed, however, some ingredient to fully penetrate my heart, and make me shed a tear.

Maybe because the ending felt a bit rushed? Were the metaphors a bit too much on the nose? Or was the message it tried to convey a bit too convoluted?

I wanted to love it wholeheartedly, but ended up liking it as a friend.

When I saw the trailer I was not surprised. But after watching the movie, everything changed. The story is true and full of suspense. The characters play so well, they knew how to convey all their experiences. It's a very realistic film, just like the daily life of a man, with good, happy but also sad days that you wish would end. You can find yourself in this story, searching for your own path in life, but also the pain of separation from loved ones. You live the film. The landscapes are beautiful.

It seems that today quality films can still be made.

Worth revisiting many times. Congratulations!

Story of a friendship that runs decades and about family and relationships inside one. About life and its turns and connection to nature as well as the contrast of city/nature life.

This is a beautiful movie, it is not a film for easy friday night or fun, I'd also say. It's a deep dive and it takes you through a beautiful and also sad and raw story in a breathtaking scenery of mountains and nature. It is real and I have found myself thinking about friendships and beauty of life but also the inevitable. And about the true worth of things in our lives, people we love and nature we connect to.

I think actors did a great job and ofcourse I'd also recommend the book. I have read it and must say, in this case, I think movie does justice to the book and doesn't downgrade it.

Beautiful and deeply touching. Especially if you also love love nature.

For a short easy film, pick something else.

The Eight Mountains is a stunning and profound drama that captures the essence of natural beauty. It portrays a unique and heartfelt portrayal of lifelong brotherly love. Unlike typical films about male friendship, it delves into the depths of their connection without relying on clichéd camaraderie. The pacing is impeccable, allowing for a thorough exploration of the events that shape individuals and the consequences of their decisions. With breathtaking scenery and masterful cinematography, this film takes its time to showcase the profound impact of life's experiences. The Eight Mountains is a mesmerizing piece that will leave you enthralled and deeply moved.