Tsar

Film 'Tsar' made some social resonance in Russia,- dividing people who do not accept film because of huge mortality and deaths in film(it's true - 'Tsar' is dark and cruel) and those who see the human Drama in face of Tsar Ivan, drama of the governor - is really not the best in Lungin's biography,though the best in my.

I had opportunity to take participation in this film, i was acting eye- blinded Serafim and should say that the plot of this film is really great. and Im thanking life and faith to let me do my job as good as i could))))

Also i've got lots of new friends,- among them Tom Stern -

the cinematographer of 'Tsar'.- really good American,- i took a look on his projects with Clint Eastwood, and opened this to brave Americans for myself.

Who was Ivan the Terrible? Was he really as terrible as the name suggests or it this mostly myth and bad PR? Pawel Lungin seems to agree with the previous and paints a terrifying portrait of his persona with the ultimate counterpoint in Metropolitanate Philipp, the religious overseer of Moscow and the Church. In this tale of madness, torture and dementia the innocent will perish, but will stick with their ideals, while the cruel remain with only eternal damnation that awaits them...

Both main actors Pyotr Mamonov (Ivan) and Oleg Yankovskiy (Philipp) are a real tour de force. They are absolutely unbelievably good in the parts they play and especially Mamonov gives possibly the best performance I have seen in years. And yet with some much going for the movie in the actor department I felt massively under-awed by the direction of this movie.

The story never really flows or builds and essentially history passes this movie by. This would be acceptable if the focus on the two protagonists was well handled and showed a consistent cause and effect. However we never really get to feel what is happening in Russia and how that is affecting the Tsar. In the end most is left to imagination or historical knowledge, as the movie merely suggests several key moments in time, but all this happens off screen. The background - so necessary for clarity - is hardly mentioned or is passed totally. In the end you never really understand the changes in Ivan and the engulfing madness. Additionally his actions and words are incoherent and show either bad script-doctoring or an inability to convey the character as being inconsistent in his madness. Within several minutes you see Ivan turn from a god-fearing fanatic claiming all his deeds are in the name of God and for his glory into someone claiming that ruling a country takes place outside of God. No credible build-up was really given to such a sudden change of views.

All in all the madness is inconsistent and after watching the movie I feel like I know less about Ivan than before watching it. Also the overly religious motifs, which plague the movie really irked me in the wrong places.

An impressive work, for someone acquainted with Russian culture and history. The acting is superb and the reality imposed by a bloody Russian King is overwhelming; as well his evil deeds were unfolded in the movie respecting all the historical facts. Its really marvelous to encounter in the movie the Christian orthodox struggle with the absolute power of the King and his outlawed deeds. If u really want to see what church meant in Russian past you are really invited to watch the movie, I can assure you it will shock your mind. I watched it and I have seen what a twisted mind with absolute power can do to humanity. By any means it is truly a masterpiece, definitely a must see.

Basic story. About power and faith. About power as expression of faith. About limits, fear and selfish. Impressive fragment of Russian history, it is, in fact, a parable. With wonderful cast and impressive images. Oleg Yankovskiy in his last role. Peter Mamonov as dark side of Father Anatoli from Ostrov. And the ambition of Pavel Lungin to say never death truth.Like a diamont, this movie has many faces. So, the first contact is only a sketch. Different impressions, heavey images, a new Mamonov, a short travel in history book to remind details about central character. Then, the waters are clear. The lights and the story , the dark isles and the splendid slices are nuances of same carpet. Ivan the Terrible is a fragile sinner built in self. And the gill, protect by Holy Virgin, the jester, the metropolitan, the hysterical wife - pieces of God presence in a desert without hope.

The famous Russian producer Pavel Loungin paints a grim - though realistic - picture of the brutal rule of Ivan the Terrible, the first self-proclaimed Tsar of Russia. The depth and sophistication of the movie are obvious to everyone familiar with Russia's bitter history (and, sadly,) present. It is not so difficult to identify the contemporary realities of Russia (autocracy, iron fist ideology, contempt and perversion of justice) with what you see in Moscovy of 1570s. On top of that, the critical parts in the movie are played by the outstanding actors Oleg Yankovsky (metropolital Philip Kolychev) - one can only wonder how a 21 century actor can portray a saint and Peter Mamonov - a chilling representation of the maniacal Tsar Ivan, who does not give you a minute of rest throughout the movie. The movie is surely a landmark in filming history. The current mediocre rating is surprising to me and is apparently based on the votes of Russian iron fist sympathizers.